Eichmann on the Air: Radio and the Making of a Historic Trial

for the benefit of broadcasting, but mainly for 'safekeeping in the
State's archive or in other national institute', adding that 'It would
be an irretrievable loss if for whatever reason such voice document
would not be preserved by the State and the Jewish people'. 5
These requests had remained largely unanswered, and it took
Teddy Kollek's intervention to bring Keren to finally concede. 6 This
was following the disconcerting realization that Capital Cities
Broadcasting Corporation, a New York-based film company hired
by the Israeli government, was not obliged by contract to capture
the entire trial on film and therefore could not provide a complete
record of the proceedings. 7 Kol Yisrael's mandate to record the
<strong>Eichmann</strong> trial was thus more of a last-minute solution than
forethought.
Kol Yisrael's three main tasks during the trial were: complete
and continuous recording of the proceedings, daily reports and live
broadcasts for the Israeli audience, and service to foreign
correspondents assigned to cover the trial. These tasks presented
an unprecedented technical challenge, entailing the construction of
a small radio station inside Beit Ha'am, complete with specially
purchased equipment. The undertaking was described in detail in
Kol Yisrael's weekly magazine Radio, published regularly in the
early 1960's. A feature article, entitled 'The Trial in the Ears of the
4