ThyssenKrupp Magazin
ThyssenKrupp Magazin
ThyssenKrupp Magazin
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44 MASTER BUILDER<br />
She looks very elegant and stylish in her trousers suit in her little<br />
office in a building on the Domplatte, Cologne’s Cathedral Square.<br />
Desk, visitors’ table and cupboards all exude the charm of pieces of furniture<br />
that have outlived the past. However, the computer on her desk<br />
makes it immediately clear that Barbara Schock-Werner is not living in<br />
the past – by no means. “We are living in the present and are therefore<br />
modern. I want to demonstrate this outwardly too. I am fulfilling a function<br />
here, I use the materials of our time – and I will disappear again in<br />
a few years, when old age comes.”<br />
She is not lacking in examples. Modern materials such as stainless<br />
steel were purposely put to use in the newly renovated treasure<br />
vault, which can gain a lot from them because of their elegance, aesthetics<br />
and clear lines.<br />
As is always the case with aesthetic categories, they say a great<br />
deal about the person they proclaim. Certainly, Cologne Cathedral is<br />
much more than a contemptible building site for the head of the Dombauhütte,<br />
the cathedral building works. Correspondingly, Barbara<br />
Schock-Werner would never describe her function as a job, but rather<br />
as a “really marvelous task” in which, as she honestly admits, there are<br />
sometimes days when she has the impression that normality is the exception,<br />
and on the other hand that abstruse, peculiar and crazy events<br />
are the rule. Nonetheless, the cathedral master builder does not seek<br />
confrontation, but discussion, in order to find a balance between the<br />
various interests.<br />
THE CATHEDRAL MASTER BUILDER IS IN CONTROL<br />
It is really fortunate that the cathedral belongs to itself, and to no one<br />
else. Under law, the cathedral is registered to itself – which is why no<br />
one can make any claims to ownership. However, they can claim to perform<br />
patronage duties or charitable works, in the manner of the<br />
Domkapitel, the cathedral chapter, for example, or the Dombauverein,<br />
the cathedral construction society.<br />
Anyone who is the focal point of such different lobbies requires a<br />
personal robustness. No one would deny that the 50-year-old master<br />
builder has this, from background onwards. She grew up in Stuttgart.<br />
Her Swabian craftsman’s family left its mark: “I went through the German<br />
education system diagonally, so to speak: Mittlere Reife [the German<br />
intermediate school certificate], then trained as a draughtswoman,<br />
because I was always interested on the one hand in art and on the other<br />
hand in mathematics. This was followed by the study of architecture at<br />
the technical university in Stuttgart.” To continue the diagonal: On the<br />
side, she also completed practical training on a building site as a brick-<br />
Supporting<br />
steel corners