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INDIAN PHILOSOPHY

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COMPLETE WORKS OF DR K.C.VARADACHARI – VOL10<br />

and poets are admired precisely for their ‘fidelity to<br />

nature’. We call that word-painting.<br />

Thus it is clear that though men are aware of this<br />

distinction between svartha and parartha it is only the<br />

parartha that is socially valuable and in a truer sense a<br />

test of perfect knowing. Musical critics who cannot sing<br />

or songsters who cannot sing or execute their<br />

inexpressible songs are species of non-knowers-<br />

arrested knowers-arrested half way to knowledge of<br />

their subjects. So also painters who cannot paint or<br />

artists who are just art-critics and nothing more are of<br />

this category.<br />

A poet combines the genius of the artist with the<br />

vision of the reality which he sees much more than the<br />

ordinary seer or observer. He observes more than the<br />

ordinary man, who sees the peculiar identities which<br />

are not within the province of the ordinary logician or<br />

scientist, though it would be profoundly good for the<br />

latter to accustom themselves to see the unities and<br />

identities of a different order, and the correspondential<br />

which is possible to a trained imagination. The true poet<br />

is the poet of truth not merely of imagination, for<br />

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