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PROLOGUE SPOKEN BY MRS. BRACE GIRDLE MOORS have this way (as story tells) to know Whether their brats are truly got or no; Into the sea the new-born babe is thrown, There, as instinct directs, to swim or drown. A barbarous device to try if spouse Has kept religiously her nuptial vows. Such are the trials poets make of plays: Only they trust to more inconstant seas; So does our author this his child commit To the tempestuous mercy of the pit, To know if it be truly born of wit. Critics, avaunt! for you are fish of prey, And feed, like sharks, upon an infant play. Be every monster of the deep away; Let's a fair trial have, and a clear sea. Let Nature work, and do not damn too soon. For life will struggle long ere it sink down; And will at least rise thrice before it drown. Let us consider, had it been our fate, Thus hardly to be proved legitimate! 1 will not say, we'd all in danger been, Were each to suffer for his mother's sin; But, by my troth, I cannot avoid thinking How nearly some good men might have 'scaped sinking. But Heaven be praised this custom is confined Alone to the offspring of the Muses' kind: Our Christian cuckolds are more bent to pity; I know not one Moor husband in the city. I' th' good man's arms the chopping bastard thrives; For he thinks all his own that is his wife's. Whatever fate is for this play designed, The poet's sure he shall some comfort find: For if his muse has played him false, the worst That can befal him, is to be divorced; You husbands judge, if that be to be cursed. 119
DRAMATIS PERSONÆ MASKWELL, a Villain; pretended Friend to MELLEFDNT, Gallant to LADY TOUCHWOOD, and in love with CYNTHIA. LORD TOUCHWOOD, Uncle to MELLEFONT. MELLEFDNT, promised to and in love with CYNTHIA. CARELESS, his Friend. LORD FROTH, a solemn Coxcomb, BRISK, a pert Coxcomb. SIR PAUL PLYANT, an uxorious, foolish, old Knight; brother of LADY TOUCHWOOD, and Father of CYNTHIA. SAYGRACE, Chaplain to LORD TOUCHWOOD. LADY TOUCHWOOD, in love with MELLEFDNT. CYNTHIA, Daughter of SIR PAUL by a former Wife, promised to MELLEFoNT. LADY FROTH, a great Coquette; pretender to poetry, wit, and learning. LADY PLYANT, insolent to her Husband, and easy to any pretender. Boy, Footmen, and Attendants. SCENE.—A Gallery in LORD TOUCHWOOD'S House, with Chambers adjoining.
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WILLIAM CONGREVE
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The Mermaid Series This reset editi
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PREFACE WILLIAM CONGREVE THE OLD BA
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10 WILLIAM CONGREVE The muse of Con
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THE OLD BACHELOR Quem tulit ad scen
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To MR. CDNGREVE, on "The Old Bachel
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THE OLD BACHELOR 39 I think scarce
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PROLOGUE SPOKEN BY MRS. BRACEGIRDLE
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THE OLD BACHELOR ACT THE FIRST SCEN
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SCENE I] THE OLD BACHELOR 45 Vain.
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SCENE i] THE OLD BACHELOR 47 the fi
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SCENE I] THE OLD BACHELOR 49 puny s
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SCENE I] THE OLD BACHELOR 51 Heart.
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SCENE I] THE OLD BACHELOR 53 Sharp.
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SCENE I] THE OLD BACHELOR 55 I do s
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SCENE i] THE OLD BACHELOR 57 Sharp.
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SCENE II] THE OLD BACHELOR 59 over.
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SCENE II] THE OLD BACHELOR 61 oblig
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SCENE II] THE OLD BACHELOR 63 GAVDT
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SCENE ii] THE OLD BACHELOR 55 Lucy.
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SCENE II] THE OLD BACHELOR 67 Bell.
Page 54 and 55: SCENE, III] THE OLD BACHELOR 69 vex
Page 56 and 57: SCENE III] THE OLD BACHELOR 71 Bell
Page 58 and 59: SCENE iv] THE OLD BACHELOR 73 "D, l
Page 60 and 61: SCENE iv] THE OLD BACHELOR 75 Heart
Page 62 and 63: SCENE I] THE OLD BACHELOR 77 Fond.
