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UNDERGRADUATE STUDENT HANDBOOK - Music

UNDERGRADUATE STUDENT HANDBOOK - Music

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NUI Maynooth <strong>Music</strong> Department Undergraduate Handbook 2009-2010<br />

Performance Strand Criteria<br />

• Performance strand criteria should be read in conjunction with the relevant current<br />

module guides and examination regulations.<br />

• It is understood that demands increase as students move through the programme.<br />

• Examiners awarding a mark of 62% in first year take into account the normal<br />

expectations for the level. Thus, third-year recital<br />

students are assessed against more demanding technical, repertorial and<br />

interpretative expectations in order to achieve the same mark.<br />

• Chamber music assessment marks may either be the same for all members of the<br />

ensemble or split to reflect different levels of attainment at the discretion of the<br />

examiners.<br />

Percentage<br />

Points<br />

85–100<br />

First Class<br />

70–84<br />

First Class<br />

60–68<br />

2:1<br />

50–58<br />

2:2<br />

45–48<br />

Third Class<br />

40–43<br />

Pass<br />

25–38<br />

Fail<br />

0–23<br />

Fail<br />

An outstanding and highly memorable performance displaying a<br />

professional level of interpretative command.<br />

An outstanding, assured and memorable performance demonstrating<br />

considerable technical, interpretative and communicative command in a<br />

range of styles.<br />

A confident and effectively communicated performance demonstrating<br />

interesting interpretative ideas underpinned by a generally fluent and<br />

reliable technique in a range of styles.<br />

A solid performance, showing some technical competence but rather<br />

limited musical understanding.<br />

Sufficiently secure technically for the performance not to break down yet<br />

a generally unimaginative performance with problems of fluency.<br />

A technically inconsistent and generally unimaginative performance<br />

revealing very little evidence of interpretative understanding and<br />

problems of fluency.<br />

Insecure technique resulting in a hesitant performance lacking in<br />

communication and musical and stylistic awareness.<br />

Insecure technique resulting in a very hesitant performance devoid of<br />

communication and musical and stylistic awareness.<br />

29

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