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Download Report - National Gallery of Art

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During the fiscal year, 257 lenders from<br />

fifteen countries and twenty-nine states<br />

loaned 1,157 works to twenty-three<br />

exhibitions. The <strong>Gallery</strong> also worked on<br />

another thirty-six projects scheduled<br />

to open in the next five years, and<br />

administered the tour <strong>of</strong> seven exhibitions.<br />

United States Government Indemnity was<br />

secured for eight exhibitions on view in<br />

fiscal year 2012, resulting in a savings <strong>of</strong><br />

$2,494,258 in insurance premiums.<br />

>In the Tower: Nam June Paik<br />

Continued from the previous fiscal year<br />

to 2 October 2011<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Harry Cooper, curator<br />

Made possible by The Exhibition Circle<br />

<strong>of</strong> the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

>Italian Master Drawings from the Wolfgang<br />

Ratjen Collection, 1525–1835<br />

Continued from the previous fiscal year<br />

to 27 November 2011<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Margaret Morgan Grasselli, curator<br />

>The Gothic Spirit <strong>of</strong> John Taylor Arms<br />

Continued from the previous fiscal year<br />

to 27 November 2011<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Charles Ritchie, curator<br />

>A New Look: Samuel F. B. Morse’s “<strong>Gallery</strong><br />

<strong>of</strong> the Louvre”<br />

Continued from the previous fiscal year<br />

to 8 July 2012<br />

Nancy Anderson, curator<br />

Made possible by the generous support<br />

<strong>of</strong> the Terra Foundation for American <strong>Art</strong><br />

and organized in partnership with the<br />

<strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

>The Invention <strong>of</strong> Glory: Afonso V and the<br />

Pastrana Tapestries<br />

Continued from the previous fiscal year<br />

to 8 January 2012<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong><br />

<strong>Art</strong>, Washington, and the Fundación<br />

Carlos de Amberes, Madrid, in<br />

association with the Embassy <strong>of</strong> Spain,<br />

the Spain-USA Foundation, and the<br />

Embassy <strong>of</strong> Portugal and with the<br />

cooperation <strong>of</strong> the Embassy <strong>of</strong> Belgium<br />

and the Embassy <strong>of</strong> Morocco in<br />

Washington, DC, as well as the Diocese<br />

<strong>of</strong> Sigüenza-Guadalajara and Church<br />

<strong>of</strong> Our Lady <strong>of</strong> the Assumption <strong>of</strong><br />

Pastrana, Spain<br />

Julia Burke, Susan Arensberg, and<br />

Mary Levk<strong>of</strong>f, curators<br />

Made possible through the generous<br />

support <strong>of</strong> the government <strong>of</strong> Spain;<br />

the government <strong>of</strong> Portugal, Ministry <strong>of</strong><br />

Foreign Affairs, Instituto Camões; and<br />

the government <strong>of</strong> Belgium, Ministry <strong>of</strong><br />

Foreign Affairs<br />

Conservation <strong>of</strong> the tapestries<br />

undertaken at the initiative <strong>of</strong> the<br />

Spanish Fundación Carlos de Amberes,<br />

with support from the Belgian InBev-<br />

Baillet Latour Fund, and the following<br />

Spanish institutions: Fundación Caja<br />

Madrid, Region <strong>of</strong> Castilla-La Mancha,<br />

Provincial Council <strong>of</strong> Guadalajara,<br />

EXHIBITIONS AND LOANS<br />

Diocese <strong>of</strong> Sigüenza-Guadalajara, and<br />

Church <strong>of</strong> Our Lady <strong>of</strong> the Assumption<br />

<strong>of</strong> Pastrana<br />

>Warhol: Headlines<br />

Continued from the previous fiscal year<br />

to 2 January 2012<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong><br />

<strong>Art</strong> in association with The Andy Warhol<br />

Museum, Pittsburgh; the Galleria<br />

nazionale d’arte moderna, Rome; and<br />

the Museum für Moderne Kunst,<br />

Frankfurt<br />

Molly Donovan, curator<br />

Sponsored by The Terra Foundation for<br />

American <strong>Art</strong><br />

Made possible by The Exhibition Circle<br />

<strong>of</strong> the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Supported by an indemnity from the<br />