Page 64 and 65: SCENE I] THE OLD BACHELOR 79 Fond.
Page 66 and 67: SCENE III] THE OLD BACHELOR 81 All
Page 68 and 69: SCENE ivl THE OLD BACHELOR 83 Læt.
Page 70 and 71: SCENE ivl THE OLD BACHELOR 85 has m
Page 72 and 73: SCENE iv] THE OLD BACHELOR 87 the w
Page 74 and 75: SCENE vi] THE OLD BACHELOR 89 patch
Page 76 and 77: SCENE vi] THE OLD BACHELOR 91 Fond.
Page 78 and 79: SCENE vi] THE OLD BACHELOR 93 go ba
Page 80 and 81: SCENE I] THE OLD BACHELOR 95 ACT TH
Page 82 and 83: SCENE II] THE OLD BACHELOR "' Bell.
Page 84 and 85: SCENE II] THE OLD BACHELOR 99 Enter
Page 86 and 87: SCENE III] THE OLD BACHELOR 101 Set
Page 88 and 89: SCENE iv] THE OLD BACHELOR 103 As,
Page 90 and 91: SCENE v] THE OLD BACHELOR 105 day!
Page 92 and 93: SCENE v] THE OLD BACHELOR 1D7 Heart
Page 94 and 95: EPILOGUE] THE OLD BACHELOR 109 Ente
Page 96: THE DOUBLE-DEALER Interdum tamen, c
Page 99 and 100: COMMENDATORY VERSES To my dear Frie
Page 101 and 102: To the Right Honourable CHARLES MON
Page 103: 118 WILLIAM CONGREVE guilty of any
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Page 109 and 110: 124 WILLIAM CONGREVE [ACT i her, in
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Page 115 and 116: 130 WILLIAM CONGREVE [ACT i Lady To
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Page 119 and 120: 134 WILLIAM CONGREVE [ACT II Lord F
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Page 123 and 124: 138 WILLIAM CONGREVE [ACT II Cyn. I
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Page 127 and 128: 142 WILLIAM CONGREVE [ACT III ACT T
Page 129 and 130: 144 WILLIAM CONGREVE [ACT III dare
Page 131 and 132: 146 WILLIAM CONGREVE [ACT III you c
Page 133 and 134: 148 WILLIAM CONGREVE [ACT III entir
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Page 139 and 140: 154 WILLIAM CONGREVE [ACT III SCENE
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Page 151 and 152: 156 WILLIAM CDNGREVE [ACT Iv Lady F
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17D WILLIAM CDNGREVE [ACT iv after
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172 WILLIAM CONGREVE [ACT Iv . Guil
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174 WILLIAM CONGREVE [ACT iv Mel. D
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176 WILLIAM CONGREVE [ACT v lent hi
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178 WILLIAM CONGREVE [ACT v word!
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180 WILLIAM CONGREVE [ACT v say tru
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182 WILLIAM CONGREVE [ACT v Say. Yo
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184 WILLIAM CDNGREVE [ACT v Lord To
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185 WILLIAM CONGREVE [ACT v be othe
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188 WILLIAM CONGREVE [ACT v Lord Fr
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190 WILLIAM CONGREVE [EPILOGUE COUL
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LOVE FOR LOVE was brought out in th
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LOVE FOR LOVE 195 and the kind rece
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LOVE FOR LOVE 197 Not one has dared
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LOVE FOR LOVE ACT THE FIRST SCENE I
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SCENE i] LOVE FOR LOVE 201 Jer. Sir
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SCENE I] LOVE FOR LOVE 203 what you
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SCENE I] LOVE FOR LOVE 205 service
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SCENE II] LOVE FoR LOVE 207 SCENE I
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SCENE II] LOVE FOR LOVE 209 Val. An
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SCENE II] LOVE FOR LOVE 211 Tat. An
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SCENE n] LOVE FOR LOVE 213 pretatio
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SCENE i] LOVE FOR LOVE 215 Scan. I
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SCENE i] LOVE FOR LOVE 217 the head
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SCENE i] LOVE FDR LDVE 219 tell one
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SCENE i] LOVE FOR LOVE 221 send you
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SCENE i] LOVE FOR LOVE 223 Vol. I w
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SCENE II] LOVE FOR LOVE 225 arc ear
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SCENE II] LOVE FOR LOVE 227 Mrs. Fo
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SCENE II] LOVE FOR LOVE 229 Foresig
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i] LOVE FDR LOVE 231 Tat. Dh, my de
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SCENE III] LOVE FOR LOVE 233 Scan.
