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Painting conservator Joanna Dunn removes varnish from Luke White, while Leisher Fellow Ana Alba examines Robert Liston, as part of a grant from the Bank of America Art Conservation Project to conserve fifteen Gilbert Stuart paintings. PRESERVING 40
Page 1 and 2: N A TIO NAL G ALL E R Y O F A R T 2
Page 4: NATIONAL GALLERY OF ART Washington,
Page 8 and 9: ongoing commitment to funding educa
Page 10: from Japan as the centerpiece of Co
Page 14 and 15: paintings NATIONAL GALLERY OF ART C
Page 16 and 17: Alexandre-François Desportes’ St
Page 18 and 19: is now one of the most splendid nin
Page 20 and 21: photographs This year the Gallery a
Page 22 and 23: Salomon Kleiner, Das prächtige Ra
Page 25 and 26: Antico: The Golden Age of Renaissan
Page 27 and 28: EXHIBITING In the Tower: Mel Bochn
Page 29 and 30: entire career. Through one of the m
Page 31 and 32: Shock of the News but to take a wor
Page 33: Participants in the High School Sum
Page 36 and 37: To broaden the Gallery’s reach bo
Page 38 and 39: twentieth century was explored in t
Page 40 and 41: NATIONAL GALLERY OF ART CENTER FOR
Page 44 and 45: NATIONAL GALLERY OF ART pRESERVING
Page 46 and 47: Twenty-three frames were treated fo
Page 48 and 49: NATIONAL GALLERY OF ART 2012 REVIEW
Page 50 and 51: The most significant factor in this
Page 52 and 53: NATIONAL GALLERY OF ART summarized
Page 54 and 55: Dance-Holland, Nathaniel, British,
Page 56 and 57: 20th and Mississippi—Night, 2002,
Page 58 and 59: Galle, Philip, Flemish, 1537-1612 >
Page 60 and 61: Melchisedech Blessing Abraham (afte
Page 62 and 63: Die Netzeflickerinnen, 1894, etchin
Page 64 and 65: Evening in Fukagawa, c. 1900, color
Page 66 and 67: Untitled (Planes), 1990, lithograph
Page 68 and 69: Benson, Richard, American, born 194
Page 70 and 71: The following changes of attributio
Page 72 and 73: LENDERS TO EXHIBITIONS Private Coll
Page 74 and 75: The Robert Lehrman Art Trust Joseph
Page 76 and 77: Pieter de Hooch >Woman and Child in
Page 78 and 79: Portland, Portland Museum of Art Jo
Page 80 and 81: Virginia Charlottesville, The Frali
Page 82 and 83: During the fiscal year the Gallery
Page 84 and 85: Lindsay Harris, “Photography of t
Page 86 and 87: eduCatIon Division Head Lynn Pearso
Page 88 and 89: Special Projects Workers Anthony Gi
Page 90 and 91: OFFICE OF DEVELOPMENT AND EXTERNAL
Page 92 and 93:
The support of the federal governme
Page 94 and 95:
NATIONAL GALLERY OF ART Betsy and P
Page 96 and 97:
NATIONAL GALLERY OF ART Bob and Meg
Page 98 and 99:
Lorie Peters Lauthier James A. and
Page 100:
NATIONAL GALLERY OF ART Washington,
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