Download Report - National Gallery of Art
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During the fiscal year the <strong>Gallery</strong> produced<br />
eight book-length publications<br />
including seven exhibition catalogues;<br />
labels and wall texts for all fiscal year<br />
2012 exhibitions; brochures formatted for<br />
print, Web, and mobile applications;<br />
printed or online materials for more than<br />
300 education projects; eighty-five online<br />
audio and four video presentations; recurring<br />
event calendars, newsletters, and<br />
periodicals; and several hundred pieces<br />
<strong>of</strong> <strong>Gallery</strong> ephemera.<br />
STAFF PUBLICATIONS<br />
>Antico: The Golden Age <strong>of</strong> Renaissance<br />
Bronzes<br />
Eleonora Luciano et al.<br />
(224 pages, 157 color, 6 b/w, hardcover<br />
edition only) Copublished by Paul<br />
Holberton Publishing<br />
>George Bellows<br />
Charles Brock et al.<br />
(348 pages, 270 color, hardcover and<br />
s<strong>of</strong>tcover editions) Hardcover edition<br />
copublished by DelMonico • Prestel<br />
>Colorful Realm: Japanese Bird-and-Flower<br />
Paintings by Itō Jakuchū<br />
Yukio Lippit<br />
(240 pages, 200 color, hardcover edition<br />
only) Copublished by the University <strong>of</strong><br />
Chicago Press<br />
>Color, Line, Light: French Drawings,<br />
Watercolors, and Pastels from Delacroix<br />
to Signac<br />
Margaret Morgan Grasselli, Andrew<br />
Robison, et al., with a foreword by<br />
Richard Brettell<br />
(180 pages, 150 color, hardcover and<br />
s<strong>of</strong>tcover editions) English hardcover<br />
edition copublished by DelMonico •<br />
Prestel; French s<strong>of</strong>tcover edition<br />
published by Musée des<br />
impressionnismes, Giverny<br />
>Imperial Augsburg: Renaissance Prints and<br />
Drawings, 1475–1540<br />
Gregory Jecmen and Freyda Spira<br />
(120 pages, 48 color, hardcover edition<br />
only) Copublished by Lund Humphries<br />
>The McCrindle Gift: A Distinguished<br />
Collection <strong>of</strong> Drawings and Watercolors<br />
Margaret Morgan Grasselli and<br />
<strong>Art</strong>hur K. Wheelock Jr.<br />
(208 pages, 355 color, hardcover<br />
edition only)<br />
>Shock <strong>of</strong> the News<br />
Judith Brodie et al.<br />
(168 pages, 102 color, 30 b/w, hardcover<br />
edition only) Copublished by Lund<br />
Humphries<br />
CENTER FOR ADVANCED<br />
STUDY IN THE VISUAL ARTS<br />
(CASVA) PUBLICATIONS<br />
>Orsanmichele and the History and<br />
Preservation <strong>of</strong> the Civic Monument<br />
Studies in the History <strong>of</strong> <strong>Art</strong>, volume 76,<br />
PUBLICATIONS AND MEDIA<br />
edited by Carl Brandon Strehlke fans, and the Twitter feed has more than >Nazi Loot in American Collections<br />
(416 pages, 145 color, 176 b/w,<br />
hardcover edition only) Distributed by<br />
Yale University Press<br />
>Center 32<br />
Annual report, print and Web versions<br />
15,593 followers with 458 tweets in fiscal<br />
year 2012.<br />
Video Podcasts<br />
>American Originals Now: Jem Cohen:<br />
Curious Visions<br />
>Joan Miró Symposium<br />
Miró’s Studios: Reflecting His Roots,<br />
His References, and His Memories<br />
L’Oeuvre de guerre <strong>of</strong> Miró:<br />
Constellation Series, Série Barcelona,<br />
and Ceramics, 1940–1945<br />
EXHIBITION BROCHURES >Itō Jakuchū’s “Colorful Realm,” Press<br />
Conference Highlights<br />
