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Download Report - National Gallery of Art

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20th and Mississippi—Night, 2002, color<br />

direct gravure with spitbite aquatint<br />

>Covered Car—Missouri Street, 2002, color<br />

s<strong>of</strong>tground etching with aquatint<br />

>Mississippi Street Intersection, 2007, color<br />

s<strong>of</strong>tground etching with aquatint,<br />

2011.119.9–13, Gift <strong>of</strong> Kathan Brown<br />

Beckmann, Max, German, 1884–1950<br />

>At the Piano, 1913, etching [pro<strong>of</strong>] with<br />

monotype wiping<br />

>Street Scene II, 1916, drypoint<br />

>Beach, 1922, drypoint, 2012.92.164–166,<br />

Gift <strong>of</strong> Ruth Cole Kainen<br />

Beeh, René, German, 1886–1922<br />

>Man Leading a Little Girl, 1921,<br />

lithograph<br />

>Six Diners at Table, 1921, lithograph<br />

>Street Scene with Cripple and Praying Man,<br />

1921, lithograph, 2012.92.167–169, Gift<br />

<strong>of</strong> Ruth Cole Kainen<br />

Beham, Sebald, German, 1500–1550<br />

>The Virgin with a Parrot, engraving,<br />

2012.92.546, Gift <strong>of</strong> Ruth Cole Kainen<br />

Bell, John, British, active 1750s<br />

>Cruelty in Perfection (after William<br />

Hogarth), 1750, woodcut<br />

>The Reward <strong>of</strong> Cruelty (after William<br />

Hogarth), 1750, woodcut, 2012.2.1, 2,<br />

Purchased as the Gift <strong>of</strong> Matthew<br />

and Ann Nimetz<br />

Berchem, Nicolaes Pietersz, Dutch,<br />

1620–1683<br />

>The Set <strong>of</strong> the Sheep, three etchings,<br />

2011.139.168–170, Gift <strong>of</strong> the Estate<br />

<strong>of</strong> Leo Steinberg<br />

Betzler, Emil, German, 1892–1974<br />

>At the Hairdresser’s, c. 1920, drypoint,<br />

2012.92.170, Gift <strong>of</strong> Ruth Cole Kainen<br />

Beuys, Joseph, German, 1921–1986<br />

>Mönchengladbach Museum Catalogue,<br />

1967, <strong>of</strong>fset in red on cardboard<br />

box, felt stamped with oil paint, with<br />

exhibition catalogue<br />

>Earth Telephone, 1973, screenprint on<br />

felt board<br />

>Notice to Guests, 1974, <strong>of</strong>fset print with<br />

dollar bill in frame<br />

>Food for Thought, 1977, <strong>of</strong>fset print on<br />

gray paper<br />

>Ja Ja Ja Ja Ja, Nee Nee Nee Nee Nee, 1970,<br />

stamped album with record<br />

>Felt Postcard, 1985, screenprint on felt,<br />

2011.147.2, 4, 5, 8, 10, Gift <strong>of</strong> Merrill C.<br />

and Dalia S. Berman<br />

Beyerlein, Kurt, German, born 1904<br />

>The Family, 1928, etching, 2012.92.171,<br />

Gift <strong>of</strong> Ruth Cole Kainen<br />

Bie, Jacques de, Flemish, c. 1581–1640<br />

>The Presentation in the Temple (after<br />

Maarten de Vos), engraving,<br />

2011.139.36, Gift <strong>of</strong> the Estate <strong>of</strong><br />

Leo Steinberg<br />

Blechen, Carl, German, 1798–1840<br />

>The Monastery in the Forest, 1823,<br />

etching, 2012.92.172, Gift <strong>of</strong> Ruth<br />

Cole Kainen<br />

Bléry, Eugène, French, 1805–1887<br />

>Le Charlemagne (forêt de fontainebleau),<br />

1861, etching on chine collé<br />

>Water Dock and Brambles at a Sluice,<br />

1843, etching [pro<strong>of</strong>] on chine collé,<br />

2012.59.1, 3, Ailsa Mellon Bruce Fund<br />

Bleyl, Fritz, German, 1880–1966<br />

>Dammbauerboote auf der Elbe, 1906,<br />

woodcut with artist’s original mount,<br />

2012.92.173, Gift <strong>of</strong> Ruth Cole Kainen<br />

Bloemaert, Abraham, Dutch, 1564–1651<br />

>Juno, c. 1610, etching, 2012.92.120,<br />

Gift <strong>of</strong> Ruth Cole Kainen<br />

Bockstiegel, Peter August, German,<br />

