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Lindsay Harris, “Photography of the ‘Primitive’ in Italy: Perceptions of the Peasantry at the Turn of the Twentieth Century,” Journal of Modern Italian Studies 17, no. 3 (2012): 310–330. >Jennifer Henel, two entries in Vermeer. Il secolo d’oro dell’arte olandese (Milan: Skira, 2012). >Henriette de Bruyn Kops, six entries in Vermeer. Il secolo d’oro dell’arte olandese (Milan: Skira, 2012). >Molli Kuenstner, “Citizens of the Republic: Portraits from the Dutch Golden Age,” Washington, DC, Maryland, and Virginia Chapter of the Art Libraries Society of North America, http://arlisdmv.org/2012/07/ citizens-of-the-republic. >Roger Lawson, review of Carrère and Hastings: The Masterworks, by Laurie Ossman and Heather Ewing, ARLIS/ NA Reviews, http://www.arlisna.org/ pubs/reviews/2012/03/ossman.pdf. >Alexandra Libby, five entries in Vermeer. Il secolo d’oro dell’arte olandese (Milan: Skira, 2012). >Suzanne Quillen Lomax, Beth A. Price, Ryan Grieb, Charles Davis, Boris Pretzel, and Marcello Picollo, “Raman Revealed: A Shared Internet Resource for the Cultural Heritage Community,” Paintings Specialty Group Postprints 23 (Philadelphia: American Institute for Conservation, 2011). >Alison Luchs, “‘Così si specchi’: Speculations on Medici Patronage and Purposes for Desiderio’s Louvre Tondo,” in Desiderio da Settignano: convegno 9–11 maggio 2007, eds. Beatrice Paolozzi Strozzi, Joseph Connors, Alessandro Nova, and Gerhard Wolf (Venice, 2011), 1–16. >———, “The Renaissance Portrait from Donatello to Bellini: Objects and Installation in the Bode Museum and the Metropolitan Museum of Art,” Newsletter of the Italian Art Society 24, no. 1 (Winter 2012): 2–4. >Eleonora Luciano, “A More ‘Modern’ Ghiberti: The Saint Matthew for Orsanmichele,” in Orsanmichele and the History and Preservation of the Civic Monument, ed. Carl B. Strehlke (Washington: National Gallery of Art, Center for Advanced Study in the Visual Arts, 2012): 214–242. >Christopher McGlinchey, Rebecca Ploeger, Annalisa Colombo, Ricardo Simonutti, Michael R. Palmer, Oscar Chiantore, Robert Proctor, Bertrand Lavédrine, and E. René de la Rie, “Lining and Consolidating Adhesives: Some New Developments and Areas of Future Research,” in Symposium 2011 Adhesives and Consolidants for Conservation: Research and applications, October 17–21, 2011 (Ottawa: Canadian Conservation Institute, 2011), 1–20. >James Meyer, “The Painting Factory: A Roundtable Discussion,” in The Painting Factory, ed. Jeffrey Deitch (Los Angeles: Museum of Contemporary Art, 2012). >———, “Anthropomorphism: Notes from the Field,” Art Bulletin (March 2012). >Thomas O’Callaghan, “The Solemnity of Shadows: Juan Laurent’s Vision of Spain,” Washington, DC, Maryland, and Virginia Chapter of the Art Libraries Society of North America, http://arlisdmv.org/2012/01/thesolemnity-of-shadows. >Therese O’Malley, “Mildred Barnes Bliss’s Garden Library at Dumbarton Oaks,” in A Home of the Humanities: The Collecting and Patronage of Mildred and Robert Woods Bliss, ed. James N. Carder (Washington: Dumbarton Oaks, Trustees for Harvard University, 2010), 139–165. >———, “Cultivated Lives, Cultivated Spaces: The Scientific Garden in Philadelphia, 1740–1840,” in Knowing Nature: Art and Science in Philadelphia, 1740–1840, ed. Amy R. W. Meyers (New Haven and London: Yale University Press, 2011), 36–59. >Lorenzo Pericolo, Caravaggio and Pictorial Narrative: Dislocating the Istoria in Early Modern Painting (London: Harvey Miller, 2011). >Thomas Primeau and Kimberly Schenck, “Matisse’s Drawings and Prints: Materials and Techniques,” in Matisse Drawing Life (South Brisbane: Queensland Art Gallery/ Gallery of Modern Art, 2011). >Paola Ricciardi, John K. Delaney, Michelle Facini, Jason G. Zeibel, Marcello Picollo, Suzanne Quillen Lomax, and Murray H. Loew, “Near Infrared Reflectance Imaging Spectroscopy to Map Paint Binders In Situ on Illuminated Manuscripts,” Angewandte Chemie International