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october-2009

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048<br />

ON THE TOWN: CANCUN<br />

grass growing in the middle of the street. A<br />

man, whose name I soon learn to be Jose,<br />

is grilling something that smells delicious.<br />

I’m hungry, so I purchase a plate of ribs,<br />

tortillas and cabbage from him. The ribs<br />

are smoky and spicy, and I quickly make<br />

a pyramid of cleaned bones on my plate<br />

while Jose, at my request, draws a crude<br />

map to Aké on a napkin.<br />

Shortly thereafter, I find what I believe<br />

to be the turnoff for the ruins (despite<br />

the lack of a sign, which would normally<br />

indicate the presence of a historic site).<br />

Hopeful, I wind my way through blue-gray<br />

maguey fields and brushy foliage on a narrow,<br />

two-wheel rutted road—which, after<br />

miles of driving, dead-ends abruptly. The<br />

car slows to a stop, and I sit for a moment<br />

in my air-conditioned rental, the realization<br />

dawning that there is no hint of any ruins<br />

existing beyond the surrounding thicket.<br />

Upon exiting the car—I might as well<br />

see what lies here at the end of this unfortunate<br />

detour—I am immediately greeted by<br />

a swarm of horseflies, whose bites, I quickly<br />

learn, are incredibly painful. Things are not<br />

going well.<br />

Through the buzzing cloud, however,<br />

I spot a gulch leading to a manhole-sized<br />

opening in the ground; a nylon rope tied<br />

to a nearby tree leads out of it. While<br />

there are no rivers to speak of in the<br />

northern Yucatan, there is a vast network<br />

of underground waterways with thousands<br />

of sinkholes (called cenotes) opening into<br />

watery subterranean caverns. Yes, finding<br />

Aké is the main objective—but I can’t resist<br />

descending. Tiny blindfish swim in the<br />

clear water below and bats dart overhead.<br />

While I hang from the rope, I realize that to<br />

a (horse)fly on the wall, I’m doing a pretty<br />

good Indiana Jones impression (hoisting<br />

myself up out of the hole, however, I probably<br />

cut a different figure).<br />

I’ve wasted too much time already,<br />

so once back in the car, I make tracks for<br />

a village I had passed earlier, to ask once<br />

more for directions. This time, they get me<br />

to my intended destination.<br />

I arrive at Aké, which is dominated<br />

by two large buildings: a steep pyramidal<br />

structure and a broad raised platform<br />

topped with pillars. Most of the site consists<br />

of overgrown mounds—ruined structures<br />

slowly being reclaimed by nature. Aké may<br />

GO MAGAZINE OCTOBER <strong>2009</strong><br />

not be as conventionally beautiful as other<br />

ruins, but it is completely deserted save for<br />

one local who is harvesting firewood, and<br />

the feeling of discovery invoked by such<br />

isolation is impressive. I make a preliminary<br />

survey of the main buildings, but I’m<br />

looking for something specific: In his<br />

book, Stephens wrote about a small, dark<br />

chamber, called an Akabna, atop one of the<br />

structures—and I am determined to find it.<br />

At the top of the furthest mound I spot<br />

some crumbling masonry. I head toward<br />

it, pushing my way through thick brush,<br />

with 3-foot-long iguanas slithering away at<br />

the sound of my footfalls. There, atop the<br />

hill, partially obscured by the overhanging<br />

vegetation, is a small square opening.<br />

My anticipation builds. I wipe the sweat<br />

from my forehead, take a deep breath,<br />

and squeeze through the entrance, just as<br />

Stephens had done more than 160 years<br />

ago. When my eyes adjust to the darkness,<br />

I see, as expected, that it is empty, filled not<br />

with valuable artifacts but with air that feels<br />

damp and close.<br />

On the off chance that the chamber will<br />

begin to rumble and rocks start tumbling<br />

down at me (isn’t that what happens in<br />

the movies?), I climb back out into the<br />

blistering sun, ecstatic that my first mission<br />

was a successful one.<br />

THE NEXT DAY, I SET OUT<br />

for Labphak (now called Santa<br />

Rosa Xtampak), intrigued by<br />

what Stephens described as “the tottering<br />

remains of the grandest structure that<br />

now rears its ruined head in the forests of<br />

Yucatan.” I pull off at Hecelchacan, a town<br />

that, according to the map, looks somewhat<br />

close to the ruins.<br />

Even though the local cook wasn’t<br />

able to help me on my last excursion, I sit<br />

down at a busy tamale stand and ask the<br />

owner for directions while chewing a pair<br />

of chicken and cheese tamales that set<br />

my mouth on fire. Between his rapid-fire<br />

Spanish and the distraction of my blistered<br />

tongue, all I am able to make out is that I<br />

am not particularly close. Again, I request<br />

a rough map on a napkin. But when I<br />

attempt to decipher the random lines and<br />

unpronounceable Mayan names scrawled<br />

on it, I doubt that I’ll ever find Xtampak.<br />

Still, a crude map is better than no map<br />

at all, so I head east into a region of rolling<br />

green hills surrounded by cornfields. Eventually,<br />

I arrive at a rough dirt road marked<br />

with an arrow pointing to Xtampak, and<br />

make the turn, aware that I’m about to<br />

ask more of my economy-sized car than<br />

the rental company had intended. During<br />

30 minutes of dodging cauldron-sized<br />

potholes, I don’t pass another soul. With<br />

no water and the gas needle dipping<br />

below half, I realize it’s probably foolish to<br />

continue, but the prospect of exploring a<br />

truly remote ruin holds my foot on the gas<br />

pedal. An hour goes by, and my excitement<br />

turns into anxiety. I am convinced I missed<br />

a turn, and reluctantly begin to turn the car<br />

around in the middle of the road.<br />

Two points into my three-point turn,<br />

however, I spot a cloud of dust that seems<br />

to be moving toward me. A pickup truck<br />

emerges, and I flag down a rancher, who<br />

informs me that the ruins of Xtampak are<br />

just five minutes further down the road.<br />

Aké

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