1889–1951<br />

>Fruhling in Crossbauden, 1920, lithograph,<br />

2012.92.174, Gift <strong>of</strong> Ruth Cole Kainen<br />

Bockstorfer, Christoph, German,<br />

1490–1553<br />

>David Playing before Saul, etching,<br />

2012.92.547, Gift <strong>of</strong> Ruth Cole Kainen<br />

Boilly, Jules, French, 1796–1874<br />

>Apollo and the Muses (after Pierre Paul<br />

Prud’hon), 1851, lithograph, 2011.139.54,<br />

Gift <strong>of</strong> the Estate <strong>of</strong> Leo Steinberg<br />

Boilly, Louis-Léopold, French, 1761–1845<br />

>Self Portrait, 1832, lithograph, 2012.52.2,<br />

Ailsa Mellon Bruce Fund<br />

Boissard, Robert, French, born 1570<br />

>Mascarades recueillies et mises en taille<br />

douce... (after Jean-Jacques Boissard),<br />

1597, complete set <strong>of</strong> nine engravings,<br />

2011.139.112–120, Gift <strong>of</strong> the Estate<br />

<strong>of</strong> Leo Steinberg<br />

Boissieu, Jean-Jacques de, French,<br />

1736–1810<br />

>Six Landscapes, 1759, complete set<br />

<strong>of</strong> six etchings with drypoint printed<br />

in sepia, 2011.139.64–69, Gift <strong>of</strong> the<br />

Estate <strong>of</strong> Leo Steinberg<br />

Bolswert, Boëtius Adams, Flemish,<br />

1580–1633<br />

>Moses and the Brazen Serpent (after Sir<br />

Peter Paul Rubens), engraving,<br />

2012.92.513, Gift <strong>of</strong> Ruth Cole Kainen<br />

Bolt, Johann Friedrich, German,<br />

1769–1836<br />

>Heinrich Julius von Goldbeck, c. 1800,<br />

stipple etching printed in red,<br />

2011.134.1, Gift <strong>of</strong> Helmut H. and<br />

Petra Rumbler<br />

Bormann, Emma, Austrian, 1887–1974<br />

>Landsberg, Bergstrasse, linocut,<br />

2012.92.175, Gift <strong>of</strong> Ruth Cole Kainen<br />

Bos, Cornelis, Flemish, 1510–1566<br />

>Christ Preaching to the Jews, engraving,<br />

2012.92.62, Gift <strong>of</strong> Ruth Cole Kainen<br />

NATIONAL GALLERY OF ART<br />

Bosse, Abraham, French, 1602–1676<br />

>C’est le portrait de Guillery..., etching,<br />

2011.139.5, Gift <strong>of</strong> the Estate <strong>of</strong><br />

Leo Steinberg<br />

Bracquemond, Félix, French, 1833–1914<br />

>The Goddess Discord (after Gustave<br />

Moreau), 1886, etching on parchment<br />

>The Amorous Lion (after Gustave<br />

Moreau), 1886, etching on parchment,<br />

2011.139.10, 11, Gift <strong>of</strong> the Estate <strong>of</strong><br />

Leo Steinberg<br />

Brambilla, Ambrogio, Italian, active<br />

c. 1579–1599<br />

>Longitudinal View <strong>of</strong> Saint Peter’s, Rome<br />

(after Michelangelo), 1575/1590,<br />

etching, 2011.139.55, Gift <strong>of</strong> the Estate<br />

<strong>of</strong> Leo Steinberg<br />

Brass, Hans, German, 1885–1959<br />

>Untitled (Blatt VIII), 1922, etching,<br />

2012.92.176, Gift <strong>of</strong> Ruth Cole Kainen<br />

Brauner, Victor, Romanian, 1903–1966<br />

>Frappe de l’echo, 1940, monotype with<br />

gouache on book page, 2012.92.177,<br />

Gift <strong>of</strong> Ruth Cole Kainen<br />

Brebiette, Pierre, French, 1598–c. 1650<br />

>The Virgin Bowing to Instruments <strong>of</strong> the<br />

Passion, etching, 2011.139.4, Gift <strong>of</strong> the<br />

Estate <strong>of</strong> Leo Steinberg<br />

Bruyn, Nicolaes de, Flemish,<br />

1565/1571–1656<br />

>The Disciples on the Way to Emmaus (after<br />

Gillis van Coninxloo III), engraving,<br />

2012.92.514, Gift <strong>of</strong> Ruth Cole Kainen<br />

Bryan, Edgar, American, born 1970<br />

>Model Defending Jugs, 2008, color spitbite<br />

and sugarlift aquatints<br />

>Moonshine, 2008, color spitbite and<br />

sugarlift aquatints<br />

>The Surrealist, 2008, color spitbite<br />

