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Information Technologies for Visually Impaired People<br />
Figure 1: Extra Graphics Used to Illustrate a Calculation.<br />
<strong>of</strong> blindness, rather the biggest barrier is the notation used<br />
for doing Mathematics. As this notation is essentially visual,<br />
it is quite difficult to transmit its contents using other<br />
modalities. Blind pupils <strong>of</strong>ten fail in Maths because <strong>of</strong> the<br />
way information is presented. A key feature which is present<br />
in the visual reading process is the role <strong>of</strong> the printed page.<br />
This medium affords the reader not only the facility to act<br />
as an external memory, but also facilitates a highly refined<br />
control over the flow <strong>of</strong> information. In the case <strong>of</strong> graphical<br />
content, tactile drawings can also be made. To some<br />
extent, this applies fairly to representation <strong>of</strong> curves and bidimensional<br />
geometrical figures. Even if great progress has<br />
been made in the technologies that allow the production <strong>of</strong><br />
tactile drawings, there are limitations due to properties <strong>of</strong><br />
tactile sense. It is also possible to render a curve using audio,<br />
by modelling a sound according to the shape <strong>of</strong> the<br />
curve, or using an haptic device like the Senseable Phantom<br />
[2].<br />
In this paper we will focus on methods <strong>of</strong> access to mathematical<br />
formulas, which are the basis for all calculations<br />
and are used in all areas <strong>of</strong> mathematics and more generally<br />
in the sciences. Considering the two communications channels<br />
that have been cited above, formulas can be represented<br />
is a tactile form, usually based on Braille, or they can be<br />
spoken.<br />
1.1 How People Read Mathematics<br />
One <strong>of</strong> the key decisions which must be made when<br />
considering the manner in which mathematics, originally<br />
prepared using the visual modality, is depicted in either an<br />
audio or tactile one, is to firstly ascertain what information<br />
to present, followed by how to present this material. It is<br />
therefore important to understand the reading process, in<br />
order to fulfil the dual purpose <strong>of</strong> determining both what<br />
and how to present the relevant information to the user. In<br />
the subsequent paragraphs, the discussion is placed in terms<br />
<strong>of</strong> both auditory and Braille reading. and where there are<br />
discrepancies they will be highlighted.<br />
A feature which is present in the visual reading process<br />
is the role <strong>of</strong> the printed page. This medium affords the<br />
reader not only the facility to act as an external memory,<br />
but also facilitates a highly refined control over the flow <strong>of</strong><br />
x + 1 x + 1 / (x - 1)<br />
x - 1<br />
Figure 2: Linearisation <strong>of</strong> a Very Simple Fraction.<br />
information. In his Ph.D. thesis, Stevens states that Rayner<br />
[3] describes reading as: "... the ability to extract visual information<br />
from the page and comprehend the meaning <strong>of</strong><br />
the text" [3]. Stevens [4] also tells us that reading can be<br />
divided into three main domains.<br />
1. The input <strong>of</strong> information from a physical, external<br />
source, into the reader’s memory via the visual system;<br />
2. The recognition <strong>of</strong> words and their integration into<br />
higher level structures such as sentences;<br />
3. The process <strong>of</strong> understanding what has been read.<br />
It would appear that there exists a point at which the<br />
process <strong>of</strong> listening and reading converge. This would seem<br />
to indicate that, once the information has been absorbed by<br />
the reader, it is both syntactically and semantically decomposed<br />
in the same manner, though the processes <strong>of</strong> actually<br />
retaining the material are quite different depending on which<br />
means the reader uses to read. It would appear that many<br />
readers hear a voice inside their head whilst reading. This<br />
voice articulates what is being read, giving the reader both<br />
a phonological and sub-localised impression <strong>of</strong> the document.<br />
Stevens [4] defines the phonological code as "the auditory<br />
image kept in working memory during reading". It can<br />
be said that the written text is converted to this phonological<br />
code, which contains all the features <strong>of</strong> natural speech,<br />
such as pitch, rhythm etc. The notion <strong>of</strong> inner speech is<br />
quite speculative, but Rayner states that "Some proponents<br />
<strong>of</strong> inner speech have argued that reading is little more than<br />
speech made visible" [3]. The above appears to suggest that<br />
the visual component <strong>of</strong> reading is converted to an audio<br />
version, seeming to suggest a point where the two converge.<br />
After this point, the comprehension <strong>of</strong> the information<br />
should be the same. It is clear that the only differences in<br />
the reading process are the mechanical means <strong>of</strong> obtaining<br />
the information.<br />
One aspect in which listening and reading differ significantly<br />
is the role <strong>of</strong> paper as an external memory. The manner<br />
in which the eye can relate to this external memory is a<br />
very powerful tool to aid in the retention and comprehension<br />
<strong>of</strong> written information. It can rapidly scan over the<br />
printed words, and by virtue <strong>of</strong> the juxtaposition <strong>of</strong> characters<br />
or symbols on the printed page, semantically interpret<br />
those symbols to produce the underlying meaning. Once<br />
the information is lost from the short term memory, it can<br />
be easily refreshed by the rapid movements <strong>of</strong> the eye.<br />
There are a number <strong>of</strong> steps involved in the visual reading<br />
<strong>of</strong> a document. A skilled reader will normally read at a<br />
rate <strong>of</strong> 250-300 words per minute. The eye does not actually<br />
start at the top <strong>of</strong> a page and continue in a linear fashion<br />
until the end <strong>of</strong> the material is reached; rather the reading<br />
process consists <strong>of</strong> several distinct movements. Stevens<br />
tells us that there are a number <strong>of</strong> tasks which the eye performs<br />
in order to gain informational input. The reading process<br />
can be broken down into a series <strong>of</strong> sacades (jumps)<br />
and fixations. He tells us that:<br />
"The sacades move the point <strong>of</strong> fixation in accordance<br />
with how much information has been or can be apprehended.<br />
30 UPGRADE Vol. VIII, No. 2, April 2007 © Novática