Eichmann on the Air: Radio and the Making of a Historic Trial
Eichmann on the Air: Radio and the Making of a Historic Trial
Eichmann on the Air: Radio and the Making of a Historic Trial
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microph<strong>on</strong>es were installed in <strong>the</strong> courtroom (<strong>on</strong>e for each judge,<br />
prosecuti<strong>on</strong>, defense, witness st<strong>and</strong>, interpreter, <strong>and</strong> accused) <strong>and</strong><br />
were wired simultaneously to <strong>the</strong> loudspeaker system, to<br />
earph<strong>on</strong>es inside <strong>the</strong> hall, <strong>and</strong> to Kol Yisrael's transmissi<strong>on</strong> booth.<br />
Adjacent to <strong>the</strong> transmissi<strong>on</strong> booth <strong>and</strong> overlooking <strong>the</strong> entire hall<br />
was <strong>the</strong> c<strong>on</strong>trol booth, from which a technician activated each<br />
speaker's microph<strong>on</strong>e (Fig. 2, 3). The 'nerve center' was located<br />
<strong>on</strong> <strong>the</strong> bottom floor <strong>of</strong> <strong>the</strong> building, where five mini-studios were set<br />
to serve 32 foreign stati<strong>on</strong>s <strong>and</strong> networks, working c<strong>on</strong>tinuously 24<br />
hours a day with <strong>the</strong> capacity <strong>of</strong> relaying up to eight overseas<br />
transmissi<strong>on</strong>s an hour (Fig. 4). In <strong>the</strong> prose <strong>of</strong> <strong>Radio</strong>'s reporter,<br />
Kol Yisrael's technicians were entrusted with a missi<strong>on</strong> exceeding<br />
<strong>the</strong> technical challenge: 'And here—in <strong>the</strong>se tiny studios <strong>and</strong><br />
cramped rooms <strong>the</strong>y will have to mix <strong>and</strong> broadcast <strong>and</strong> cable <strong>the</strong><br />
message <strong>of</strong> <strong>the</strong> trial to all corners <strong>of</strong> <strong>the</strong> world'. 11<br />
6