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THE ROYAL HOUSE OF FRANCE - outriders poetry project

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318<br />

© 2009 Max Wickert<br />

As soon as he had placed it back on King Charles’s head, he bowed before Charles and then took<br />

him by the hand.<br />

Then the noble Archbishop Turpin quietly summoned witnesses and wrote a testimonial to the<br />

effect that Gerard of the Thicket had advanced fifteen steps more toward Charlemagne than<br />

Charlemagne had toward him, and that Gerard, like a vassal, had picked up the Emperor Charles’<br />

cap and had bowed to him like a subject. Indeed, as the proverb has it,<br />

“Let him whose neighbor spoils for a fight<br />

be on his guard both day and night.”<br />

The archbishop did this to repay Gerard for the knife he had thrown to kill him. Be aware then, O<br />

reader, what this signifies: If Charlemagne went to war against Gerard, he could not do so unless it<br />

were proved that Gerard had once been his subject. Turpin demonstrated that, on this occasion,<br />

Gerard was a vassal, and therefore was obliged to do homage to Charlemagne. He reminded all the<br />

barons of France of this fact.<br />

8<br />

When Gerard had bowed to King Charles, they took each other’s hands and each asked the other to<br />

declare his whole intention. Gerard declared how many people he had brought and how he had<br />

captured the tower from King Almont. King Charles thanked him heartily and asked for his aid,<br />

since the enemy was approaching and their banners could be seen advancing. Then Charles armed<br />

himself and mounted his horse.<br />

Charles’s armor was the most splendid in the world. On his surcoat he wore, both front and back,<br />

the imperial eagle, and all the rest was embroidered with golden lilies, as was the coverlet of his<br />

horse. Then he took up a lance, rode a little ahead, and then returned to Gerard, who marveled at

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