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Information Technologies for Visually Impaired People<br />

Figure 1: Extra Graphics Used to Illustrate a Calculation.<br />

<strong>of</strong> blindness, rather the biggest barrier is the notation used<br />

for doing Mathematics. As this notation is essentially visual,<br />

it is quite difficult to transmit its contents using other<br />

modalities. Blind pupils <strong>of</strong>ten fail in Maths because <strong>of</strong> the<br />

way information is presented. A key feature which is present<br />

in the visual reading process is the role <strong>of</strong> the printed page.<br />

This medium affords the reader not only the facility to act<br />

as an external memory, but also facilitates a highly refined<br />

control over the flow <strong>of</strong> information. In the case <strong>of</strong> graphical<br />

content, tactile drawings can also be made. To some<br />

extent, this applies fairly to representation <strong>of</strong> curves and bidimensional<br />

geometrical figures. Even if great progress has<br />

been made in the technologies that allow the production <strong>of</strong><br />

tactile drawings, there are limitations due to properties <strong>of</strong><br />

tactile sense. It is also possible to render a curve using audio,<br />

by modelling a sound according to the shape <strong>of</strong> the<br />

curve, or using an haptic device like the Senseable Phantom<br />

[2].<br />

In this paper we will focus on methods <strong>of</strong> access to mathematical<br />

formulas, which are the basis for all calculations<br />

and are used in all areas <strong>of</strong> mathematics and more generally<br />

in the sciences. Considering the two communications channels<br />

that have been cited above, formulas can be represented<br />

is a tactile form, usually based on Braille, or they can be<br />

spoken.<br />

1.1 How People Read Mathematics<br />

One <strong>of</strong> the key decisions which must be made when<br />

considering the manner in which mathematics, originally<br />

prepared using the visual modality, is depicted in either an<br />

audio or tactile one, is to firstly ascertain what information<br />

to present, followed by how to present this material. It is<br />

therefore important to understand the reading process, in<br />

order to fulfil the dual purpose <strong>of</strong> determining both what<br />

and how to present the relevant information to the user. In<br />

the subsequent paragraphs, the discussion is placed in terms<br />

<strong>of</strong> both auditory and Braille reading. and where there are<br />

discrepancies they will be highlighted.<br />

A feature which is present in the visual reading process<br />

is the role <strong>of</strong> the printed page. This medium affords the<br />

reader not only the facility to act as an external memory,<br />

but also facilitates a highly refined control over the flow <strong>of</strong><br />

x + 1 x + 1 / (x - 1)<br />

x - 1<br />

Figure 2: Linearisation <strong>of</strong> a Very Simple Fraction.<br />

information. In his Ph.D. thesis, Stevens states that Rayner<br />

[3] describes reading as: "... the ability to extract visual information<br />

from the page and comprehend the meaning <strong>of</strong><br />

the text" [3]. Stevens [4] also tells us that reading can be<br />

divided into three main domains.<br />

1. The input <strong>of</strong> information from a physical, external<br />

source, into the reader’s memory via the visual system;<br />

2. The recognition <strong>of</strong> words and their integration into<br />

higher level structures such as sentences;<br />

3. The process <strong>of</strong> understanding what has been read.<br />

It would appear that there exists a point at which the<br />

process <strong>of</strong> listening and reading converge. This would seem<br />

to indicate that, once the information has been absorbed by<br />

the reader, it is both syntactically and semantically decomposed<br />

in the same manner, though the processes <strong>of</strong> actually<br />

retaining the material are quite different depending on which<br />

means the reader uses to read. It would appear that many<br />

readers hear a voice inside their head whilst reading. This<br />

voice articulates what is being read, giving the reader both<br />

a phonological and sub-localised impression <strong>of</strong> the document.<br />

Stevens [4] defines the phonological code as "the auditory<br />

image kept in working memory during reading". It can<br />

be said that the written text is converted to this phonological<br />

code, which contains all the features <strong>of</strong> natural speech,<br />

such as pitch, rhythm etc. The notion <strong>of</strong> inner speech is<br />

quite speculative, but Rayner states that "Some proponents<br />

<strong>of</strong> inner speech have argued that reading is little more than<br />

speech made visible" [3]. The above appears to suggest that<br />

the visual component <strong>of</strong> reading is converted to an audio<br />

version, seeming to suggest a point where the two converge.<br />

After this point, the comprehension <strong>of</strong> the information<br />

should be the same. It is clear that the only differences in<br />

the reading process are the mechanical means <strong>of</strong> obtaining<br />

the information.<br />

One aspect in which listening and reading differ significantly<br />

is the role <strong>of</strong> paper as an external memory. The manner<br />

in which the eye can relate to this external memory is a<br />

very powerful tool to aid in the retention and comprehension<br />

<strong>of</strong> written information. It can rapidly scan over the<br />

printed words, and by virtue <strong>of</strong> the juxtaposition <strong>of</strong> characters<br />

or symbols on the printed page, semantically interpret<br />

those symbols to produce the underlying meaning. Once<br />

the information is lost from the short term memory, it can<br />

be easily refreshed by the rapid movements <strong>of</strong> the eye.<br />

There are a number <strong>of</strong> steps involved in the visual reading<br />

<strong>of</strong> a document. A skilled reader will normally read at a<br />

rate <strong>of</strong> 250-300 words per minute. The eye does not actually<br />

start at the top <strong>of</strong> a page and continue in a linear fashion<br />

until the end <strong>of</strong> the material is reached; rather the reading<br />

process consists <strong>of</strong> several distinct movements. Stevens<br />

tells us that there are a number <strong>of</strong> tasks which the eye performs<br />

in order to gain informational input. The reading process<br />

can be broken down into a series <strong>of</strong> sacades (jumps)<br />

and fixations. He tells us that:<br />

"The sacades move the point <strong>of</strong> fixation in accordance<br />

with how much information has been or can be apprehended.<br />

30 UPGRADE Vol. VIII, No. 2, April 2007 © Novática

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