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SCENE III] LOVE FOR LOVE 235 Tat. W
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SCENE III] LOVE FOR LOVE 237 Scan,
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SCENE III] LOVE FOR LOVE 239 Sir Sa
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SCENE III] LOVE FOR LOVE 241 end;
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SCENE iv] LOVE FOR LOVE 243 Sir Sam
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SCENE Iv] LOVE FOR LOVE 245 Scan. T
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SCENE IV] LOVE FOR LOVE 247 and Ven
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SCENE Iv] LOVE FOR LOVE 249 Mrs. Fo
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SCENE I] LOVE FDR LOVE 251 ACT THE
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SCENE I] LOVE FOR LOVE 253 Scan. [A
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SCeNE II] LOVE FOR LOVE 255 chievou
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SCENE III] LOVE FOR LOVE 257 not ov
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SCENE III] LOVE FOR LOVE 259 Scan.
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SCENE III] LOVE FOR LOVE 261 your f
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SCENE III] LOVE FOR LOVE 263 trades
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SCENE III] LOVE FOR LOVE 265 Jer. [
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SCENE III] LOVE FOR LOVE 267 —Aun
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SCENE HI] LOVE FDR LOVE 269 till I
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SCENE i] LOVE FOR LOVE 271 serve a
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SCENE I] LOVE FOR LOVE 273 me: for
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SCENE II] LOVE FOR LOVE 275 The tim
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SCENE II] LOVE FOR LOVE 277 Tat. No
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SCENE II] LOVE FOR LOVE 279 Ben, Ay
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SCENE II] LOVE FOR LOVE 281 Tat. Su
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SCENE II] LDVE FDR LOVE 283 me, if
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EPILOGUE] LOVE FOR LOVE 285 cither
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THE WAY OF THE WORLD Audire est ope
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THE Mourning Bride is the only trag
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378 WILLIAM CONGREVE the vicious th
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DRAMATIS PERSONS MANUEL, the King o
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382 WILLIAM CDNGREVE [ACT Have soft
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384 WILLIAM CONGREVE [ACT I Of King
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386 WILLIAM CDNGREVE [ACT i Aim. No
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388 WILLIAM CONGREVE [ACT I Upon th
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390 WILLIAM CONGREVE [ACT I Gar. Ds
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392 WILLIAM CONGREVE [ACT II Man. G
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394 WILLIAM CONGREVE [ACT II And sh
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396 WILLIAM CONGREVE [ACT II I'll c
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398 WILLIAM CONGREVE [ACT II This r
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400 WILLIAM CONGREVE [ACT II O impo
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402 WILLIAM CONGREVE [ACT II Think
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404 WILLIAM CONGREVE [ACT III And l
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405 WILLIAM CONGREVE [ACT III And l
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408 WILLIAM CONGREVE [ACT III 0 no,
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410 WILLIAM CONGREVE [ACT III How r
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412 WILLIAM CONGREVE [ACT III This
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414 WILLIAM CONGREVE [ACT III Zara.
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416 WILLIAM CONGREVE [ACT iv Zara.
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418 WILLIAM CONGREVE [ACT Iv Has th
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420 WILLIAM CONGREVE [ACT iv Gon. [
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422 WILLIAM CONGREVE [ACT iv Into t
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424 WILLIAM CONGREVE [ACT Iv Yet so
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426 WILLIAM CONGRRVE [ACT v The gre
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428 WILLIAM CONGREVE [ACT v That th
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430 WILLIAM CONGREVE [ACT v What no
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432 WILLIAM CONGREVE [ACT v Alon. M
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434 WILLIAM CONGREVE [ALT v His hel
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436 WILLIAM CONGREVE [ACT v Seest t
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EPILOGUE SPOKEN BY MRS. BRACEGIRDLE
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hand, written by a devoted student
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