UNDERGRADUATE STUDENT HANDBOOK - Music
UNDERGRADUATE STUDENT HANDBOOK - Music
UNDERGRADUATE STUDENT HANDBOOK - Music
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NUI Maynooth <strong>Music</strong> Department Undergraduate Handbook 2009-2010<br />
Performance Strand Criteria<br />
• Performance strand criteria should be read in conjunction with the relevant current<br />
module guides and examination regulations.<br />
• It is understood that demands increase as students move through the programme.<br />
• Examiners awarding a mark of 62% in first year take into account the normal<br />
expectations for the level. Thus, third-year recital<br />
students are assessed against more demanding technical, repertorial and<br />
interpretative expectations in order to achieve the same mark.<br />
• Chamber music assessment marks may either be the same for all members of the<br />
ensemble or split to reflect different levels of attainment at the discretion of the<br />
examiners.<br />
Percentage<br />
Points<br />
85–100<br />
First Class<br />
70–84<br />
First Class<br />
60–68<br />
2:1<br />
50–58<br />
2:2<br />
45–48<br />
Third Class<br />
40–43<br />
Pass<br />
25–38<br />
Fail<br />
0–23<br />
Fail<br />
An outstanding and highly memorable performance displaying a<br />
professional level of interpretative command.<br />
An outstanding, assured and memorable performance demonstrating<br />
considerable technical, interpretative and communicative command in a<br />
range of styles.<br />
A confident and effectively communicated performance demonstrating<br />
interesting interpretative ideas underpinned by a generally fluent and<br />
reliable technique in a range of styles.<br />
A solid performance, showing some technical competence but rather<br />
limited musical understanding.<br />
Sufficiently secure technically for the performance not to break down yet<br />
a generally unimaginative performance with problems of fluency.<br />
A technically inconsistent and generally unimaginative performance<br />
revealing very little evidence of interpretative understanding and<br />
problems of fluency.<br />
Insecure technique resulting in a hesitant performance lacking in<br />
communication and musical and stylistic awareness.<br />
Insecure technique resulting in a very hesitant performance devoid of<br />
communication and musical and stylistic awareness.<br />
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