Edition 51, no. 23 (2012): 5607–5610. >Paola Ricciardi, Michelle Facini, and John K. Delaney, “Painting and Illumination in Early Renaissance Florence: the Techniques of Lorenzo Monaco and His Workshop,” in The Renaissance Workshop: The Materials and Techniques of Renaissance Art. 10–11 May 2012 (London: British Museum, 2012). >Andrew Robison, “Marco Ricci: Fortifications Overlooking a Broad River Landscape,” in Drawn to Excellence: Renaissance to Romantic Drawings from a Private Collection (Northampton, Mass.: Smith College Museum of Art, 2012). >Guendalina Serafinelli, “La decorazione pittorica di Giacinto Brandi nella cripta del duomo di Sant’Erasmo in Gaeta,” Arte/Documento 27 (2011): 132–141. >———, “Giacinto Brandi, San Pietro,” in Opere d’arte dalle Collezioni di Ascoli Piceno. La Pinacoteca Civica e il Museo Diocesano: scoperte, ricerche e nuove proposte, ed. Stefano Papetti (Rome, 2012), 174–175, 359. >———, “Giovanni Baglione, Il Sogno di San Giuseppe,” in Roma al Tempo di Caravaggio: 1600–1630, ed. Rossella Vodret (Rome, 2011), 30–31. NATIONAL GALLERY OF ART >———, “La decorazione secentesca degli altari nella Collegiata di Valmontone: nuovi documenti su A. Pozzo, C. Ferri, P. Lucatelli, G. Brandi, A. Scilla a G. A. Carlone,” Rivista d’Arte 2 (2012): 497–518. >Anne Simmons, review of Defining Contemporary Art: 25 Years in 200 Pivotal Artworks, by Daniel Birnbaum et al., Choice: Current Reviews for Academic Libraries 50, no. 3 (November 2012). >———, review of Art in the Streets, organized by Jeffrey Deitch with Roger Gastman and Aaron Rose, Choice: Current Reviews for Academic Libraries 49, no. 10 (June 2012). >———, review of Graffiti and Street Art, by Anna Waclawek, Choice: Current Reviews for Academic Libraries 49, no. 7 (March 2012). >Shelley Sturman and Daphne Barbour, “Degas as Sculptor,” in Degas’s Dancers at the Barre: Point and Counterpoint, (Washington: The Phillips Collection, 2011), 57–70. >Helen Tangires, “Lessons from Europe: Public Market Reform in the United States during the Progressive Era, 1894–1922,” in Fer ciutat a través dels mercats Europa, segles XIX i XX, eds. Manuel Guàrdia and José Luis Oyón (Barcelona: Museu d’historia de Barcelona and Ajuntament de Barcelona, Institut de Cultura, 2010), 435–468. >———, “Provisioning Everyday Meals: Wholesale Produce Markets and the Ethics of Food Distribution,” in Time for Food: Everyday Food and Changing Meal Habits in a Global Perspective, ed. Patricia Lysaght, 18th Conference of the International Commission For Ethnological Food Research (Åbo: Åbo Akademi University Press, 2012), 305–318. >M. von der Goltz, R. Proctor, J. Whitten, L. Mayer, G. Myers, Ann Hoenigswald, and Michael Swicklik, “Varnishing as a Part of the Conservation of Easel Paintings,” in Conservation of Easel Paintings (London: Routledge, 2012). >Arthur K. Wheelock Jr., Vermeer. Il secolo d’oro dell’arte olandese (Milan: Skira, 2012). >———, “An Art Historian’s Journey and Rembrandt’s forgotten Portrait of a Bearded Old Man wearing a Beret revisited,” in Een Kroniek voor Jeroen Giltaij, eds. Jaap van der Veen and Friso Lammertse (Nijmegen: The Rembrandt House Museum, 2012), 13–20. >Arthur K. Wheelock Jr. and Walter Liedtke, entry in Vermeer. Il secolo d’oro dell’arte olandese (Milan: Skira, 2012). >Nancy H. Yeide, “The Spirit of France: The 1940–1946 exhibition of French art in the United States,” Burlington Magazine 154, no. 1313 (August 2012): 564–569. 81
