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Transromanica - An amazing journey through the ... - Central Europe

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30<br />

Vignola (Sunday, 10 October)<br />

Great success for <strong>the</strong> Conference play-The Dragon and <strong>the</strong> Mermaid by Stefano Masi<br />

and Luca Catanzaro, held in <strong>the</strong> hall against <strong>the</strong> Rock on Sunday afternoon. The<br />

spectators have been fascinated by <strong>the</strong> evocative projections and readings from medieval<br />

texts, and many have held to congratulate <strong>the</strong> authors for <strong>the</strong> extreme sophistication of <strong>the</strong><br />

show. There was also <strong>the</strong> presence of a significant part of <strong>the</strong> audience coming from<br />

outside <strong>the</strong> council, and presumably has followed many of <strong>the</strong> initiatives of <strong>the</strong> event.<br />

Number of spectators were calculated about 90 spectators<br />

FINAL CONSIDERATIONS<br />

The network of Roman sites certainly appears as a new tourist segment to be attached to<br />

those already known to targeted groups or individual visitors, valid for one trip out of<br />

town for a holiday of longer duration in a <strong>Europe</strong>an dimension.<br />

The awareness of <strong>the</strong> value of <strong>the</strong>se historical sites, as well as representing a moral<br />

wealth to <strong>the</strong> local population and for external visitors, also determine <strong>the</strong> economic<br />

growth if combined with elements of excellence that live in <strong>the</strong> Modena area, increasing<br />

<strong>the</strong> attractiveness and dialogue with different target audiences.<br />

The uncertainty of public resources, <strong>the</strong> increase of services for <strong>the</strong> leisure time, <strong>the</strong><br />

greater involvement of private individuals on cultural projects, <strong>the</strong> growth of<br />

management skills of cultural workers and consumption of art and culture as a<br />

differentiating factor in <strong>the</strong> life styles and <strong>the</strong> construction of a new collective identity<br />

have imposed a more open attitude towards <strong>the</strong> target audience and <strong>the</strong>ir needs,<br />

particularly as regards <strong>the</strong> "paths" of cultural consumption. Pathways - such as is offered<br />

on <strong>the</strong> sites of Roman in Modena - revealed synergies between new artistic realities on<br />

<strong>the</strong> same territory and users open to different and diverse cultural consumption.<br />

The awareness of cultural operators that <strong>the</strong>y are not working in an isolated and<br />

uncontaminated area, but moving in a well-defined territory, peopled by a variety of<br />

The project CrossCulTour is implemented<br />

<strong>through</strong> <strong>the</strong> CENTRAL EUROPE Programme<br />

co-financed by <strong>the</strong> ERDF.

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