Federal Council on the <strong>Art</strong>s and the<br />

Humanities<br />

>Harry Callahan at 100<br />

2 October 2011–4 March 2012<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Sarah Greenough, curator<br />

Made possible through the generous<br />

support <strong>of</strong> the Trellis Fund<br />

>Antico: The Golden Age <strong>of</strong> Renaissance<br />

Bronzes<br />

6 November 2011–8 April 2012<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

in association with The Frick Collection,<br />

New York<br />

Eleonora Luciano, curator<br />

Made possible by the generous support<br />

<strong>of</strong> Robert H. and Clarice Smith<br />

Supported by an indemnity from the<br />

Federal Council on the <strong>Art</strong>s and the<br />

Humanities<br />

Part <strong>of</strong> ITALY@150, a series <strong>of</strong> activities<br />

in Washington, DC, and throughout the<br />

United States that celebrated the 150th<br />

anniversary <strong>of</strong> the unification <strong>of</strong> Italy and<br />

the long-lasting friendship between the<br />

two countries<br />

>In the Tower: Mel Bochner<br />

6 November 2011–8 April 2012<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

James Meyer, curator<br />

Made possible through the generous<br />

support <strong>of</strong> Suzanne F. Cohen and The<br />

Kraus Family Foundation<br />

Additional support provided by Judith<br />

Racht and Irving Stenn Jr., The<br />

Exhibition Circle, and The Tower Project<br />

>Picasso’s Drawings, 1890–1921: Reinventing<br />

Tradition<br />

29 January 2012–6 May 2012<br />

Organized by the Frick Collection, New<br />

York and the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Andrew Robison, curator<br />

Made possible through the generous<br />

support <strong>of</strong> The Hearst Foundation, Inc.<br />

Also made possible by The Exhibition<br />

Circle <strong>of</strong> the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Supported by an indemnity from the<br />

Federal Council on the <strong>Art</strong>s and the<br />

Humanities<br />

>The Baroque Genius <strong>of</strong> Giovanni Benedetto<br />

Castiglione<br />

29 January 2012–8 July 2012<br />

68<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Jonathan Bober, curator<br />

>Civic Pride: Group Portraits from<br />

Amsterdam<br />

10 March 2012–11 March 2017<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

<strong>Art</strong>hur Wheelock, curator<br />

Made possible by the Hata Foundation<br />

Also supported, in part, by public funds<br />

from the Netherlands Cultural Services<br />

and through the generosity <strong>of</strong> Mrs.<br />

Henry H. Weldon<br />

>Colorful Realm: Japanese Bird-and-Flower<br />

Paintings by Itō Jakuchū (1716–1800)<br />

30 March 2012–29 April 2012<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong><br />

<strong>Art</strong>, The Imperial Household Agency,<br />

and Nikkei, Inc., in association with the<br />

Embassy <strong>of</strong> Japan<br />

Yukio Lippit, curator<br />

Made possible through the generous<br />

support <strong>of</strong> Toyota; Nikkei, Inc.; and<br />

The Exhibition Circle <strong>of</strong> the <strong>National</strong><br />

<strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Additional sponsorship from Japan<br />

provided by Daikin Industries, Ltd.;<br />

Itoen, Ltd.; Mitsubishi Corporation; and<br />

Panasonic Corporation<br />

Supported by an indemnity from the<br />

Federal Council on the <strong>Art</strong>s and the<br />

Humanities<br />

>I Spy: Photography and the Theater <strong>of</strong> the<br />

Street, 1938–2010<br />

22 April 2012–5 August 2012<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Sarah Greenough, curator<br />

Made possible through the generous<br />

support <strong>of</strong> The Ryna and Melvin Cohen<br />

Family Foundation and the Trellis Fund<br />

In-kind support <strong>of</strong> the Optium Acrylic<br />

Glazing provided by Tru Vue<br />

>Joan Miró: The Ladder <strong>of</strong> Escape<br />

6 May 2012–12 August 2012<br />

Organized by Tate Modern, London, in<br />

collaboration with Fundació Joan Miró,<br />

Barcelona, and in association with the<br />

<strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Harry Cooper, curator<br />

