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Guide to Sundanese Music - Free EBooks Library

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GAMELAN SALlSNDRO/PfiLOG : GOONG & JENGGLONG<br />

P . P . P P P G<br />

a) 4 2 2 4<br />

b)<br />

34323234 53525354<br />

3 2 3 4<br />

c)<br />

d)<br />

5354535253525354<br />

e)<br />

3534353235323534<br />

f)<br />

(a) and (b) are 4-note versions: (b) uses the pancer (3/panelu), while (a)<br />

reiterates the goong and kenong pitches.<br />

(c) and (d) have 8 notes, (c) uses pangag6t (5/singgul) and pancer<br />

(3/panelu). (d) only uses the pancer, and reiterates the goong and kenong<br />

pitches.<br />

(e) and (f) have 16 notes. Both use pangaget and pancer, and reiterate the<br />

goong and kenong pitches. The pangaget and pancer are reversed in the 2<br />

versions.<br />

In pieces such as Bendrong (1) (2), or Angle (1) (2) (4), which have no<br />

kenong note, some possible realizations on the jengglong are:<br />

Bendrong 1<br />

a)<br />

//<br />

wilet<br />

51515352<br />

P '<br />

. P . P P P G<br />

b)<br />

//<br />

5<br />

53515352<br />

2 5 2 5 3 5 1<br />

P . P . P P P G<br />

c)<br />

//<br />

P<br />

3 5 1<br />

2.2.5.1 1.1.5.2<br />

. P . P P P G<br />

On the jengglong, 5 is usually played in both octaves simultaneously.<br />

53

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