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GAMELAN SAL]eNDRO/P:6LOG : SARON framework can be realized in different ways by the saron. At very fast speeds (1 wilet gancang), the saron may just play something like: 1 wilet gancang (fast) kempul/goong: P I: 4 4 2 4 II: .3.1.34 This could be summarized as P 4 goong pitch reiterated: g P 2 • o • • o u -•- 2 move <strong>to</strong> kenong: N p 2 2 .3.5
2 wilet // GAMELAN SAL^NDRO/P^LOG : SARON I: 3_3_3_3^3_3_3_3j£3_]^3_j_3_l_3 II: .2.2.2.2.2.2.2.5.2.5.2.5.2.5.23 2_2_2_2_2_2_2_2J£2_£2_£2^^2| .3.3.3.3.3.3.3.5.3.5.3.5.3.5.321 I: II: - c - N P P P G 1-I.3_3_3_3_3_3jl_3_j_3_l_3_1^3|4_4_4_4_4_^£4j2_4_2^4_2_4_2_4j . 2. 2. 2. 2. 2. 2. 2. 5. 2. 5. 2. 5. 2. 5. 23 1. 3. 3. 3. 3. 3. 3. 3. 1.3. 1.3. 1.3. 1.34 -* c -»• G Or alternatively they can reiterate the goong and kenong notes, with the pancer in between, ie 3432 323 (4), or cgcN cncG: 2 wilet // I: H3_3_]_3_j_3 4_££4_2_^2_4 .3.3.3.1.3.1.34 3_3_L3^Li.L3|2_2^2^2^4_2^4_2 -* c -* c - N P P P G I- mm.l3j2_2_2^2^£2^4_2|3_3_3_3_l_3_]^3|4_^^4_2^£2_4( II: . 2. 2. 2. 5. 2. 5. 23 1. 3. 3. 3. 5. 3. 5. 32 1. 2. 2. 2. 5. 2. 5. 23 1. 3. 3. 3. 1.3. 1.34 - c - n -* c -»• G 4 wilet (opat wilet) is a special case, with which we will deal in a later section. The caruk saron realizations of Kulu-kulu Bern we have discussed so far could be summarized as follows: sawilet gancang (fast 1 wilet) g N n G sawilet (moderate 1 wilet) c N c G sawilet kendor (slow 1 wilet) or sawilet satengah (1| wilet) dua wilet (2 wilet) or c N c G cgcNcncG 31
Page 1 and 2: GUIDE TO SUNDANESE MUSIC A PRACTICA
Page 3 and 4: 3.2 BONANG AND RINCIK 11 3.2.1 Kemp
Page 5 and 6: IV this respect it is a definite ad
Page 7 and 8: U Chapter 1 INTRODUCTION 1.1 GAMELA
Page 9 and 10: INTEODUCTION - GAMELAN SAL^NDRO AND
Page 11 and 12: INTRODUCTION - GAMELAN SALiNDRO AND
Page 13 and 14: INTRODUCTION - GAMELAN SAL^NDRO AND
Page 15 and 16: INTRODUCTION - GAMELAN DEGUNG A gam
Page 17 and 18: INTRODUCTION GAMELAN DEGUNG The fol
Page 19 and 20: 1.3 TEMBANG SUNDA or CIANJURAN 1.3.
Page 21 and 22: INTRODUCTION - TEMBANG SUNDA player
Page 23 and 24: Chapter 2 SOME USEFUL TERMS AND PRI
Page 25 and 26: TERMS AND PRINCIPLES There may also
Page 27 and 28: ii) TERMS AND PRINCIPLES Another ty
Page 29 and 30: TERMS AND PRINCIPLES Sundanese song
Page 31 and 32: TERMS AND PRINCIPLES not widely use
Page 33 and 34: 3.1 SARON Chapter 3 PLAYING GAMELAN
Page 35: GAMELAN SALjgNDRO/P^LOG : SARON In
Page 39 and 40: GAMELAN SALl^NDRO/PlgLOG : SARON At
Page 41 and 42: GAMELAN SALiNDRO/P:eLOG : SARON pan
Page 43 and 44: GAMELAN SALlgNDRO/PfiLOG ; SARON In
Page 45 and 46: 3.2 BONANG and RINCIK 3.2.1 Kempran
Page 47 and 48: GAMELAN SALlSNDRO/P^LOG : BONANG sa
Page 49 and 50: OB B N A N G GAMELAN SAL^NDRO/PlfiL
Page 51 and 52: GAMELAN SALlfiNDRO/P^LOG : BONANG B
Page 53 and 54: GAMELAN SALjgNDRO/PfiLOG : PANERUS
Page 55 and 56: OR P A N E R U s 5 GAMELAN SAL^NDRO
Page 57 and 58: GAMELAN SALfiNDRO/P^LOG : PANERUS &
Page 59 and 60: GAMELAN SALlSNDRO/PfiLOG : GOONG &
Page 61 and 62: 3.6 Kendang GAMELAN SAL^NDRO/PfiLOG
Page 63 and 64: RH KENDANG AGEUNG (small head) COMB
Page 66 and 67: SAWILET SATENGAH (U WILET) or P t P
Page 68 and 69: gelenyu •
Page 70 and 71: GAMELAN SALJ^NDRO/PiLOG : KENDANG
Page 72 and 73: or cacagan LH RH jgl. // 5 . 5 i 5
Page 74 and 75: DEGUNG KAWIH melody, but it is not
Page 76 and 77: Jipang Prawa / Gambir Sawit 1 wilet
Page 78 and 79: 4.2 DEGUNG KLASIK DEGUNG KLASIK: BO
Page 80 and 81: DEGUNG KLASIK: BONANG straightened
Page 82 and 83: DEGUNG KLASIK: BONANG This type of
Page 84 and 85: Lalayaran bonang Peking cempres jen
Page 86 and 87:
DEGUNG KLASIK: JENGGL0N6 The jenggl
Page 88 and 89:
DEGUNG KLASIK: KENDANG The first of
Page 90 and 91:
DEGUNG KLASIK: KENDANG end of line
Page 92 and 93:
(Rugrug) // // 55 5 5 DEGUNG KLASIK
Page 94 and 95:
Chapter 5 PLAYING PANAMBIH TEMBANG
Page 96 and 97:
PANAMBIH TEMBANG SUNDA: KACAPI INDU
Page 98 and 99:
Kulu-kulo 1 wilet PANAMBIH TEMBANG
Page 100 and 101:
PANAMBIH TEMBANG SUNDA: KACAPI INDU
Page 102 and 103:
PANAMBIH TEMBANG SUNDA: KACAPI EINC
Page 104 and 105:
TABLE OF PATOKAN frameworks of seka
Page 106 and 107:
ANGLfi BANJARAN Barlen Gede BARL6N
Page 108 and 109:
CfiMPRlgS CIANJUEAN DA MI NA TI LA
Page 110 and 111:
KEMPEANGAN KEMPUL KENDANG KENDANGAN
Page 112 and 113:
PANELU PANELU SOROG PANERUS PANGAGf
Page 114 and 115:
SINGGUL SOROG SULING DEGUNG SULING
Page 116 and 117:
Rosidi, Ajip 1973 "My experiences i
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