Staff as of 30 September 2012 OFFICE OF THE DIRECTOR Director Earl A. Powell III Chief of Staff & Executive Assistant Angela M. LoRé Staff Assistants Celina B. Emery Melissa B. Goodman Internal Auditor Larry L. Lewis Auditor Orin Wolf SpeCIaL proJeCtS Congressional Liaison Officer and Director of Special Projects Delia Gerace Scott Special Projects Associate Beth Fernandes Special Projects Assistant Sarah Bohannan exHIBItIonS Chief of Exhibitions D. Dodge Thompson Exhibition Officers Jennifer F. Cipriano Naomi R. Remes Ann. B. Robertson Assistants for Exhibition Administration Allison Keilman Nina O’Neil Office Manager/Assistant to the Chief of Exhibitions Wendy Battaglino exhibition programs Head of Department Susan MacMillan Arensberg Associate Curators Margaret Doyle Lynn Matheny Film and Video Productions Carroll Moore Assistant Producers David Hammer Elizabeth Laitman Hughes Staff Assistant Caroline Reitz deSIGn and InStaLLatIon Senior Curator and Chief of Design Mark Leithauser Deputy Chief and Head of Exhibition Production Gordon Anson Office Manager Carol Koelemay Architects/Designers Jamé Anderson Donna Kirk Design Assistants Andrea D’Amato Jon Frederick Design Coordinator Deborah Clark-Kirkpatrick Production Coordinators Linda Daniel John Olson Nathan Peek Photographer Rob Shelley Head of Graphics Barbara Keyes Graphic Design/Silkscreen Production Lisa Farrell Glenn Perry Jeffrey Wilson Stefan Wood Head of Exhibits Shop Randy Payne Exhibits Shop Specialists Richard Bruce Lester Dumont George McDonald Robert Motley Andrew Watt Head of Lighting Shop Robert Johnson Lighting Shop Specialist Juan Garedo Head of Paint Shop Dennis Bult Painters/Finishers Wilber Bonilla Derrick Duarte OFFICE OF THE DEPUTY DIRECTOR Deputy Director and Chief Curator Franklin Kelly Administrator for Policy and Programs Elizabeth Driscoll Pochter Administrative Assistants Nancy M. Deiss Kerry Rose Wallin aMerICan and BrItISH paIntInGS Curator and Head of Department Nancy K. Anderson Associate Curator Charles Brock Assistant Curator Deborah Chotner Curatorial Assistant Nicole Stribling Volunteer Ellen Layman Graduate Intern Zoë Carbarnes Samels STAFF LIST european paIntInGS French paintings Associate Curators Molly Donovan James Meyer Andrew W. Mellon Postdoctoral Curatorial Fellow Ksenya Gurshtein Curator and Head of Department Mary Morton Research Associate Jennifer Roberts Exhibition Research Assistant Lindsay Harris Associate Curator Kimberly A. Jones Assistant Curator Curatorial Assistants Kerry Rose Paige Rozanski Summer Interns Katie Addleman Audrey Sands Yuriko Jackall Curatorial Assistant Graduate Intern Davida Fernández-Barkan Volunteer Intern Clarisse Fava-Piz Michelle Bird prIntS and draWInGS CuratorIaL reCordS Italian and Spanish paintings Andrew W. Mellon Senior and FILeS Curator and Head of Department David Alan Brown Curator of Prints and Drawings Andrew Robison Head of Department Nancy H. Yeide Associate Curator Gretchen Hirschauer Office Manager Susanne L. Cook Associate Anne L. Halpern Curatorial Assistant David Essex Curatorial Assistant Monica Alvano Kress Collection Provenance Project Research Assistant Samuel H. Kress Foundation Interpretive Art Museum Fellow Felix Monguilot Benzal northern renaissance paintings Joseph F. McCrindle Foundation Graduate Curatorial Intern Austèja Mackelaitè old Master prints Fulvia Zaninelli reGIStratIon and LoanS Chief Registrar Sally Freitag Curator and Head of Department John Oliver Hand Curator and Head of Department Jonathan Bober Registrar for Exhibitions Michelle Fondas northern Baroque paintings Curator and Head of Department Arthur K. Wheelock Jr. Curatorial Associate Jennifer Henel Associate Curator Gregory Jecmen Assistant Curator Ginger Hammer old Master drawings Collections Information Systems Coordinator Susan Finkel Collections Information Systems Assistant Elizabeth Concha Exhibitions Research Assistant Henriette Rahusen Curator and Head of Department Margaret Morgan Grasselli Registrar for Loans Judith Cline Volunteer Intern and Curatorial Research Assistant Alexandra Libby Kress Curatorial Research Assistant Rachel Pollack Volunteer Intern Sophia Lee Associate Curator Stacey Sell Assistant Curator Andaleeb Banta Volunteer Interns Marie Ladino Lara Langer Modern prints and drawings Assistant Registrar for Loans Shannon Schuler Senior Loan Officer Lisa MacDougall Loan Officer Andrea Romeo Jain Associate Registrar for Exhibitions SCuLpture and deCoratIve Curator