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List 4-2013 - Libreria Antiquaria Alberto Govi

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activities of the Accademia Fiorentina, among which should be mentioned Gli spiriti folletti (1546) and the Prose antiche di Dante, Petrarcha<br />

e Boccaccio (1547). In 1548, after the failure of his printing house, Doni broke off his relations with the Florentine milieu leaving Florence once<br />

and for all and, after a violent quarrel whose reasons remain obscure, ending his personal relationship with Domenichi.<br />

Back in Venice, Doni edited the first Italian version of Thomas More’s Utopia, translated by Ortensio Lando (1548). In 1549 his eldest<br />

son, Silvio, was born from an extramarital relationship with Lena Gabbia; to him Doni dedicated the Epistole di Seneca ridotte nella lingua<br />

toscana, issued in the same year. This is the first example of Doni’s penchant for plagiarism, since what he actually did was to publish under this<br />

title his own adaptation of Sebastiano Manilio’s translation of Seneca’s Moral Epistles (1494).<br />

Meanwhile, he had begun a close collaboration with the printer Gabriele Giolito with the publication of the Disegno (1549), a book concerned<br />

with the primacy of figurative art. In 1550 Giolito published three further volumes by Doni: Fortuna di Cesare, Prima Libraria, and<br />

Medaglie.<br />

In his writings from 1549 onwards Doni often mentions the Accademia Pellegrina. However, this is neither the name of an existing institution<br />

(as it was believed until recently), nor the designation of a project for the creation of a new community of intellectuals; Doni’s Accademia<br />

Pellegrina is simply a literary fiction and an important element of the setting of his works. Ercole Bentivoglio, Titian, Francesco Sansovino,<br />

Lodovico Dolce, Pietro Aretino, Francesco Marcolini, and other alleged members of the Accademia often appear as characters in, or even coauthors<br />

of, Doni’s output.<br />

Doni’s most productive period coincided with the years<br />

1551-1553, when he was a collaborator of the printer Francesco<br />

Marcolini, who during this triennium printed many of<br />

Doni’s major works: the Seconda Libraria (1551), the Zucca<br />

(1551-52), the Moral Filosofia (1552), the Marmi (1552-53),<br />

the diptych Mondi-Inferni (1552-53), the Pistolotti amorosi<br />

(1552), a collection of letters written by various fictional lovers.<br />

In 1555 Doni suddenly left Venice and went to Urbino,<br />

where he wanted to obtain the patronage of Duke Guidobaldo<br />

II della Rovere with the aid of Pietro Aretino. Aretino,<br />

however, refused, and to take revenge for what he considered<br />

a betrayal, in 1556 Doni wrote a very aggressive book, the<br />

Terremoto (Earthquake), in which he predicted that his former<br />

friend would die before the end of the year – exactly as<br />

happened. In 1556 he also published Le Ville, a work devoted<br />

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