“The Farm”: Primitivism and<br />
Transfiguration<br />
(printed, unless otherwise specified) >David McCullough, “Morse at the Louvre”<br />
Perspective, Position, and Politics:<br />
Joan Miró<br />
>Civic Pride: Group Portraits from >Joan Miró: The Ladder <strong>of</strong> Escape<br />
Carob Link: A Promenade with Miró<br />
Amsterdam by Henriette de Bruyn Kops<br />
>Deacon Peckham’s “Hobby Horse” by<br />
>“Multiverse,” Leo Villareal Installation<br />
(September 8–December 6, 2008)<br />
>Introduction to a Painting: Edouard<br />
Manet’s “The Railway”<br />
Deborah Chotner (digital, iPad App) >George Bellows, Part 1<br />
>Rings: Five Passions in World <strong>Art</strong>,<br />
>From the Library: Citizens <strong>of</strong> the Republic:<br />
Portraits from the Dutch Golden Age by<br />
Molli Kuenstner<br />
>From the Library: The Fleeting Structures<br />
<strong>of</strong> Early Modern Europe by Yuri Long<br />
>George Bellows, Part 2<br />
>Paris to Fort Lee: French Filmmakers<br />
and the American Industry<br />
>Ann Hamilton<br />
A Preview <strong>of</strong> the Olympic Exhibition<br />
>Celebrating the Reopening <strong>of</strong><br />
the Nineteenth-Century French<br />
Galleries Symposium<br />
Reinstalling the Nineteenth-Century<br />
>In the Tower: Barnett Newman by Harry<br />
Cooper<br />
>I Spy: Photography and the Theater <strong>of</strong> the<br />
Street, 1938–2010 by Sarah Greenough<br />
(digital)<br />
>The Collecting <strong>of</strong> African American <strong>Art</strong><br />
VIII: Elliot Perry and Darrell Walker in<br />
Conversation with Michael Harris<br />
>The <strong>Art</strong> <strong>of</strong> Boxing—George Bellows at<br />
the <strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong>, Washington<br />
European Collection at the Metropolitan<br />
Museum <strong>of</strong> <strong>Art</strong><br />
Rethinking Nineteenth-Century <strong>Art</strong><br />
History in France: The Musée d’Orsay<br />
Renovated<br />
The Nineteenth Century According to<br />
>The Serial Portrait: Photography and<br />
Identity in the Last One Hundred Years by<br />
Ksenya Gurshtein, Sarah Kennel, and<br />
Margaret Doyle (digital)<br />
>Antico in Context by Emily Pegues and<br />
Carla Brenner<br />
>In the Tower: Mel Bochner by the<br />
departments <strong>of</strong> modern art and<br />
exhibition programs<br />
EXHIBITION FILMS<br />
Music Podcasts<br />
><strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong> String Quartet,<br />
Wind Quintet, and Piano Trio<br />
><strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Art</strong> New<br />
Music Ensemble<br />
>Nordic Voices<br />
>Music to Honor the Chester Dale Collection<br />
>Music by Jewish Composers<br />
>Music for the Holidays at the<br />
<strong>National</strong> <strong>Gallery</strong><br />
Albert Barnes<br />
>Caravaggio: A Life Sacred and Pr<strong>of</strong>ane<br />
>Giovanni Benedetto Castiglione: Genius<br />
in Context<br />
>Samuel F. B. Morse’s “<strong>Gallery</strong> <strong>of</strong> the<br />
Louvre” in Focus Symposium<br />
The Forest <strong>of</strong> the Old Masters: The<br />
Chiaroscuro <strong>of</strong> American Places<br />
Painting and Technology: Samuel F. B.<br />
Morse and the Visual Transmission<br />
<strong>of</strong> Intelligence<br />
The Tradition <strong>of</strong> Paintings-within-<br />
Joan Miró: The Ladder <strong>of</strong> Escape<br />
