Eichmann on the Air: Radio and the Making of a Historic Trial
Eichmann on the Air: Radio and the Making of a Historic Trial
Eichmann on the Air: Radio and the Making of a Historic Trial
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
music for four hours <strong>on</strong> each evening <strong>of</strong> <strong>the</strong> week. Clearly, <strong>the</strong><br />
limited broadcasting resources required a c<strong>on</strong>siderable<br />
reorganizati<strong>on</strong> in radio's daily operati<strong>on</strong>s in order to accommodate<br />
coverage <strong>of</strong> <strong>the</strong> trial. Kol Yisrael's work-plan is specified in a<br />
special memo, entitled 'Operati<strong>on</strong> <strong>Trial</strong>', issued two m<strong>on</strong>ths before<br />
proceedings commenced. 24 First is <strong>the</strong> producti<strong>on</strong> <strong>of</strong> a 30-minute<br />
daily diary, Yoman Ha'mishpat ('<strong>Trial</strong> Diary'), scheduled for<br />
broadcast M<strong>on</strong>day through Thursday at 7:15 p.m. 25 The daily<br />
diaries were to be aired following <strong>the</strong> evening news, featuring a<br />
narrated summary <strong>of</strong> <strong>the</strong> day's proceedings combined with<br />
recordings from <strong>the</strong> courtroom, occasi<strong>on</strong>ally followed by<br />
commentaries <strong>of</strong> leading reporters. The next project specified in<br />
<strong>the</strong> memo is live broadcasts during <strong>the</strong> first days <strong>of</strong> <strong>the</strong> trial. It was<br />
later decided that additi<strong>on</strong>al sessi<strong>on</strong>s would be broadcast, in<br />
c<strong>on</strong>sultati<strong>on</strong> with <strong>the</strong> Ministry <strong>of</strong> Justice. Interestingly, <strong>the</strong> memo<br />
stipulates that radio presenters should refrain from adding<br />
narrati<strong>on</strong> <strong>and</strong> allow any lapses or pauses that might occur during<br />
live transmissi<strong>on</strong>. 26 In o<strong>the</strong>r words, what presenters were<br />
instructed to do was to make <strong>the</strong>mselves mute—that is, to<br />
suspend <strong>the</strong>ir pr<strong>of</strong>essi<strong>on</strong>al practices—in order to sustain a greater<br />
sense <strong>of</strong> au<strong>the</strong>nticity.<br />
30