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Download Report - National Gallery of Art

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During the fiscal year the <strong>Gallery</strong> produced<br />

eight book-length publications<br />

including seven exhibition catalogues;<br />

labels and wall texts for all fiscal year<br />

2012 exhibitions; brochures formatted for<br />

print, Web, and mobile applications;<br />

printed or online materials for more than<br />

300 education projects; eighty-five online<br />

audio and four video presentations; recurring<br />

event calendars, newsletters, and<br />

periodicals; and several hundred pieces<br />

<strong>of</strong> <strong>Gallery</strong> ephemera.<br />

STAFF PUBLICATIONS<br />

>Antico: The Golden Age <strong>of</strong> Renaissance<br />

Bronzes<br />

Eleonora Luciano et al.<br />

(224 pages, 157 color, 6 b/w, hardcover<br />

edition only) Copublished by Paul<br />

Holberton Publishing<br />

>George Bellows<br />

Charles Brock et al.<br />

(348 pages, 270 color, hardcover and<br />

s<strong>of</strong>tcover editions) Hardcover edition<br />

copublished by DelMonico • Prestel<br />

>Colorful Realm: Japanese Bird-and-Flower<br />

Paintings by Itō Jakuchū<br />

Yukio Lippit<br />

(240 pages, 200 color, hardcover edition<br />

only) Copublished by the University <strong>of</strong><br />

Chicago Press<br />

>Color, Line, Light: French Drawings,<br />

Watercolors, and Pastels from Delacroix<br />

to Signac<br />

Margaret Morgan Grasselli, Andrew<br />

Robison, et al., with a foreword by<br />

Richard Brettell<br />

(180 pages, 150 color, hardcover and<br />

s<strong>of</strong>tcover editions) English hardcover<br />

edition copublished by DelMonico •<br />

Prestel; French s<strong>of</strong>tcover edition<br />

published by Musée des<br />

impressionnismes, Giverny<br />

>Imperial Augsburg: Renaissance Prints and<br />

Drawings, 1475–1540<br />

Gregory Jecmen and Freyda Spira<br />

(120 pages, 48 color, hardcover edition<br />

only) Copublished by Lund Humphries<br />

>The McCrindle Gift: A Distinguished<br />

Collection <strong>of</strong> Drawings and Watercolors<br />

Margaret Morgan Grasselli and<br />

<strong>Art</strong>hur K. Wheelock Jr.<br />

(208 pages, 355 color, hardcover<br />

edition only)<br />

>Shock <strong>of</strong> the News<br />

Judith Brodie et al.<br />

(168 pages, 102 color, 30 b/w, hardcover<br />

edition only) Copublished by Lund<br />

Humphries<br />

CENTER FOR ADVANCED<br />

STUDY IN THE VISUAL ARTS<br />

(CASVA) PUBLICATIONS<br />

>Orsanmichele and the History and<br />

Preservation <strong>of</strong> the Civic Monument<br />

Studies in the History <strong>of</strong> <strong>Art</strong>, volume 76,<br />

PUBLICATIONS AND MEDIA<br />

edited by Carl Brandon Strehlke fans, and the Twitter feed has more than >Nazi Loot in American Collections<br />

(416 pages, 145 color, 176 b/w,<br />

hardcover edition only) Distributed by<br />

Yale University Press<br />

>Center 32<br />

Annual report, print and Web versions<br />

15,593 followers with 458 tweets in fiscal<br />

year 2012.<br />

Video Podcasts<br />

>American Originals Now: Jem Cohen:<br />

Curious Visions<br />

>Joan Miró Symposium<br />

Miró’s Studios: Reflecting His Roots,<br />

His References, and His Memories<br />

L’Oeuvre de guerre <strong>of</strong> Miró:<br />

Constellation Series, Série Barcelona,<br />

and Ceramics, 1940–1945<br />

EXHIBITION BROCHURES >Itō Jakuchū’s “Colorful Realm,” Press<br />

Conference Highlights<br />

“The Farm”: Primitivism and<br />

Transfiguration<br />

(printed, unless otherwise specified) >David McCullough, “Morse at the Louvre”<br />