aquatint and s<strong>of</strong>tground etching,<br />

2011.119.14–16, Gift <strong>of</strong> Kathan Brown<br />

Buhot, Félix-Hilaire, French, 1847–1898<br />

>L’Église de Jobourg, 1887, s<strong>of</strong>tground<br />

etching and aquatint<br />

>The Cliff: Saint-Malo Bay, 1886/1890,<br />

heliogravure, etching, drypoint, roulette,<br />

and spitbite aquatint, and burnishing,<br />

printed in black and gray-green on light<br />

green paper<br />

><strong>National</strong> Holiday on the Boulevard<br />

de Clichy, 1878, etching, drypoint,<br />

aquatint, stop-out, foulbite, and<br />

s<strong>of</strong>tground etching<br />

>Frontispiece for “Zigzags d’un Curieux,<br />

d’Octave Uzanne”, 1888, etching on<br />

Japanese paper<br />

>Le Peintre de Marine, etching<br />

>Spleen et Idéal, c. 1876, etching, drypoint,<br />

and foulbite<br />

>Marine: Souvenir <strong>of</strong> Medway, 1879,<br />

etching, drypoint, aquatint, and roulette<br />

>The Passage, etching, drypoint, roulette,<br />

aquatint, and s<strong>of</strong>tground etching<br />

printed in brown and black<br />

53<br />

>Les Noctambules, 1876/1877, etching<br />

and aquatint<br />

>Un Vialle Maitresse, etching, 2012.92.<br />

11–19, 49, Gift <strong>of</strong> Ruth Cole Kainen<br />

Burchartz, Max, German, 1887–1961<br />

>Raskolnik<strong>of</strong>f II, lithograph, 2012.92.178,<br />

Gift <strong>of</strong> Ruth Cole Kainen<br />

Burden, Chris, American, born 1946<br />

>The Master Builder, 2000, portfolio <strong>of</strong><br />

thirteen photogravures with title page,<br />

2011.119.17, Gift <strong>of</strong> Kathan Brown<br />

Burgkmair I, Hans, German, 1473–1531,<br />

and Erhard Ratdolt (publisher) German,<br />

1447–1528<br />

>Missal for Passau, 1505, bound volume<br />

with four woodcut illustrations, two<br />

full-page woodcuts by Burgkmair, one<br />

printed in color and one fully colored<br />

by hand and printed on vellum, one<br />

half-page Dominical Calendar, and one<br />

roundel printed in red and black,<br />

2011.130.1, Anonymous Gift<br />

Busse, Georg Heinrich, German,<br />

1810–1868<br />

>Veduta di Albe e Monte Velino negli<br />

Abruzzi, etching, 2012.92.179, Gift<br />

<strong>of</strong> Ruth Cole Kainen<br />

Campendonk, Heinrich, German,<br />

1889–1957<br />

>Nude with Cat, 1912, woodcut,<br />

2012.92.180, Gift <strong>of</strong> Ruth Cole Kainen<br />

Carquillat, François, French, 1802–1884<br />

>George Washington (after Allardet),<br />

silk tapestry, 2012.10.2, Ailsa Mellon<br />

Bruce Fund<br />

Castillo, José del, Spanish, 1737–1793<br />

>The Supper at Emmaus (after Mateo<br />

Cerezo the Younger), 1778, etching,<br />

2012.53.1, Given by Adult Program and<br />

Foreign Language Docents in Memory<br />

<strong>of</strong> Laura Wyman<br />

Cazenave, Frédéric, French,<br />

active 1793–1843<br />

>L’Optique (after Louis-Léopold Boilly),<br />

c. 1793, etching and wash manner,<br />

2012.59.2, Ailsa Mellon Bruce Fund<br />

Chéreau, Jacques, published by, French,<br />

active 18th century<br />

>Recueil des Differents Modes du Temps,<br />

1720s(?), complete set <strong>of</strong> eight<br />

engravings with etching, 2012.68.1–8,<br />

Katharine Shepard and Ailsa Mellon<br />

Bruce Funds<br />

Chiara, John, American, born 1971<br />

>23rd at Carolina, 2006, photogravure<br />

on gampi paper chine collé<br />

>24th at Carolina (Center Variation),<br />

2006, photogravure on gampi paper<br />

chine collé<br />

>24th at Carolina (Center), 2006,<br />

color photogravure on gampi paper<br />

chine collé

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