Made possible through the generous<br />

support <strong>of</strong> the Anna-Maria and Stephen<br />

Kellen Foundation<br />

Additional support provided by Buffy<br />

and William Cafritz and exhibition<br />

sponsor in Washington and London, The<br />

Institut Ramon Llull<br />

Supported by an indemnity from the<br />

Federal Council on the <strong>Art</strong>s and the<br />

Humanities<br />

>Deacon Peckham’s “Hobby Horse”<br />

27 May 2012–28 October 2012<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Deborah Chotner, curator<br />

>George Bellows<br />

10 June 2012–8 October 2012<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

in association with The Metropolitan<br />

Museum <strong>of</strong> <strong>Art</strong>, New York, and the Royal<br />

Academy <strong>of</strong> <strong>Art</strong>s, London<br />

Charles Brock, curator<br />

Made possible by Nippon Television<br />

Network Corporation, Tokyo, Japan<br />

Sponsored by The Terra Foundation for<br />

American <strong>Art</strong><br />

Generously supported by the Henry<br />

Luce Foundation<br />

Made possible by the Cordover Family<br />

Foundation, with additional support<br />

provided by The Mr. and Mrs. Raymond<br />

J. Horowitz Foundation for the <strong>Art</strong>s<br />

Supported by an indemnity from the<br />

Federal Council on the <strong>Art</strong>s and the<br />

Humanities<br />

>In the Tower: Barnett Newman<br />

10 June 2012–24 February 2013<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Harry Cooper, curator<br />

Made possible by The Exhibition Circle<br />

and The Tower Project <strong>of</strong> the <strong>National</strong><br />

<strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

>The McCrindle Gift: A Distinguished<br />

Collection <strong>of</strong> Drawings and Watercolors<br />

17 June 2012–25 November 2012<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Margaret Morgan Grasselli, curator<br />

Made possible through the generous<br />

support <strong>of</strong> the Joseph F. McCrindle<br />

Foundation<br />

>Elegance and Refinement: The Still-Life<br />

Paintings <strong>of</strong> Willem van Aelst<br />

24 June 2012–14 October 2012<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong><br />

<strong>Art</strong>, Washington, the Museum <strong>of</strong> Fine<br />

<strong>Art</strong>s, Houston, and the Sarah Campbell<br />

Blaffer Foundation<br />

<strong>Art</strong>hur Wheelock, curator<br />

Made possible by The Exhibition Circle<br />

<strong>of</strong> the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Supported by an indemnity from the<br />

Federal Council on the <strong>Art</strong>s and the<br />

Humanities<br />

>Shock <strong>of</strong> the News<br />

23 September 2012–27 January 2013<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Judith Brodie, curator<br />

Made possible through the generous<br />

support <strong>of</strong> The Leonard and Evelyn<br />

Lauder Foundation<br />

Supported by an indemnity from the<br />

Federal Council on the <strong>Art</strong>s and the<br />

Humanities<br />

Catalogue made possible, in part,<br />

by the Corinne H. Buck Charitable<br />

Lead Trust<br />

>The Serial Portrait: Photography and<br />

Identity in the Last One Hundred Years<br />

30 September 2012–31 December 2012<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Sarah Kennel and Ksenya Gurshtein,<br />

curators<br />

Made possible through the generous<br />

support <strong>of</strong> the Trellis Fund<br />

>Imperial Augsburg: Renaissance Prints and<br />

Drawings, 1475–1540<br />

30 September 2012–31 December 2012<br />

Organized by the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong><br />

Gregory Jecmen, curator<br />

Supported in part by a generous grant<br />

from the Thaw Charitable Trust

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