Online Journalism - Ayo Menulis FISIP UAJY
Online Journalism - Ayo Menulis FISIP UAJY
Online Journalism - Ayo Menulis FISIP UAJY
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150 <strong>Online</strong> <strong>Journalism</strong><br />
so far unsuccessfully reappropriated by proprietors such as Rupert<br />
Murdoch – who so successfully drove the market-centred approach in<br />
Britain – was the appearance of a new journalism in publications like<br />
the Drudge Report in the USA and Scallywag in Britain, and their many<br />
imitators (some markedly more successful than their epigones).<br />
Drudge is able to publish from his two-room flat in Hollywood by<br />
employing a technology that demands very few overheads. His<br />
‘team’, mostly comprising other news providers such as Slashdot,<br />
mobilised by no more than a link to their website, are virtual in the<br />
extreme.<br />
His nerve center is a fluid cacophony – a cheap Sanyo television<br />
monitor tuned to CNBC, another to CNN, another to C-SPAN …<br />
a Sony radio purring phone talk, an RCA satellite dish bringing in<br />
European news, show tunes, and extra TV channels, a police<br />
scanner looking for local action, and, most importantly, two<br />
computer screens linked to chat-rooms, e-mail, news wire<br />
services, and the Internet. 33<br />
Without wishing to elevate Drudge as the contemporary counterpart<br />
of the printer publishers of the great age of radical journalism,<br />
William Cobbett or Tom Paine, his newsroom also serves as his<br />
printing press or transmitter. The Drudge Report makes no concessions<br />
to its readers in terms of visual appeal or newsworthiness. Its<br />
sheer lack of style or discrimination is breathtaking to the readerly<br />
eye that has been educated in the contemporary news’ aesthetic.<br />
Newsweek’s satisfaction at Matt Drudge’s sacking by Fox News, especially<br />
after his forcing their publication of the Monica Lewinsky<br />
story, must have been tempered by his immediately leading with a<br />
link to their own (slightly triumphal) report of the event in<br />
November 1999. Any report of the death of journalism in the emergence<br />
of Drudge was premature, however the craft, with its skills and<br />
its determining principles, was certainly changing.<br />
The Return of the Real<br />
While Drudge’s journalism may well be unappealing to many,<br />
including as it does distortions, inaccuracies and a more or less<br />
complete dependency on the work of others, at the same time it