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The following changes of attribution are the result of scholarly research utilizing the latest art historical investigations and scientific examinations. It is the policy of the National Gallery of Art to publish these changes regularly. The following changes of attribution were proposed by Gallery curators and approved by the Gallery’s Board of Trustees during fiscal year 2012. Each list is arranged in alphabetical order according to former attribution. Changes of title and/or date are included if they were a part of the attribution change. DRAWINGS 2009.70.21 Christ Appearing to the Four Marys Old: Bartolomeo Biscaino, undated New: Ercole Procaccini il Giovane, c. 1650 2009.70.12 Saint Bernard of Clairvaux with the Instruments of the Passion Old: Abraham Bloemaert, undated New: Pieter de Jode I, c. 1625 2010.93.14 The Flaying of Marsyas Old: Bernardino Campi, undated New: Parmigianino, 1526/1530 2010.93.17 A Battle on a Bridge Old: Belisario Corenzio, undated New: Giovanni Balducci, c. 1600 2009.70.113 A Male Nude Seen from behind Old: William Etty, undated New: French 18th Century, mid 18th century 2009.70.13.a, b A Young Benedictine Monk Kneeling; A Young Priest Kneeling Old: French 19th Century, 19th century New: Jean Leonard Lugardon, after 1824 CHANGES OF ATTRIBUTION 2009.70.124 Egyptian Stage Design Old: Giovanni Galliari, undated New: Pietro Gonzaga, 1800/1810 2009.70.25 A Stage Set with a Statue and a Palace Old: German 18th Century, 18th century New: Daniel Marot the Younger, 1730s (?) 2010.93.18 Salome with the Head of St. John the Baptist Old: Anonymous Italian, undated New: Northern Italian 16th Century, c. 1580 2009.70.164 Head of a Man Old: Jacob Matham, undated New: Italian or French 16th/17th Century, late 16th or early 17th Century 2009.70.170 A Boy with Flowing Hair Old: Giuseppe Maria Mitelli, undated New: Italian 17th or 18th Century, c. 1700 2009.70.173 Landscape with a Natural Arch Old: Isaac de Moucheron, undated New: Abraham Genoels II, c. 1718 2009.70.26 A Skinned Rat Old: Attributed to Parmigianino, undated New: Italian 16th/17th Century, possibly Florentine or Roman, late 16th or early 17th Century 2009.70.184 An Italian Coast Scene Old: William Pars, undated New: John ‘Warwick’ Smith, possibly 1776/1781 67 1991.150.73 The Adoration of the Shepherds Old: Attributed to Giuseppe Passeri New: Giuseppe Passeri 2009.70.188 Aeneas in the Underworld Old: Bartolomeo Pinelli, undated New: Roman 18th/19th Century, 1790/1820 2009.70.194 A Baldachin with a Painting of the Annunciation Old: Andrea Pozzo, undated New: Circle of Andrea Pozzo, 1710/1735 2009.70.203 Neptune Old: Hans Rottenhammer, undated New: Italian 17th Century, 1620/1650 2009.70.211 A Dog Old: Herman Saftleven, undated New: Cornelis Saftleven, 1660s 2009.70.212 Saint Andrew Old: Elisabetta Sirani, undated New: Bolognese 17th Century, 1625/1650 SCULPTURE 1937.1.130 Saint John the Baptist Old: Benedetto da Maiano, c. 1480 New: Florentine 15th Century, Probably after a model by Desiderio da Settignano, c. 1490
During the fiscal year, 257 lenders from fifteen countries and twenty-nine states loaned 1,157 works to twenty-three exhibitions. The Gallery also worked on another thirty-six projects scheduled to open in the next five years, and administered the tour of seven exhibitions. United States Government Indemnity was secured for eight exhibitions on view in fiscal year 2012, resulting in a savings of $2,494,258 in insurance premiums. >In the Tower: Nam June Paik Continued from the previous fiscal year to 2 October 2011 Organized by the National Gallery of Art Harry Cooper, curator Made possible by The Exhibition Circle of the National Gallery of Art >Italian Master Drawings from the Wolfgang Ratjen Collection, 1525–1835 Continued from the previous fiscal year to 27 November 2011 Organized by the National Gallery of Art Margaret Morgan Grasselli, curator >The Gothic Spirit of John Taylor Arms Continued from the previous fiscal year to 27 November 2011 Organized by the National Gallery of Art Charles Ritchie, curator >A New Look: Samuel F. B. Morse’s “Gallery of the Louvre” Continued from the previous fiscal year to 8 July 2012 Nancy Anderson, curator Made possible by the generous support of the Terra Foundation for American Art and organized in partnership with the National Gallery of Art >The Invention of Glory: Afonso V and the Pastrana Tapestries Continued from the previous fiscal year to 8 January 2012 Organized by the National Gallery of Art, Washington, and the Fundación Carlos de Amberes, Madrid, in association with the Embassy of Spain, the Spain-USA Foundation, and the Embassy of Portugal and