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last book, when her rage will be handed over to the man who here is so sympathetically introduced at the poem’s outset.” 6 He also writes: “The madness Aeneas exhibits in the very last lines of the poem is parallel to the wrath of Juno at the poem’s outset.” 7 Scholars believe that the first six books of the Aeneid resemble Homer’s Odyssey because they discuss Aeneas’ journey at sea, similar to Odysseus’ expedition to return home. The last six books of the Aeneid, on the other hand, mirror Homer’s Iliad, since they describe the war in Italy, just as the Iliad talks about the Trojan War. For this reason, there are two proems, or introductions, in the Aeneid, with the first one in Book 1 and the second one in Book 7. The Muse is invoked in Book 1 and is once again invoked in Book 7 to commence the so-called “war books.” In Book 7 of the Aeneid, Aeneas and his companions have arrived at their destined land, Latium. It is Aeneas’ fate to establish the new city for the Trojans in Latium as well as to marry Lavinia, daughter of King Latinus, who is the king of the Latins. Juno’s rage towards the Trojans is not yet extinguished at this point. She knows that she cannot defeat the fate of Trojans and Latins being united. Since she 6 Fratantuono (2007) 4. 7 Fratantuono (2007) xvii. 58
cannot tolerate the idea of the two groups living together in harmony, she delays the Trojans from establishing their city by instigating a war between the Trojans and Latins. Book 7, paralleling Book 1, shows a wrathful Juno seeking help from an individual to wreak chaos among the Trojans. While Juno requests Aeolus’ help in Book 1 to stir up a storm, this time she summons Allecto, one of the Furies, to stir up a war between the Trojans and Latins. As the “cruel wife of Jove” (saeva Iovis coniunx, 7.287), Juno demands Allecto to “strike together her fertile breast, break up the orderly peace, and sow the accusations of war” (fecundum concute pectus, disice compositam pacem, sere crimina belli, 7.338-339). The imperatives concute, disice, and sere remind us of the commands which she gave to Aeolus earlier. Once again, she is forceful in her speech, as she desires to see the Trojans suffer. Allecto sets off to incite Queen Amata, King Latinus’ wife, to defy Aeneas and Lavinia’s impending marriage. Allecto then provokes Turnus, who is Lavinia’s Latin suitor, with the notion of Lavinia taking the hand of a Trojan foreigner, Aeneas, in matrimony. Turnus is exacerbated by Allecto’s instigation and prepares his army to expel the Trojans from Latium. During this war, Turnus kills one of Aeneas’ allies, Pallas, in Book 10. Aeneas, 59
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PARNASSUS _________________________
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Cover art by Allessandra Arduini iv
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By Debbie Chu, 2012 ● Folklore an
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Editor-in-Chief viii
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S.O.V. Michael Dunbar, 2015 _______
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A View of Law in Ancient Babylon: A
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the rule of law. The indecipherable
Page 16 and 17: exemplify the complex nature of Bab
Page 18 and 19: Bibliography Baikley, Nels M., and
Page 20 and 21: Plato’s Legacy: Whether the Repub
Page 22 and 23: as it not only comes after the Repu
Page 24 and 25: The first is that these dialogues a
Page 26 and 27: presented in “one session of a fe
Page 28 and 29: have labored to see if there is som
Page 30 and 31: theory. In this new metaphysical do
Page 32 and 33: conclusion on the questions raised,
Page 34 and 35: Socratics as well as contemporaries
Page 36 and 37: at hand. In the case at hand the tw
Page 38: Bibliography Brann, Eva. The Music
Page 41 and 42: Euripides’s Bacchae in Aeneid Boo
Page 43 and 44: Pentheus into going out alone to sp
Page 45 and 46: with the “traditionally Dionysiac
Page 47 and 48: covered spears” (pampineas… has
Page 49 and 50: the queen herself, after all, is th
Page 51 and 52: city like a “follower of Bacchus
Page 53 and 54: appear and call on him. Juno does n
Page 55 and 56: As a result, Allecto’s involvemen
Page 57 and 58: Aeneid: Vergil himself called the s
Page 59 and 60: Transference of Rage from Juno to A
Page 61 and 62: to pillage her most cherished city,
Page 63 and 64: fury. He is “exiled by fate” (f
Page 65: Aeneas takes an active role in the
Page 69 and 70: establish a city in Latium. Nothing
Page 71 and 72: attlefield, fighting on behalf of T
Page 73 and 74: of Aeneas’ final question, eripia
Page 75 and 76: perflant…ruunt creberque procelli
Page 77 and 78: Bibliography Feeney, D.C. “The Re
Page 79 and 80: Folklore and Superstition in Petron
Page 81 and 82: crossing over the threshold, “one
Page 83 and 84: evident to even the most imprudent
Page 85 and 86: particular laughs “to the point o
Page 87 and 88: crowded city of Rome. Furthermore,
Page 89 and 90: concludes that “others can see wh
Page 91 and 92: she punishes him with either a spel
Page 93 and 94: fire, water was poured under the ta
Page 96 and 97: Bibliography Leverett, R.P. Lexicon
Page 98 and 99: The Complexities of Surviving Under
Page 100 and 101: connotations of the word in a parti
Page 102 and 103: denoting Republican values, it beco
Page 104 and 105: etween the different uses of virtus
Page 106 and 107: great states, ignorance of what is
Page 108 and 109: Likewise, Tacitus uses the word vir
Page 110 and 111: Tacitus does not use the word virtu
Page 112 and 113: (Pater illi Iulius Graecinus senato
Page 114 and 115: ultimately of more help to the stat
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of Rome, and even in Rome itself, i
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Continued reflection on Tacitus’s
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Disordering Freedom: The Relation b
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decline of eloquence, but also of f
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(37.6), by the lack of which both e
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freedom of speech because, it seems
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e moderating his point. His recent
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y pairs, with ensuing comparison of
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mentioned disloyalty and to become
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whatever “new things” (Ann. I.5
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Bibliography Daitz, Stephen. “Tac
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constructed by previous writers and
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the coast of Sicily. Silius makes i
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whereas Silius achieves a similar e
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oth poets whom Rome naturally subsu
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Greece and Rome on the French Stage
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establishes a human’s moral fault
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from the protagonist’s flaws. Suc
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The will of the divine and personal
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Andromaque Racine’s Andromaque, p
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Christian audience than with an anc
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Racine’s, is the relationship bet
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comes from St. Augustine. 12 All of
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leave, what furious looks he gave m
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moment of mercifulness toward Agrip
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duty, I want you to know that, to d
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against both their inclinations”
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of the most important influences on
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Suetonius. Life of Titus. Translate
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