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In contemporary Poland, as well as the state museums, which took up the task of preserving the remaining artifacts Polish Jewish culture, also the museums of the Roman Catholic Church took up this work. In many of such institutions, saved Jewish heritage (constituting frequently a small part of any collection) are kept very carefully. The parish museum in Grybów, being a branch of the museum in Tarnów, is a commendable example. Jewish heritage artifacts from the synagogue of Grybów, among other things candlesticks and a greaseproof roll of the Pentateuch fragment, which is six meters long, are collected there 10 . Similarly, Jewish heritage artifacts are presented in the main exhibition room in the Diocesan Museum in Przemyśl. 10 Muzea Kościoła katolickiego w Polsce. Informator. Skrzydlewska B. (compiled by), Kielce 2005, p. 44. *** Translation from the Polish language by Michał Gumowski 48
Iryna Horban (Lviv)* The Centres of Jewish Cultural Heritage in Lviv: History and the Modern State The history of private and museum collections of Jewish art starts in the 19th Century when some emancipated Jews, following the example of representatives of the Galician nobility began to establish their private collections. Interest in Jewish historical art and religious objects increased during the period from the end of the 19th Century to the beginning of the 20th Century. At that time many Lviv museums began to create their Judaic collections. The first collection of Jewish objects of traditional art was formed at the Museum of Art Craft. In 1895 two prayer tables from the 17th Century from the synagogue in the village Yabluniv, near Kolomiya, together with some other objects, were added to the Museum collection. Later the Museum of Art Craft bought some Jewish metal candlesticks (used for the Sabbath) and Professor Y.Zakharevych presented some 200 Jewish national cuttings from the late 19th Century from his private collection 1 . During the period from 1910 to 1930 a group of Jewish art objects (wooden, ceramic and dough) were gathered in the Museum of the Taras Shevchenko Scientific Society. Also the Lviv Historical Museum and the Yan Sobieski III National Museum began to create their collections of Jewish artistic and religious objects 2 . * Candidate of Philological Sciences, Associate Professor from the Department of Slavonic Phylology at the National Ivan Franko University of Lviv; senior scientific collaborator from the Museum of Ethnography and Artistic Craft, at the Institute of Ethnography of the National Academy of Sciences of Ukraine; author of the study "Folklore and Folk Art of Bulgarians in Ukraine" (2004) and the author of many scientific and popular publications on the history of Ukrainian and Bulgarian co-operation in the scientific and cultural spheres, the problems of national minorities and international relations, the history and modern situation of the Bulgarian national minority in Ukraine, the problems of museum investigation, history and perspectives of museum development in Ukraine and the history of Lviv museums during the period of Soviet Totalitarianism. 1 PETRIAKOVA F.S.: The Collection of Jewish Art of the Museum of Ethnography and Crafts in Lvov. [In:] Treasures of Jewish Galicia Judaica from the Museum of Ethnography and Crafts in Lvov, Ukraine. Hoshen S.H. (ed.), Tel Aviv 1996, p. 75. 2 PETRIAKOVA F.S.: Yevreyskoye muzeynoye dielo, individualnoye kollectsionirovaniye na ukrainskoy etnicheskoy teritorii. KonetsXIX— nachalo XXIstoletiya: obratnyy otschet k budushchemu. „Zaporożskije jewrejskije cztenija" 2001, JNfo 5, p. 273. 49
Page 2 and 3: The Jews in Lublin — The Jews in
Page 4 and 5: The Jews in Lublin - The Jews in Lv
Page 6 and 7: CONTENT Joanna Zętar, Sławomir Ja
Page 8 and 9: Joanna Zętar, Sławomir Jacek Żur
Page 10 and 11: the later different institutions wh
Page 12 and 13: PLACES (LUBLIN AND LVIV) AND THEIR
Page 14 and 15: community of Lublin and led to its
Page 16 and 17: Kazimierz Dolny (Taub), Izbica and
Page 18 and 19: published, in Yiddish, (it was publ
Page 20 and 21: inhabiting the city, including only
Page 22 and 23: equest a thorough theoretical knowl
Page 24 and 25: end of 18th Century contributed to
Page 26 and 27: them, convinced of the authenticity
Page 28 and 29: Konrad Zieliński (Lublin)* The Rou
Page 30 and 31: among others factors his poor knowl
Page 32 and 33: (also due to the relatively low per
Page 34 and 35: Once, there was a Jewish cemetery o
Page 36 and 37: them to trade on the days of the Ch
Page 38 and 39: Mykola Hetmanchuk (Lviv)* The Parti
Page 40 and 41: to the Lviv region from evacuation,
Page 42 and 43: and Ballet Theatre personnel includ
Page 45 and 46: Beata Skrzydlewska (Lublin)* Jewish
Page 47: The first information about Goldste
Page 51 and 52: The group organized exhibitions of
Page 53 and 54: The decision to found the Museum of
Page 55 and 56: save his collection, gave it on dep
Page 57 and 58: Weronika Litwin (Warszawa)* The Pre
Page 59 and 60: The materials to be displayed were
Page 61 and 62: its neighbourhood from oblivion, by
Page 63 and 64: phere and image of the area which c
Page 65 and 66: 10,000 victims between 30th June an
Page 67 and 68: Łokietek Street disappeared with t
Page 69 and 70: In the 1980s in Lublin (1987 to be
Page 71 and 72: Anna Ziębińska-Witek (Lublin)* Re
Page 73 and 74: actions. Sponsors can influence the
Page 75 and 76: turrets, barracks, farm and adminis
Page 77 and 78: Leon Weissberg went even further to
Page 79 and 80: ledge of Jews and their exterminati
Page 81 and 82: ance towards other nations and reli
Page 83 and 84: een fully explored, studied and pub
Page 85 and 86: Rudolf Myrs'kyj (Lviv)* The Tragedy
Page 87: to the high schools of the Western
Page 91 and 92: Sławomir Jacek Żurek (Lublin)* Lu
Page 93 and 94: of the Law." (CCC 581) Jesus meticu
Page 95 and 96: young people from Lublin (at the ch
Page 97 and 98: Piotr Piluk (Lviv - Warsaw)* Jewish
Page 99 and 100:
fill reputation, but nobody asked t
Page 101 and 102:
The present-day Krakowskie Przedmie
Page 103 and 104:
Unfortunately, none of the four Lvi
Page 105 and 106:
Roman Chmelyk (Lviv)* The Role of M
Page 107 and 108:
days of its existence, the Museums
Page 109 and 110:
Culture, named after Sh. Dubnov, wh
Page 111 and 112:
would rather be witnesses of reviva
Page 114 and 115:
Weronika Litwin* The Preservation o
Page 116 and 117:
Joanna Zętar Documentation - Educa
Page 118 and 119:
A scene from "Tajbełe and the Demo
Page 120 and 121:
Piotr Piluk Jewish Traces in the Ci
Page 122:
A Yiddish inscription (1) preserved
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