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BarbarousMexico JOHN KENNETH TURNER

BarbarousMexico JOHN KENNETH TURNER

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112 BARBAROUS MEXICO<br />

crowd sitting there near them—four were happy Mexicans<br />

returning home for a vacation after a season at<br />

wage labor in the United States. We sang a little and<br />

we made some music on a violin and a harmonica. But<br />

not one of that family of six behind us ever smiled or<br />

showed the slightest interest. They reminded me of a<br />

herd of cattle standing in a blizzard, their heads between<br />

their front legs, their backs to the storm.<br />

The face of the old patriarch told a story of burdens<br />

and of a patient, ox-like bearing of them such as no<br />

words could possibly suggest. He had a ragged, grizzled<br />

beard and moustache, but his head was still covered<br />

with dark brown hair. He was probably seventy, but<br />

was evidently still an active worker. His clothing consisted<br />

of American juniper and overalls of ordinary<br />

denim washed and patched and washed and patched—<br />

a one-dollar suit patched until it 'Was nothing but<br />

patches!<br />

Beside the patriarch sat the 01(1 lady, his wife, with<br />

head bowed and a facial expression so like that of her<br />

husband that it might have been a copy by a great painter.<br />

Yes, the expression differed in one detail. The old<br />

woman's upper lip was compressed tight against her<br />

teeth, giving her an effect of perpetually biting her lip<br />

to keep back the tears. Perhaps her original stock of<br />

courage had not been equal to that of the man and it<br />

had been necessary to fortify it by an everlasting compression<br />

of the mouth.<br />

Then there was a young couple half the age of the two.<br />

The man sat with head nodding and granulated lids<br />

blinking slowly, now and then turning his eyes to stare<br />

with far distant interest upon the merrymakers around<br />

him. His wife, a flat-breasted, drooping woman, sat

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