with the cooperation of the Embassy of Belgium and the Embassy of Morocco in Washington, DC, as well as the Diocese of Sigüenza-Guadalajara and Church of Our Lady of the Assumption of Pastrana, Spain Julia Burke, Susan Arensberg, and Mary Levkoff, curators Made possible through the generous support of the government of Spain; the government of Portugal, Ministry of Foreign Affairs, Instituto Camões; and the government of Belgium, Ministry of Foreign Affairs Conservation of the tapestries undertaken at the initiative of the Spanish Fundación Carlos de Amberes, with support from the Belgian InBev- Baillet Latour Fund, and the following Spanish institutions: Fundación Caja Madrid, Region of Castilla-La Mancha, Provincial Council of Guadalajara, EXHIBITIONS AND LOANS Diocese of Sigüenza-Guadalajara, and Church of Our Lady of the Assumption of Pastrana >Warhol: Headlines Continued from the previous fiscal year to 2 January 2012 Organized by the National Gallery of Art in association with The Andy Warhol Museum, Pittsburgh; the Galleria nazionale d’arte moderna, Rome; and the Museum für Moderne Kunst, Frankfurt Molly Donovan, curator Sponsored by The Terra Foundation for American Art Made possible by The Exhibition Circle of the National Gallery of Art Supported by an indemnity from the Federal Council on the Arts and the Humanities >Harry Callahan at 100 2 October 2011–4 March 2012 Organized by the National Gallery of Art Sarah Greenough, curator Made possible through the generous support of the Trellis Fund >Antico: The Golden Age of Renaissance Bronzes 6 November 2011–8 April 2012 Organized by the National Gallery of Art in association with The Frick Collection, New York Eleonora Luciano, curator Made possible by the generous support of Robert H. and Clarice Smith Supported by an indemnity from the Federal Council on the Arts and the Humanities Part of ITALY@150, a series of activities in Washington, DC, and throughout the United States that celebrated the 150th anniversary of the unification of Italy and the long-lasting friendship between the two countries >In the Tower: Mel Bochner 6 November 2011–8 April 2012 Organized by the National Gallery of Art James Meyer, curator Made possible through the generous support of Suzanne F. Cohen and The Kraus Family Foundation Additional support provided by Judith Racht and Irving Stenn Jr., The Exhibition Circle, and The Tower Project >Picasso’s Drawings, 1890–1921: Reinventing Tradition 29 January 2012–6 May 2012 Organized by the Frick Collection, New York and the National Gallery of Art Andrew Robison, curator Made possible through the generous support of The Hearst Foundation, Inc. Also made possible by The Exhibition Circle of the National Gallery of Art Supported by an indemnity from the Federal Council on the Arts and the Humanities >The Baroque Genius of Giovanni Benedetto Castiglione 29 January 2012–8 July 2012 68 Organized by the National Gallery of Art Jonathan Bober, curator >Civic Pride: Group Portraits from Amsterdam 10 March 2012–11 March 2017 Organized by the National Gallery of Art Arthur Wheelock, curator Made possible by the Hata Foundation Also supported, in part, by public funds from the Netherlands Cultural Services and through the generosity of Mrs. Henry H. Weldon >Colorful Realm: Japanese Bird-and-Flower Paintings by Itō Jakuchū (1716–1800) 30 March 2012–29 April 2012 Organized by the National Gallery of Art, The Imperial Household Agency, and Nikkei, Inc., in association with the Embassy of Japan Yukio Lippit, curator Made possible through the generous support of Toyota; Nikkei, Inc.; and The Exhibition Circle of the National Gallery of Art Additional sponsorship from Japan provided by Daikin Industries, Ltd.; Itoen, Ltd.; Mitsubishi Corporation; and Panasonic Corporation Supported by an indemnity from the Federal Council on the Arts and the Humanities >I Spy: Photography and the Theater of the Street, 1938–2010 22 April 2012–5 August 2012 Organized by the National Gallery of Art Sarah Greenough, curator Made possible through the generous support of The Ryna and Melvin Cohen Family Foundation and the Trellis Fund In-kind support of the Optium Acrylic Glazing provided by Tru Vue >Joan Miró: The Ladder of Escape 6 May 2012–12 August 2012 Organized by Tate Modern, London, in collaboration with Fundació Joan Miró, Barcelona, and in association with the National Gallery of Art Harry Cooper, curator Made possible through the generous support of the Anna-Maria and Stephen Kellen Foundation Additional support provided by Buffy and William Cafritz and exhibition sponsor in Washington and London, The Institut Ramon Llull Supported by an indemnity from the Federal Council on the Arts