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Guide to Sundanese Music - Free EBooks Library

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ALOK<br />

BARANG<br />

GLOSSARY<br />

A dot under a note indicates that it is in the higher<br />

octave. A dot over a note indicates that it is in the<br />

lower octave.<br />

A minus sign raises the pitch of the note that precedes<br />

it. In the pelog degung tuning, if 3/panelu is Western<br />

D, then 3-/panelu sorog is E.<br />

A plus sign lowers the pitch of the note that precedes<br />

it.<br />

Used in this guide <strong>to</strong> show that a pattern reiterates the<br />

last structural pitch (goong or kenong).<br />

Used in this guide <strong>to</strong> show that a pattern anticipates the<br />

next structural pitch (goong or kenong).<br />

Interludes sung by a male vocalist (juru alok).<br />

Melodically they are improvised.<br />

= 1 = tugu = Javanese 6/nem. The <strong>to</strong>p string of the rebab<br />

is tuned <strong>to</strong> 1/barang. The <strong>to</strong>p note of the kacapi is<br />

usually tuned <strong>to</strong> this note.<br />

BEM = 4 = galimer (in gamelan circles - not in tembang<br />

circles) = Javanese 2/gulu. The lower string of the<br />

rebab is tuned <strong>to</strong> this note.<br />

BONANG<br />

BUBUKA<br />

CACAGAN<br />

CARUK<br />

An instrument with small gong-chimes suspended<br />

horizontally on a rack. In gamelan salendro ten pots are<br />

are arranged in two rows. In gamelan pelog fourteen pots<br />

are arranged in two rows. In gamelan degung fourteen<br />

pots are arranged in a single row.<br />

An opening piece. Usually loud and fast.<br />

On the bonang (in degung or gamelan salendro): playing<br />

in octaves with the hands going right-both-right-rest,<br />

right-both-right-rest, eg<br />

LH<br />

RH<br />

On the saron in gamelan salendro/pelog, playing a melodic<br />

line, which follows the gist of the sekar ageung.<br />

Interlocking patterns, rather like imbal in Javanese<br />

gamelan.<br />

CELEMPUNGAN Gamelan salendro/pelog songs performed by a juru kawih,<br />

rebab, kendang, goong, with one or two kacapi<br />

substituting for gamelan. Presumably the ensemble used<br />

101

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