Perspective, Position, and Politics:<br />

Joan Miró<br />

>Civic Pride: Group Portraits from >Joan Miró: The Ladder <strong>of</strong> Escape<br />

Carob Link: A Promenade with Miró<br />

Amsterdam by Henriette de Bruyn Kops<br />

>Deacon Peckham’s “Hobby Horse” by<br />

>“Multiverse,” Leo Villareal Installation<br />

(September 8–December 6, 2008)<br />

>Introduction to a Painting: Edouard<br />

Manet’s “The Railway”<br />

Deborah Chotner (digital, iPad App) >George Bellows, Part 1<br />

>Rings: Five Passions in World <strong>Art</strong>,<br />

>From the Library: Citizens <strong>of</strong> the Republic:<br />

Portraits from the Dutch Golden Age by<br />

Molli Kuenstner<br />

>From the Library: The Fleeting Structures<br />

<strong>of</strong> Early Modern Europe by Yuri Long<br />

>George Bellows, Part 2<br />

>Paris to Fort Lee: French Filmmakers<br />

and the American Industry<br />

>Ann Hamilton<br />

A Preview <strong>of</strong> the Olympic Exhibition<br />

>Celebrating the Reopening <strong>of</strong><br />

the Nineteenth-Century French<br />

Galleries Symposium<br />

Reinstalling the Nineteenth-Century<br />

>In the Tower: Barnett Newman by Harry<br />

Cooper<br />

>I Spy: Photography and the Theater <strong>of</strong> the<br />

Street, 1938–2010 by Sarah Greenough<br />

(digital)<br />

>The Collecting <strong>of</strong> African American <strong>Art</strong><br />

VIII: Elliot Perry and Darrell Walker in<br />

Conversation with Michael Harris<br />

>The <strong>Art</strong> <strong>of</strong> Boxing—George Bellows at<br />

the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong>, Washington<br />

European Collection at the Metropolitan<br />

Museum <strong>of</strong> <strong>Art</strong><br />

Rethinking Nineteenth-Century <strong>Art</strong><br />

History in France: The Musée d’Orsay<br />

Renovated<br />

The Nineteenth Century According to<br />

>The Serial Portrait: Photography and<br />

Identity in the Last One Hundred Years by<br />

Ksenya Gurshtein, Sarah Kennel, and<br />

Margaret Doyle (digital)<br />

>Antico in Context by Emily Pegues and<br />

Carla Brenner<br />

>In the Tower: Mel Bochner by the<br />

departments <strong>of</strong> modern art and<br />

exhibition programs<br />

EXHIBITION FILMS<br />

Music Podcasts<br />

><strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong> String Quartet,<br />