Narrated by Ed Harris<br />
(30 minutes, color, captioned)<br />
Distributed by Microcinema<br />
George Bellows<br />
Narrated by Ethan Hawke<br />
(30 minutes, color, captioned)<br />
Distributed by Microcinema<br />
Audio Podcasts<br />
>Introduction to the Exhibition<br />
Shock <strong>of</strong> the News<br />
Gilbert Stuart<br />
Edo: <strong>Art</strong> in Japan, 1615–1868<br />
Elegance and Refinement: The Still-Life<br />
Paintings <strong>of</strong> Willem van Aelst<br />
Miró: Two Views<br />
Paintings<br />
“<strong>Gallery</strong> <strong>of</strong> the Louvre” and the Electric<br />
Telegraph<br />
Samuel F. B. Morse’s “<strong>Gallery</strong> <strong>of</strong> the<br />
Louvre” as a Religious Painting<br />
American <strong>Art</strong>ists and the Louvre<br />
Samuel Morse’s Louvre in Context<br />
Samuel F. B. Morse’s “Lectures on the<br />
Affinity <strong>of</strong> Painting with the Other Fine<br />
WEB PRODUCTIONS<br />
Sculpture <strong>of</strong> Angkor and Ancient<br />
Cambodia: Millennium <strong>of</strong> Glory<br />
<strong>Art</strong>s” and the Creation <strong>of</strong> “<strong>Gallery</strong> <strong>of</strong><br />
the Louvre”<br />
The number <strong>of</strong> visitors to www.nga.gov in<br />
fiscal year 2012 was approximately<br />
17,554,425 or 48,094 per day. The <strong>Gallery</strong><br />
now has more than twenty-two newsletters<br />
that reach more than 155,795 subscribers;<br />
more than 2,942,736 newsletters have<br />
been sent out to subscribers this fiscal<br />
George Bellows: An Unfinished Life<br />
Édouard Vuillard<br />
A Sense <strong>of</strong> Place—Cézanne in Provence<br />
Warhol: Headlines<br />
In the Tower: Mel Bochner<br />
>An American Vision: Henry Francis du<br />
Pont’s Winterthur Museum<br />
Thoughts on the Conservation<br />
Treatment <strong>of</strong> Morse’s “<strong>Gallery</strong> <strong>of</strong> the<br />
Louvre”<br />
>Architecture and <strong>Art</strong>: Creating Community<br />
>Itō Jakuchū’s Colorful Realm: Juxtaposition,<br />
Naturalism, and Ritual<br />
>解決當代中國藝術<br />
year. The <strong>Gallery</strong> produced 103 audio and<br />
sixteen video podcasts, which equate to<br />
1,984,891.99 minutes and 23,171,043.61<br />
megabytes downloaded throughout the<br />
fiscal year via the <strong>Gallery</strong>’s website. On<br />
<strong>Art</strong>Babble, <strong>Gallery</strong> video received 784,911<br />
page views. The <strong>Gallery</strong>’s Facebook pres-<br />
>PASSAGE 7: John Cage—incidents, texts,<br />
conversations, and music<br />
>Signs <strong>of</strong> the <strong>Art</strong>ist: Signatures and Self-<br />
Expression in American Paintings<br />
>Exotic Beasts and Politics: The Menageries<br />
<strong>of</strong> Josephine Bonaparte, Lorenzo de’ Medici,<br />
>Solving the East/West Conundrum in<br />
Modern Chinese <strong>Art</strong><br />
><strong>Art</strong> on the Mall: The <strong>National</strong> <strong>Gallery</strong><br />
<strong>of</strong> <strong>Art</strong> Sculpture Garden<br />
>David Finley, Andrew Mellon, and the<br />
Founding <strong>of</strong> the <strong>National</strong> <strong>Gallery</strong><br />
ence has garnered more than 47,834 and Rudolph II<br />
>Garden <strong>of</strong> Illusions: The <strong>National</strong> <strong>Gallery</strong><br />
<strong>of</strong> <strong>Art</strong> Sculpture Garden<br />
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