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Israel Regardie - The Complete Golden Dawn System of Magic.pdf

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THE COMPLETE GOLDEN DAWN SYSTEM OF MAGIC<br />

quickly, and I gazed fascinatedly at a string <strong>of</strong> pearls reaching from her neck to her<br />

knees -- and gazing, found that we had passed through the circle <strong>of</strong> pearls, and she had<br />

disappeared.<br />

Now the sky is clear and full <strong>of</strong> stars...the moon, a great yellow harvest moon, rises<br />

slowly up the sky to a full arch... and we saw three moonbeams shining on the high purple walls<br />

<strong>of</strong> a city...we did not delay to look about, but marched quickly to the centre <strong>of</strong> the city, to an<br />

open space, in the midst <strong>of</strong> which was a round temple like a ball <strong>of</strong> silver. It was approached by<br />

nine steps, and rested on a silver platform. It had four doors. Before each was a large angel with<br />

silver wings...inside, we were in a very airy place. Light breezes lifted our clothes and our hair -<br />

- the interior was very white and clear silvery -- no colours. Suspended in the centre was a great<br />

globe, like the moon itself...while we looked we saw that the globe was not suspended in the air; it<br />

rested on immense cupped hands. We followed the arms up and saw, far up near the ro<strong>of</strong>, deep<br />

dark eyes looking down, dark like the night sky, and a voice said..."<br />

2. Simplicity itself is the keyword to the method described by Edwin Steinbrecher. He is<br />

an astrologer, well-versed in associated subjects, such as tarot, alchemy, qabalah, etc., and<br />

underwent a lengthy Jungian analysis. In the latter he was instructed in Jung's technique <strong>of</strong><br />

creative imagination. By this means, to put it crudely and oversimplified, one carries on<br />

conversations with the images and personalities seen in dreams. Apparently some quite interesting<br />

results follow from this procedure. One interesting example is <strong>The</strong> Tree by J. Marvin Spiegelman<br />

(Falcon Press, 1982), which the author describes in his introduction as an experiment in creative<br />

psycho-mythology. <strong>The</strong> book is based on some interior experiences and conversations the author<br />

had with some <strong>of</strong> his dream images, described at considerable length.<br />

As Steinbrecher describes it, the Inner Guide Meditation is a "transformative process<br />

concerned with assimilating the disparate energies which exist in the human unconscious into<br />

the unified wholeness that is the awakened enlightened being inherent in each <strong>of</strong> us, thus ending<br />

the illusions which cause separation, guilt and judgment. With the meditation <strong>of</strong> the inner guides,<br />

problems once unapproachable and unchangeable become fulfilling challenges that bring forth<br />

productive and creative responses."<br />

Let me quote the author as he describes the process <strong>of</strong> meditation, after which I would<br />

like to discuss a description given <strong>of</strong> a rather frightening experience he had. This latter could<br />

have readily been obviated had he known beforehand something <strong>of</strong> the Order method as given<br />

earlier.<br />

"Close your eyes, and invent a cave around you as if you had just walked into the cave<br />

and the entrance is at your back. Allow the cave to structure itself as it will, well-lighted or dim,<br />

smooth walled or rough. Try to be like blank film receiving impressions. Accept these<br />

impressions uncritically as they come to you from this environment. Try not to edit what comes."<br />

So far so good. This is the essence <strong>of</strong> the Jungian method.<br />

"Be as sensory as you can...use all your senses...be sure you are observing and sensing<br />

this environment while being in your body and looking out <strong>of</strong> your eyes. Don't be watching an<br />

image <strong>of</strong> yourself!...<br />

"When you can feel yourself in the cave, even though things may still be vague at this<br />

point, move to the left, away from the cave entrance, and find some kind <strong>of</strong> doorway or opening<br />

90

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