and Head of Department Melissa Stegeman artS Judith Brodie Associate Registrar for Curator and Head of Department Associate Curators Collections Mary L. Levkoff Carlotta Owens Lehua Fisher Curator of Early Charles Ritchie Assistant Registrar European Sculpture Assistant Curator Holly Garner-Ponce Alison Luchs Amy Johnston Office Manager Associate Curator Andrew W. Mellon Postdoctoral Carol Nesemann Eleonora Luciano Curatorial Assistant Curatorial Fellow Adam Greenhalgh Art Services Manager Daniel Shay Emily Pegues Robert H. Smith Research Graduate Intern Davida Fernández-Barkan Senior Art Services Specialists James Clark Curator Carolyn H. Miner Volunteer Debra Pincus pHotoGrapHS Senior Curator of Photographs and Head of Department Sarah Greenough Joan Ganzevoort Andrew Krieger Daniel Randall David Smith William Whitaker Volunteer Lisa Gastrell Intern Associate Curators Sarah Kennel Diane Waggoner Art Services Specialists Francis Adams Carson Murdach Masha Stoyanova Assistant Curator Lewis Schlitt Modern art Andrea Nelson Art Services Technician Curator and Head of Department Harry Cooper Curatorial Assistant Maryanna Ramirez Goven Martinez 82
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N A TIO NAL G ALL E R Y O F A R T 2
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NATIONAL GALLERY OF ART Washington,
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ongoing commitment to funding educa
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from Japan as the centerpiece of Co
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paintings NATIONAL GALLERY OF ART C
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Alexandre-François Desportes’ St
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is now one of the most splendid nin
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photographs This year the Gallery a
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Salomon Kleiner, Das prächtige Ra
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Antico: The Golden Age of Renaissan
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EXHIBITING In the Tower: Mel Bochn
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entire career. Through one of the m
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Shock of the News but to take a wor
Page 33: Participants in the High School Sum
Page 36 and 37: To broaden the Gallery’s reach bo
Page 38 and 39: twentieth century was explored in t
Page 40 and 41: NATIONAL GALLERY OF ART CENTER FOR
Page 43 and 44: Painting conservator Joanna Dunn re
Page 45 and 46: Object conservators Katy May and Ab
Page 47 and 48: Section 0 44
Page 49 and 50: treasurer’s report In fiscal year
Page 51 and 52: Summarized STATEMENTS OF ACTIVITIES
Page 53 and 54: PAINTINGS Bailey, William, American
Page 55 and 56: Price, Kenneth, American, 1935-2012
Page 57 and 58: 24th at Carolina (Left Variation),
Page 59 and 60: Combat, 1953, engraving, softground
Page 61 and 62: Klauber, Joseph Sebastian, German,
Page 63 and 64: The Flagellation, 1913, woodcut >Cr
Page 65 and 66: Sadeler I, Jan, Flemish, 1550-1600
Page 67 and 68: Sutton Place: Anne Morgan’s Town
Page 69 and 70: Untitled (Storefront Churches serie
Page 71 and 72: During the fiscal year, 257 lenders
Page 73 and 74: UNITED STATES Alabama Birmingham: B
Page 75 and 76: Paris, Musée national d’art mode
Page 77 and 78: UNITED KINGDOM—ENGLAND Aylesbury,
Page 79 and 80: Roslyn Harbor, Nassau County Museum
Page 81 and 82: Walt Kuhn >Green Apples and Scoop E
Page 83: The Collecting of African American
Page 87 and 88: Senior Conservators Daphne Barbour
Page 89 and 90: Anthony Kittoe Albert Lawrence Clif
Page 91 and 92: Susana (Susi) Fainbraun Gloria Fast
Page 93 and 94: GiFtS/DonoRS Embassy of Brazil Mr.
Page 95 and 96: Suzy and Bob Pence Midori and Willi
Page 97 and 98: GiFtS/DonoRS Mr. Paul K. Nitze Sylv
Page 99 and 100: copyright ©2013 Board of trustees,
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