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4.2 DEGUNG KLASIK DEGUNG KLASIK: BONANG The repertoire of degung klasik consists of pieces classified as sekar ageung, or large forms. While sekar alit are based on a framework, or patokan, which can be filled in in any number of ways, sekar ageung are based on a melody. While sekar alit always have regular phrase lengths of 8, 16 or 32 beats marked out by the kempul, many sekar ageung have uneven phrase lengths, and the kempul is never used"^. The main bearer of the melody in sekar ageung is the bonang. All other parts paraphrase or elaborate the bonang melody. To learn a new sekar ageung, you begin by learning the bonang part. 4«2.1 Bonang in degung klasik; gumekan In sekar ageung the pangkat, or introductory phrase, is always played by the bonang. Many sekar ageung have the same pangkat, often referred to as "pangkat biasa", ie "the usual pangkat". It is awkward to notate, since it slows down constantly. There are variants, but it usually goes something like this: pangkat biasa bonang jengglong: .55 < |. 5 . 5|. 5 . 4|3 2 3 2 2 o— w— 2 5 5 2 • • 1 -n—g— G 25123233343232345234545 w— n- 3( 5 TfS 5 -o— The basic bonang technique in sekar ageung is gumekan. While gumekan in gamelan salendro is fast and furious (see 3.2.2), in degung it is more gentle in character. In both styles the term gumekan refers to elaborate melodic movement shared between the hands. Galatik Mangut is an example of a very short sekar ageung. kempul in degung. Sekar ageung in gamelan salendro and pelog do use the 72
Galatik Mangut bonang jenggl. 1 . . . 2 DEGUNG KLASIK: BONANG pangkat biasa:
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GUIDE TO SUNDANESE MUSIC A PRACTICA
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3.2 BONANG AND RINCIK 11 3.2.1 Kemp
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IV this respect it is a definite ad
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U Chapter 1 INTRODUCTION 1.1 GAMELA
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INTEODUCTION - GAMELAN SAL^NDRO AND
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INTRODUCTION - GAMELAN SALiNDRO AND
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INTRODUCTION - GAMELAN SAL^NDRO AND
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INTRODUCTION - GAMELAN DEGUNG A gam
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INTRODUCTION GAMELAN DEGUNG The fol
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1.3 TEMBANG SUNDA or CIANJURAN 1.3.
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INTRODUCTION - TEMBANG SUNDA player
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Chapter 2 SOME USEFUL TERMS AND PRI
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TERMS AND PRINCIPLES There may also
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Page 104 and 105: TABLE OF PATOKAN frameworks of seka
Page 106 and 107: ANGLfi BANJARAN Barlen Gede BARL6N
Page 108 and 109: CfiMPRlgS CIANJUEAN DA MI NA TI LA
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Page 112 and 113: PANELU PANELU SOROG PANERUS PANGAGf
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