Wind Quintet, and Piano Trio<br />

><strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong> New<br />

Music Ensemble<br />

>Nordic Voices<br />

>Music to Honor the Chester Dale Collection<br />

>Music by Jewish Composers<br />

>Music for the Holidays at the<br />

<strong>National</strong> <strong>Gallery</strong><br />

Albert Barnes<br />

>Caravaggio: A Life Sacred and Pr<strong>of</strong>ane<br />

>Giovanni Benedetto Castiglione: Genius<br />

in Context<br />

>Samuel F. B. Morse’s “<strong>Gallery</strong> <strong>of</strong> the<br />

Louvre” in Focus Symposium<br />

The Forest <strong>of</strong> the Old Masters: The<br />

Chiaroscuro <strong>of</strong> American Places<br />

Painting and Technology: Samuel F. B.<br />

Morse and the Visual Transmission<br />

<strong>of</strong> Intelligence<br />

The Tradition <strong>of</strong> Paintings-within-<br />

Joan Miró: The Ladder <strong>of</strong> Escape<br />

Narrated by Ed Harris<br />

(30 minutes, color, captioned)<br />

Distributed by Microcinema<br />

George Bellows<br />

Narrated by Ethan Hawke<br />

(30 minutes, color, captioned)<br />

Distributed by Microcinema<br />

Audio Podcasts<br />

>Introduction to the Exhibition<br />

Shock <strong>of</strong> the News<br />

Gilbert Stuart<br />

Edo: <strong>Art</strong> in Japan, 1615–1868<br />

Elegance and Refinement: The Still-Life<br />

Paintings <strong>of</strong> Willem van Aelst<br />

Miró: Two Views<br />

Paintings<br />

“<strong>Gallery</strong> <strong>of</strong> the Louvre” and the Electric<br />

Telegraph<br />

Samuel F. B. Morse’s “<strong>Gallery</strong> <strong>of</strong> the<br />

Louvre” as a Religious Painting<br />

American <strong>Art</strong>ists and the Louvre<br />

Samuel Morse’s Louvre in Context<br />

Samuel F. B. Morse’s “Lectures on the<br />

Affinity <strong>of</strong> Painting with the Other Fine<br />

WEB PRODUCTIONS<br />

Sculpture <strong>of</strong> Angkor and Ancient<br />

Cambodia: Millennium <strong>of</strong> Glory<br />

<strong>Art</strong>s” and the Creation <strong>of</strong> “<strong>Gallery</strong> <strong>of</strong><br />

the Louvre”<br />

The number <strong>of</strong> visitors to www.nga.gov in<br />

fiscal year 2012 was approximately<br />

17,554,425 or 48,094 per day. The <strong>Gallery</strong><br />

now has more than twenty-two newsletters<br />

that reach more than 155,795 subscribers;<br />

more than 2,942,736 newsletters have<br />

been sent out to subscribers this fiscal<br />

George Bellows: An Unfinished Life<br />

Édouard Vuillard<br />

A Sense <strong>of</strong> Place—Cézanne in Provence<br />

Warhol: Headlines<br />

In the Tower: Mel Bochner<br />

>An American Vision: Henry Francis du<br />

Pont’s Winterthur Museum<br />

Thoughts on the Conservation<br />

Treatment <strong>of</strong> Morse’s “<strong>Gallery</strong> <strong>of</strong> the<br />

Louvre”<br />

>Architecture and <strong>Art</strong>: Creating Community<br />

>Itō Jakuchū’s Colorful Realm: Juxtaposition,<br />

Naturalism, and Ritual<br />

>解決當代中國藝術<br />

year. The <strong>Gallery</strong> produced 103 audio and<br />

sixteen video podcasts, which equate to<br />

1,984,891.99 minutes and 23,171,043.61<br />

megabytes downloaded throughout the<br />

fiscal year via the <strong>Gallery</strong>’s website. On<br />

<strong>Art</strong>Babble, <strong>Gallery</strong> video received 784,911<br />

page views. The <strong>Gallery</strong>’s Facebook pres-<br />

>PASSAGE 7: John Cage—incidents, texts,<br />

conversations, and music<br />

>Signs <strong>of</strong> the <strong>Art</strong>ist: Signatures and Self-<br />

Expression in American Paintings<br />

>Exotic Beasts and Politics: The Menageries<br />

<strong>of</strong> Josephine Bonaparte, Lorenzo de’ Medici,<br />

>Solving the East/West Conundrum in<br />

Modern Chinese <strong>Art</strong><br />

><strong>Art</strong> on the Mall: The <strong>National</strong> <strong>Gallery</strong><br />

<strong>of</strong> <strong>Art</strong> Sculpture Garden<br />

>David Finley, Andrew Mellon, and the<br />

Founding <strong>of</strong> the <strong>National</strong> <strong>Gallery</strong><br />

ence has garnered more than 47,834 and Rudolph II<br />

>Garden <strong>of</strong> Illusions: The <strong>National</strong> <strong>Gallery</strong><br />

<strong>of</strong> <strong>Art</strong> Sculpture Garden<br />

79

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