and the Humanities >Deacon Peckham’s “Hobby Horse” 27 May 2012–28 October 2012 Organized by the National Gallery of Art Deborah Chotner, curator >George Bellows 10 June 2012–8 October 2012 Organized by the National Gallery of Art in association with The Metropolitan Museum of Art, New York, and the Royal Academy of Arts, London Charles Brock, curator Made possible by Nippon Television Network Corporation, Tokyo, Japan Sponsored by The Terra Foundation for American Art Generously supported by the Henry Luce Foundation Made possible by the Cordover Family Foundation, with additional support provided by The Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts Supported by an indemnity from the Federal Council on the Arts and the Humanities >In the Tower: Barnett Newman 10 June 2012–24 February 2013 Organized by the National Gallery of Art Harry Cooper, curator Made possible by The Exhibition Circle and The Tower Project of the National Gallery of Art >The McCrindle Gift: A Distinguished Collection of Drawings and Watercolors 17 June 2012–25 November 2012 Organized by the National Gallery of Art Margaret Morgan Grasselli, curator Made possible through the generous support of the Joseph F. McCrindle Foundation >Elegance and Refinement: The Still-Life Paintings of Willem van Aelst 24 June 2012–14 October 2012 Organized by the National Gallery of Art, Washington, the Museum of Fine Arts, Houston, and the Sarah Campbell Blaffer Foundation Arthur Wheelock, curator Made possible by The Exhibition Circle of the National Gallery of Art Supported by an indemnity from the Federal Council on the Arts and the Humanities >Shock of the News 23 September 2012–27 January 2013 Organized by the National Gallery of Art Judith Brodie, curator Made possible through the generous support of The Leonard and Evelyn Lauder Foundation Supported by an indemnity from the Federal Council on the Arts and the Humanities Catalogue made possible, in part, by the Corinne H. Buck Charitable Lead Trust >The Serial Portrait: Photography and Identity in the Last One Hundred Years 30 September 2012–31 December 2012 Organized by the National Gallery of Art Sarah Kennel and Ksenya Gurshtein, curators Made possible through the generous support of the Trellis Fund >Imperial Augsburg: Renaissance Prints and Drawings, 1475–1540 30 September 2012–31 December 2012 Organized by the National Gallery of Art Gregory Jecmen, curator Supported in part by a generous grant from the Thaw Charitable Trust
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NATIONAL GALLERY OF ART Washington,
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ongoing commitment to funding educa
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from Japan as the centerpiece of Co
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paintings NATIONAL GALLERY OF ART C
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Alexandre-François Desportes’ St
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is now one of the most splendid nin
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Page 29 and 30: entire career. Through one of the m
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Page 40 and 41: NATIONAL GALLERY OF ART CENTER FOR
Page 43 and 44: Painting conservator Joanna Dunn re
Page 45 and 46: Object conservators Katy May and Ab
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Page 49 and 50: treasurer’s report In fiscal year
Page 51 and 52: Summarized STATEMENTS OF ACTIVITIES
Page 53 and 54: PAINTINGS Bailey, William, American
Page 55 and 56: Price, Kenneth, American, 1935-2012
Page 57 and 58: 24th at Carolina (Left Variation),
Page 59 and 60: Combat, 1953, engraving, softground
Page 61 and 62: Klauber, Joseph Sebastian, German,
Page 63 and 64: The Flagellation, 1913, woodcut >Cr
Page 65 and 66: Sadeler I, Jan, Flemish, 1550-1600
Page 67 and 68: Sutton Place: Anne Morgan’s Town
Page 69: Untitled (Storefront Churches serie
Page 73 and 74: UNITED STATES Alabama Birmingham: B
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Page 77 and 78: UNITED KINGDOM—ENGLAND Aylesbury,
Page 79 and 80: Roslyn Harbor, Nassau County Museum
Page 81 and 82: Walt Kuhn >Green Apples and Scoop E
Page 83 and 84: The Collecting of African American
Page 85 and 86: Staff as of 30 September 2012 OFFIC
Page 87 and 88: Senior Conservators Daphne Barbour
Page 89 and 90: Anthony Kittoe Albert Lawrence Clif
Page 91 and 92: Susana (Susi) Fainbraun Gloria Fast
Page 93 and 94: GiFtS/DonoRS Embassy of Brazil Mr.
Page 95 and 96: Suzy and Bob Pence Midori and Willi
Page 97 and 98: GiFtS/DonoRS Mr. Paul K. Nitze Sylv
Page 99 and 100: copyright ©2013 Board of trustees,
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