Tropical ginsberg

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2 Catalogação na fonte pela Biblioteca Universitária da Universidade Federal de Santa Catarina Garcez, Matias Corbett <strong>Tropical</strong> Ginsberg [dissertação]: the resonance of Allen Ginsberg on the Tropicália / Matias Corbett Garcez; orientadora, Maria Lúcia Milléo Martins. – Florianópolis, SC, 2010. 143p.: il. Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente. Inclui referências 1. Beats. 2. American counterculture. 3. Tropicália. 4. Brazilian counterculture. I. Martins, Maria Lúcia Milléos. II. Universidade Federal de Santa Catarina. Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente. III. Título. CDU
MATIAS CORBETT GARCEZ TROPICAL GINSBERG: THE RESONANCE OF ALLEN GINSBERG ON THE TROPICÁLIA Esta dissertação foi julgada adequada e aprovada para obtenção do grau de Mestre em Letras no Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, do Centro de Comunicação e Expressão da Universidade Federal de Santa Catarina. _________________________________ Prof a . Dra. Glória Gil Coordenadora Apresentada à banca examinadora integrada pelos professores: __________________________________ Prof a . Dra. Maria Lúcia Milléo Martins Orientadora e Presidente ________________________________ Prof. Dr. José Roberto O’Shea Examinador ________________________________ Prof. Dr. José Garcez Ghirardi Examinador Florianópolis, ___ de maio de de 2010 3
Page 1: UNIVERSIDADE FEDERAL DE SANTA CATAR
Page 6 and 7: 4 To the Empress, for reasons far b
Page 8 and 9: 6 ABSTRACT Through a dialogical rel
Page 10 and 11: 8 TABLE OF CONTENTS CHAPTER I Intro
Page 12 and 13: 10 Although Tropicália coalesced a
Page 14 and 15: 12 America people began to change t
Page 16 and 17: 14 CHAPTER II Defining Concepts The
Page 18 and 19: 16 poetry as a new “revolutionary
Page 20 and 21: 18 definida, o tropicalismo introdu
Page 22 and 23: 20 by contemporary international tr
Page 24 and 25: 22 relationship to the object (for
Page 26 and 27: 24 way, or no way. Americans entere
Page 28 and 29: 26 grounds of the world became even
Page 30 and 31: 28 did not want to risk a major con
Page 32 and 33: 30 3.4 Global Dominance Race Begins
Page 34 and 35: 32 Minh’s army, and a cease fire
Page 36 and 37: 34 However, America’s success was
Page 38 and 39: 36 As Kennedy was commemorating 100
Page 40 and 41: 38 that could not be asked, neither
Page 42 and 43: 40 and now controlled its will. For
Page 44 and 45: 42 States. To oppose war meant that
Page 46 and 47: 44 Alongside Day on all her struggl
Page 48 and 49: 46 economic, and political. Even th
Page 50 and 51: 48 bourgeois or aristocrats.” 97
Page 52 and 53: 50 Finally, there is also the biogr
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52 Mass media was then a promising
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54 them - proved to be quite a “n
Page 58 and 59:
56 later be summed up on Médici sl
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58 between the artists prevailed ab
Page 62 and 63:
60 Oiticica’s art and ideas were
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62 The first phase of the Cinema No
Page 66 and 67:
64 imported distinguished directors
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66 artists of the highest caliber m
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68 songs of protest. The music itse
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70 instruments, and singers’ voic
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72 could have imagined that that se
Page 76 and 77:
74 “repente” 166 of Tom Zé, co
Page 78 and 79:
76 However, the onus of this mass a
Page 80 and 81:
78 Deslocar a arte do espaço no qu
Page 82 and 83:
80 Ginsberg and other beat writers,
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82 for older poets, but it was exac
Page 86 and 87:
84 like Vicente Celestino, 193 Catu
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86 their poetry and songs. The atom
Page 90 and 91:
88 “macumba.” In both cases the
Page 92 and 93:
90 connection, only a stream of wil
Page 94 and 95:
92 6.4. Poetic Bodies in Action The
Page 96 and 97:
94 artists of the time were ignorin
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96 of the cool youth of the United
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98 which would bring freedom and ju
Page 102 and 103:
100 into myths, Caetano repeatedly
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102 wrong to consider such artists
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104 Americans of the 1950s as a nob
Page 108 and 109:
106 Primary Sources REFERENCE LIST
Page 110 and 111:
108 Chomsky, Noam, and Herman, Edwa
Page 112 and 113:
110 Mendes, Murilo. “Pirâmide,
Page 114 and 115:
112 U.S. Department of State Online
Page 116 and 117:
114 lightning in the mind leaping t
Page 118 and 119:
116 who howled on their knees in th
Page 120 and 121:
118 who were burned alive in their
Page 122 and 123:
120 and who therefore ran through t
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122 Breakthroughs! over the river!
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124 “America” America I've give
Page 128 and 129:
126 Bloor made me cry I once saw Is
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128 “Sunflower Sutra” I walked
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130 So I grabbed up the skeleton th
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132 The warm bodies shine together
Page 136 and 137:
134 “Batmacumba” Batmakumbayêy
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136 “Geleia Geral” Um poeta des
Page 140 and 141:
138 Sem lenço sem documento Nada n
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