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© Chuck Close<br />

14 <strong>The</strong> diary<br />

FraMeS FroM <strong>The</strong> edGe<br />

Even though iconic German-Australian<br />

photographer Helmut Newton is probably<br />

best known for his images of supermodels<br />

N<strong>as</strong>t<strong>as</strong>sja Kinski or Kristine DeBell <strong>as</strong> well<br />

<strong>as</strong> his work for Vogue and Playboy, he w<strong>as</strong><br />

much more than just a f<strong>as</strong>hion photographer,<br />

something that this exhibition aims to put<br />

forward. With his mainly black and white<br />

images, at times provocative and at others<br />

outrightly shocking, he explored what would<br />

become the major themes of his oeuvre:<br />

f<strong>as</strong>hion, luxury, money, power and sex. This<br />

first comprehensive retrospective in France<br />

since Newton’s unfortunate death in 2004<br />

showc<strong>as</strong>es more than 200 photographs,<br />

mostly original prints, from polaroids to<br />

monumental works. What is more: a film by<br />

June Newton, the artist’s wife of 60 years,<br />

gives you a personal glance into the life and<br />

work of one of the most defining photographers<br />

of our time.<br />

helmut Newton<br />

Until 17 th June<br />

Grand Palais, Paris<br />

grandpalais.fr<br />

France & Holland<br />

uP CLoSe aNd PerSoNaL<br />

<strong>The</strong> life-sized photorealistic paintings of<br />

American artist Chuck Close have been<br />

shown in the world’s most renowned<br />

museums from New York’s Guggenheim<br />

to London’s Tate and catapulted Close to<br />

international stardom in the 70s. Most of his<br />

works are portraits, or ‘heads’ <strong>as</strong> he calls<br />

them, of prominent sitters such <strong>as</strong> artist<br />

colleagues Robert Rauschenberg or Alex<br />

Katz – a f<strong>as</strong>cination that interestingly stems<br />

from Close’s inability to recognise people’s<br />

faces. Many paintings are created with his<br />

special hyperrealism technique, starting from<br />

a photograph that is then copied cell by cell<br />

on the canv<strong>as</strong> via a grid. Some works also<br />

require up to more than 100 printing sessions<br />

– a very time-consuming affair that can take<br />

two years to complete. This exhibition presents<br />

no less than 130 of the artist’s works,<br />

an impressive visual spectacle of modern<br />

portraiture.<br />

Chuck Close<br />

Until 20 th May<br />

Kunsthal, Rotterdam<br />

kunsthal.nl<br />

© Helmut Newton Estate

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