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fainter tinge of blue which was the one used for engraving. Last<br />
came a greasy yellowish green, but little valued. The yellow beryl<br />
of to-day seems not to have been known.<br />
Beryl was then highly prized for rings and ear-drops, and was<br />
the only one among the precious stones facetted by the Roman<br />
jewelers, who cut it into a sexagonal pyramid. In India it was worn<br />
in the form of long, cylindrical beads, though the most perfect in<br />
color were not bored, each end being secured by a gold boss. Then,<br />
as now, the backs were often painted, to deepen the tint, and set solid.<br />
The Hindoos were admirers of both emerald and beryl and set them<br />
much the same way.<br />
The intagli were sea-subjects in which gods, waves, fishes,<br />
dolphins, and the like appeared. Probably the grandest intaglio extant<br />
of the Roman period is the bust of Julia Titi, on an aquamarine<br />
2y2 by 2*4 inches, signed by Evodus. For nearly 1,000 years it<br />
formed the knosp of a golden reliquary presented by Charlemagne to<br />
the Abbey of St. Denis, in which it was set with convex back upper-<br />
most, being regarded as an invaluable stone.<br />
The beryl was a favorite for engraving with artists of the<br />
Renaissance. These comparatively modern works are on the green<br />
sort, the sky-blue being much more rare. The term aquamarine seems<br />
not to have been bestowed. Pliny handicapped them with long<br />
names meaning sapphire-blue and air-blue, though he classed them<br />
as a variety of beryl. Bluish ones have been called aquamarine, green<br />
and yellow beryl, within the last forty years.<br />
"It is the vast supply poured in from Saxony, Siberia and<br />
America," writes King, in 1865, "that has sunk the value of this<br />
beautiful stone so low in modern times."<br />
Morganite, the rose red variety of beryl, discovered in California<br />
in 1911, and found later in Madagascar, was named in honor of the<br />
late John Pierpont Morgan, who, through the gift of his rare collec-<br />
tion of minerals and precious stones, a part of the Paris Exposition<br />
of 1900, to the American Museum of Natural History, did so much<br />
to educate the world concerning them.<br />
The yellow is the least valued, yet it is sometimes, with its high<br />
lustre, a dream of beauty. In the American Museum of Natural<br />
History is a truly splendid golden beryl from Connecticut. One<br />
exactly like it was found at Tiffany's at a trifling price for so en-<br />
chanting a gem.<br />
Beryl, while not free from defects, is very clear. The first idea<br />
that led to modern eye-glasses was caught by looking through a<br />
double convex beryl as long ago as the fifteenth century. Beryllus is<br />
the Latin term for a magnifying glass whence the German "brille,"<br />
a pair of spectacles. The ancients attributed to the gem itself the<br />
quality that might have come through its shape, for the beryl was<br />
long supposed to endow its possessor with second sight.<br />
You remember how in Rosetti's beautiful poem "Rose Mary,"<br />
the beryl plays so important a part is, indeed, the chief protagonist<br />
in the grave situation of the unfortunate young woman.<br />
Says<br />
the troubled mother :<br />
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