Guide to Sundanese Music - Free EBooks Library

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PANAMBIH TEMBANG SUNDA: KACAPI INDUNG To sort out the co-ordination of the damping and plucking, practice extremely slowly on just two notes, and when you have got it, gradually build up the speed:
PANAMBIH TEMBANG SUNDA: KACAPI INDUNG Another common kendangan, which is often interchangeable with dong-diDING, is the following : .5. 5 5 .5. 5 5 .5. 5 .5.53 5 2 The kacapi indung player may give advance warning that the piece is about to end by playing the following unsyncopated version of the above: h 5 515 5 5 75753 t k\ - ding-DONG -»• STOP The above kendangan may all also be used for the "goong" note 1/barang. For "goong" notes 5/galimer, 4/bem and 3/panelu, the same kendang patterns are tranposed up three strings: ding-dong on 5 and h -d— 2: g— g (J— 'S S: d— 2: o— n— i— n goong 2/kenong o— o—n— o— n— 1 -o—-o— n- 5 d— 1— n— ^3 goong 1/barang g ding-dong on 3 and 1 h. li. d— o— n- ^5 -o— 4, 3 . ^ goong 5/galimer -d— o— n— g- i— n— goong 4/bem -d— o— n- ^6 g-r-o-r-o— n- 3 d— 1— n— g— o— o— I d— ^4 S d— goong 3/panelu o— n— g- - i— n- Kendangan in other positions are sometimes found (eg on 5 and 2 in pelog). Nevertheless, the above positions are the main ones for both the pelog and sorog tunings. In panambih tembang Sunda, kendangan are always played on strings which sound well together (usually a Western fifth or sixth: never a tritone, as in some other kacapi styles). In salendro there is more latitude, since any pair of strings with two strings in between sound roughly a fifth apart. Many panambih are based on sekar alit from the gamelan degung and gamelan salendro repertoires. Thus in a song like Kulu-kulu, the patokan 5 (2), is realised as it might be on the bonang or panerus/cempres: with patterns to 2 5 5 (2). Javanese gamelan players may find this pattern easier if they think of the rhythm of gembyang bonang panerus in Lancaran. 91
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GUIDE TO SUNDANESE MUSIC A PRACTICA
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3.2 BONANG AND RINCIK 11 3.2.1 Kemp
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IV this respect it is a definite ad
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U Chapter 1 INTRODUCTION 1.1 GAMELA
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INTEODUCTION - GAMELAN SAL^NDRO AND
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INTRODUCTION - GAMELAN SALiNDRO AND
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INTRODUCTION - GAMELAN SAL^NDRO AND
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INTRODUCTION - GAMELAN DEGUNG A gam
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INTRODUCTION GAMELAN DEGUNG The fol
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1.3 TEMBANG SUNDA or CIANJURAN 1.3.
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INTRODUCTION - TEMBANG SUNDA player
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Chapter 2 SOME USEFUL TERMS AND PRI
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TERMS AND PRINCIPLES There may also
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ii) TERMS AND PRINCIPLES Another ty
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TERMS AND PRINCIPLES Sundanese song
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TERMS AND PRINCIPLES not widely use
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3.1 SARON Chapter 3 PLAYING GAMELAN
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GAMELAN SALjgNDRO/P^LOG : SARON In
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2 wilet // GAMELAN SAL^NDRO/P^LOG :
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GAMELAN SALl^NDRO/PlgLOG : SARON At
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GAMELAN SALiNDRO/P:eLOG : SARON pan
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GAMELAN SALlgNDRO/PfiLOG ; SARON In
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Page 47 and 48: GAMELAN SALlSNDRO/P^LOG : BONANG sa
Page 49 and 50: OB B N A N G GAMELAN SAL^NDRO/PlfiL
Page 51 and 52: GAMELAN SALlfiNDRO/P^LOG : BONANG B
Page 53 and 54: GAMELAN SALjgNDRO/PfiLOG : PANERUS
Page 55 and 56: OR P A N E R U s 5 GAMELAN SAL^NDRO
Page 57 and 58: GAMELAN SALfiNDRO/P^LOG : PANERUS &
Page 59 and 60: GAMELAN SALlSNDRO/PfiLOG : GOONG &
Page 61 and 62: 3.6 Kendang GAMELAN SAL^NDRO/PfiLOG
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Page 66 and 67: SAWILET SATENGAH (U WILET) or P t P
Page 68 and 69: gelenyu •
Page 70 and 71: GAMELAN SALJ^NDRO/PiLOG : KENDANG
Page 72 and 73: or cacagan LH RH jgl. // 5 . 5 i 5
Page 74 and 75: DEGUNG KAWIH melody, but it is not
Page 76 and 77: Jipang Prawa / Gambir Sawit 1 wilet
Page 78 and 79: 4.2 DEGUNG KLASIK DEGUNG KLASIK: BO
Page 80 and 81: DEGUNG KLASIK: BONANG straightened
Page 82 and 83: DEGUNG KLASIK: BONANG This type of
Page 84 and 85: Lalayaran bonang Peking cempres jen
Page 86 and 87: DEGUNG KLASIK: JENGGL0N6 The jenggl
Page 88 and 89: DEGUNG KLASIK: KENDANG The first of
Page 90 and 91: DEGUNG KLASIK: KENDANG end of line
Page 92 and 93: (Rugrug) // // 55 5 5 DEGUNG KLASIK
Page 94 and 95: Chapter 5 PLAYING PANAMBIH TEMBANG
Page 98 and 99: Kulu-kulo 1 wilet PANAMBIH TEMBANG
Page 100 and 101: PANAMBIH TEMBANG SUNDA: KACAPI INDU
Page 102 and 103: PANAMBIH TEMBANG SUNDA: KACAPI EINC
Page 104 and 105: TABLE OF PATOKAN frameworks of seka
Page 106 and 107: ANGLfi BANJARAN Barlen Gede BARL6N
Page 108 and 109: CfiMPRlgS CIANJUEAN DA MI NA TI LA
Page 110 and 111: KEMPEANGAN KEMPUL KENDANG KENDANGAN
Page 112 and 113: PANELU PANELU SOROG PANERUS PANGAGf
Page 114 and 115: SINGGUL SOROG SULING DEGUNG SULING
Page 116 and 117: Rosidi, Ajip 1973 "My experiences i
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