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Tone of Voice and Mind : The Connections between Intonation ...

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Consciousness <strong>and</strong> cognition 153<br />

major <strong>and</strong> minor chords) have “universal” emotional meaning, it can be said<br />

that the affective state <strong>of</strong> the RH is transmitted to the LH as a pattern <strong>of</strong> neuronal<br />

activity in the form <strong>of</strong> a tonotopic “intonation map” <strong>and</strong> expressed vocally<br />

by the LH. Several c<strong>and</strong>idate neuronal mechanisms concerning the interhemispheric<br />

transfer <strong>of</strong> topographically-organized information are known <strong>and</strong><br />

constitute a small set <strong>of</strong> physiologically-plausible processes by which information<br />

can be stored <strong>and</strong> transmitted to other brain regions (Chapter 5). While<br />

the scientific argument is as yet far from proven, the major pieces concerning<br />

cortical mapping, interhemispheric transfer, <strong>and</strong> the perception <strong>and</strong> the production<br />

<strong>of</strong> auditory affect have been empirically established. Those patterns <strong>of</strong><br />

corticocortical communication are the physiological pieces that constitute the<br />

“brain code.”<br />

<strong>The</strong> arguments outlined in Part I are incomplete on many counts, but –<br />

even granting the theoretical possibility <strong>of</strong> such a “code” –many psychologists,<br />

<strong>and</strong> perhaps all those working on the problems <strong>of</strong> consciousness, would<br />

nonetheless object to an assertion that the establishment <strong>of</strong> a brain code is a<br />

sufficient underst<strong>and</strong>ing <strong>of</strong> the brain. Even if, for the sake <strong>of</strong> argument, one<br />

were to accept that the central dogma provides a rough summary <strong>of</strong> the major<br />

pathways <strong>of</strong> information flow in the human brain, <strong>and</strong> even if one were to<br />

accept that the cortical representation <strong>of</strong> emotions takes the form <strong>of</strong> activation<br />

<strong>of</strong> tonotopic maps, still questions remain: Why do we not only “think” about,<br />

for example, the pitch changes in the voice, but also “feel” them? It is relatively<br />

easy to underst<strong>and</strong> how cognition <strong>and</strong> the control <strong>of</strong> behavior might occur due<br />

to the firing <strong>of</strong> neurons, but why do people subjectively experience emotions<br />

that are distinct from cognition?<br />

And those are important questions.<br />

In the chapters that follow, I argue that the key to these <strong>and</strong> related issues<br />

concerning subjectivity does not lie in the realm <strong>of</strong> neuropsychology; in other<br />

words, these issues are unlikely to be resolved at the “whole-brain” level <strong>and</strong><br />

require that we rethink the entire issue <strong>of</strong> subjectivity starting from the neuron<br />

<strong>and</strong> working gradually to larger neural systems. Thus far all arguments<br />

concerning the brain code have been at the relatively macroscopic level <strong>of</strong> cortical<br />

mapping <strong>and</strong> the sequential flow <strong>of</strong> patterns <strong>of</strong> activation from one brain<br />

region to another. That, I maintain, is the proper level at which to address<br />

questions concerning the higher-level cognition that leads to characteristicallyhuman<br />

behavior. In effect, much <strong>of</strong> the discussion <strong>of</strong> the brain code has been<br />

concerned with differences <strong>between</strong> the cortical activity <strong>of</strong> human beings <strong>and</strong><br />

that <strong>of</strong> apes, with particular emphasis on the significance <strong>of</strong> the functional<br />

cerebral asymmetry that we, but apparently few other species, have evolved.

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