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Burmese gem, though the price of the latter has come down thereby.<br />

Never can the fact be controverted that the counterfeit is made<br />

in a few days or weeks, while the true is the true the product of<br />

centuries, if not aeons, of God's own methods.<br />

Though highly satisfactory to the eye, artificial sapphires are<br />

not intrinsically so perfect as artificial rubies. They are fused, not<br />

crystallized, and their origin can be detected easily. Chemically<br />

precisely the same, except in coloring matter, the ruby seems to<br />

assist the scientists, the sapphire to resist them. Sapphires are<br />

made by Louis Paris, through a process which differs from ruby<br />

in the substitution of the blue of cobalt for the red of chromium,<br />

and the mixture of lime, to prevent separation, as against calcined<br />

alum, which does not interfere with the desired crystallization.<br />

Emil Freund says the latest reconstructed sapphires are identical<br />

with the real in every respect, but Victor Barton denies this, declaring<br />

that not only in fusion as compared with crystallization, but<br />

in chemical composition, density and hardness, they are not, like<br />

the ruby, quite the same as the true gem. When doctors disagree,<br />

who shall decide?<br />

In the earlier process of artificial reconstruction, ruby consisted<br />

of a small crystal of silicate of alumina, corundum in its valueless<br />

form, colored by bichromate of potash, kept at a certain temperature<br />

by rotation at very high speed. To this central mass was fed<br />

small particles of natural ruby till a large bead formed. While this<br />

was liable to crack or break when cooled, often it was a great suc-<br />

cess, identical with the true stone in hardness, weight and composition.<br />

Yet in color it used to come out dark, and was also full of<br />

bubbles and wavy, circular lines, due to the rotary motion, deceiv-<br />

ing the amateur perhaps, but never the expert.<br />

By the Paquier process, the apparatus slightly resembling a<br />

hopper, everything is more simple. The melted alumina passes<br />

through a fine sieve and slender tube into a position more or less<br />

stationary, though it can be manipulated by human hands. The result<br />

is crystallization something after the manner of Nature. Every<br />

day the method is becoming more and more exact, so that none can<br />

afford to be skeptical as to the ultimate moment, the possible final<br />

perfection.<br />

Some of the specimens are already excellent, fully equal to a fine<br />

pink tourmaline, the ruby's nearest neighbor in light and color, but<br />

it seems unlikely that mere man will ever be able to approach the<br />

incomparable tint, vitality and fire of the pigeon's blood.<br />

The trouble is that unscrupulous men not only sometimes sell<br />

the reconstructed, the synthetic, as the true, but also glass imita-<br />

tions, more dazzling than the scientific at first, which increasing<br />

deception of the innocent is suggesting special legislation for the<br />

purchaser's protection.<br />

There is a wide difference between real stones made by man,<br />

known to the public comparatively recently, and the imitation,<br />

usually of glass, in vogue for twenty centuries. Pastes are as old as<br />

the Christian era, and doublets have held a conspicuous if not hon-<br />

106

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