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the finest Burmese gems. A few of them are still to be found in<br />
possession of dealers and connoisseurs, but the secret of the process<br />
was lost in the death of the inventor, though the present output<br />
seems to have been constructed on the same principle.<br />
In 1889 some "scientific" rubies were imported by a New<br />
York firm. They were examples of the old Indian cut, and were<br />
here recut in modern style, but when examined by the Columbia<br />
School of Mines, were found to be fused from natural rubies.<br />
While not crystallized, like the true stone, they were somehow even<br />
harder than the genuine, which yields to nothing save the diamond.<br />
All were of fine color and quality and were sold from $60 to $150<br />
per karat.<br />
The secret of the "reconstruction" of rubies, through the failure<br />
of several companies to exploit it, finally became the property of the<br />
public, and is now successfully carried on, by means of Paquier's<br />
ingenious apparatus, and the improved Verneuil process. They<br />
were, and still are, made in great quantities, and their price, through<br />
competition, has depreciated in the rough from dollars to cents.<br />
These Paquier rubies, first given to the public in 1901, constructed<br />
in harmony with the laws of crystallization, by a process and instrument<br />
so simple that one wonders it was never thought of before,<br />
are physically, chemically, and optically identical with natural rubies,<br />
says the eminent French geologist Lacroix ; though Pinier, the leading<br />
gem expert of Paris, declares that the false can always be distinguished<br />
from the true by the lens. The shape of the "inclusions,"<br />
so prominent a characteristic of natural ruby, will invariably in<br />
the artificial be found uniform instead of irregular, while the planes<br />
of crystallization are not always discernible.<br />
Reconstructed rubies frequently find their way to Burmah,<br />
where they are sold in the bazaars, perhaps innocently, as the true,<br />
often returning to Europe in company with the native gems, the<br />
most desired of all rubies in the world.<br />
A canny Scotchman was congratulating himself on the wonderful<br />
bargain he had made at Mandalay. It was a stone of perhaps<br />
five karats, for which fifty dollars was asked, but fifteen taken.<br />
Beside a remarkable garnet of the same size, it looked not so<br />
unlike it, almost as dark, if more brilliant. The reconstructed rubies<br />
first on the market were dark, sometimes brownish, and greatly<br />
resembled garnets, though recently the improvement in both color<br />
and brilliance has been marked. Now they are apt to suggest the<br />
pink tourmaline, with its true ruby shade, rather than the garnet.<br />
Under the microscope the natural ruby shows minute cracks<br />
or cleavages running through the stone, while the reconstructed reveals<br />
bubbles or gas-holes, caused by the cooling process, despite<br />
every effort to make this very gradual. As in all artificial products,<br />
the lens betrays very regular clouds and inclusions, while the natural,<br />
according to Nature's universal law, is exceedingly irregular. Still,<br />
it must be remembered, a reconstructed ruby is not exactly a false<br />
ruby, simply a reproduction, through scientific knowledge and ex-<br />
of the true. But the value of such is not a tenth of the<br />
periment,<br />
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