Online Journalism - Ayo Menulis FISIP UAJY
Online Journalism - Ayo Menulis FISIP UAJY
Online Journalism - Ayo Menulis FISIP UAJY
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aphorism about history being written by the victors notwithstanding,<br />
wars since classical times have inevitably left behind<br />
eyewitness accounts from a range of perspectives. Kosovo was no<br />
exception, with the difference that its accounts, at least those<br />
coming from citizens with access to a computer and a telephone,<br />
were published during the course of the war, often with other<br />
primary sources, alongside those of the world’s journalists. National<br />
and global news providers on the web linked to such accounts,<br />
giving them a global distribution and print and broadcast media<br />
took them up to republish them. J.D. Lasica describes how the email<br />
correspondence between Adona, an ethnic Albanian teenager, and<br />
Finnegan Hamill, a young reporter for Youth Radio in California,<br />
brought the reality of the war to younger audiences who might<br />
otherwise have ignored it. CNN Interactive posted the correspondence<br />
for audiences around the world. 31 Another account which<br />
was linked on many news sites and published in part in Arena, Le<br />
Monde, the Standard (Bulgaria) and Publico (Portugal), was ‘The War<br />
Diary’ of a Serbian film-maker working in Belgrade and known only<br />
as A.G. This took the form of diaries and a sequence of videos dating<br />
from 2 March and finishing on 17 June. A.G. makes clear that, for<br />
those who are caught up in it, one of the most unnerving effects of<br />
war is the lack of information.<br />
Wednesday, March 24<br />
Armageddon.com: Home Pages and Refugees 113<br />
We reach Belgrade soon after midnight. Everything is quiet and<br />
nothing happens. When arrived at M.’s home, first thing we do is<br />
turning on the Radio B92, independent radio station. But nobody<br />
knows what’s going on. Suddenly, at 3.a.m. local time, Radio B92<br />
was shut down. All TV and radio stations now broadcast the same:<br />
old war movies, patriotic songs, Assembly conclusions … 32<br />
The reference to B92 gives an indication of A.G.’s response to the<br />
war, although he by no means accepted the Allied account unquestioningly<br />
and found the BBC and CNN websites almost as frustrating<br />
as the Serbian media. As a media worker himself he was very aware<br />
of the clumsy approach to NATO strategies by Serbian military<br />
spokespeople.