The Mass Psychology of Fascism - Anxiety Depression Self-Help
The Mass Psychology of Fascism - Anxiety Depression Self-Help
The Mass Psychology of Fascism - Anxiety Depression Self-Help
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"protectors <strong>of</strong> the noble and joyful," "teachers <strong>of</strong> psychic harmony and <strong>of</strong> artistic values." Homer, he says, had no<br />
interest in the "ecstatic." Athene represented<br />
the symbol <strong>of</strong> the life-gnawing lightning sprung from Zeus's head, the wise virgin, the protectress <strong>of</strong> the Hellenic people and its<br />
struggle. <strong>The</strong>se highly pious Greek soul creations show the straight, still pure life <strong>of</strong> Nordic man. <strong>The</strong>y are, in the highest sense,<br />
religious testimonials and the expression <strong>of</strong> confidence in one's own nature (p. 41ff.).<br />
<strong>The</strong>se gods who represent that which is pure, exalted and religious are contrasted to the gods <strong>of</strong> the Near-Eastern<br />
peoples. "While the Greek gods were heroes <strong>of</strong> the light and the skies, the gods <strong>of</strong> the Non-Aryans <strong>of</strong> Asia Minor<br />
showed all the traits <strong>of</strong> earthliness." Demeter and Hermes were the products <strong>of</strong> these "race souls." Dionysos, the<br />
god <strong>of</strong> ecstasies and voluptuous pleasure, signified the "inroad <strong>of</strong> the foreign race <strong>of</strong> the Etruscans and the<br />
beginning <strong>of</strong> the decline <strong>of</strong> Hellas."<br />
Rosenberg, in order to support his thesis <strong>of</strong> the race soul, arbitrarily calls the gods who represent a certain aspect<br />
<strong>of</strong> the cultural process, Greek; and others, representing a different aspect <strong>of</strong> the same Greek culture, he calls<br />
foreign gods. <strong>The</strong> reason why Greek history was misunderstood, he says, was because historical science became<br />
"racially prejudiced" and misinterpreted Hellenism.<br />
[72] With pious awe, great German romanticism feels how ever darker veils are drawn over the bright gods <strong>of</strong> the heavens, and it<br />
plunges deeply into the instinctual, the amorphous, the demoniacal, the sexual, the ecstatic, chthonic, into the adoration <strong>of</strong> the<br />
mother [italics mine.—W.R.]. Yet it still considers all this Greek (p. 43).<br />
Idealistic philosophies do not examine the conditions which lead to this appearance <strong>of</strong> the "ecstatic" and<br />
"instinctual" in certain cultural epochs. Instead, they get entangled in the abstract valuation <strong>of</strong> this phenomenon.<br />
This valuation is from the standpoint <strong>of</strong> that cultural philosophy which feels itself so exalted and above what is<br />
"earthy" (that is, natural) that it perishes from its very exaltation. We, too, arrive at an evaluation <strong>of</strong> such<br />
phenomena, but we derive it from the conditions <strong>of</strong> the social process which appears as the "decline" <strong>of</strong> a culture.<br />
In this way, one recognizes the forward-driving and the inhibiting forces; one comprehends the manifestations <strong>of</strong><br />
the decline as a historical process; and one sights the germs <strong>of</strong> the new cultural forms which we then help to<br />
develop. When Rosenberg, in view <strong>of</strong> the decline <strong>of</strong> the authoritarian civilization <strong>of</strong> the 20th century, points to the<br />
fate <strong>of</strong> the ancient Greeks, he takes the side <strong>of</strong> the conservative tendencies in history, his assertions <strong>of</strong> a<br />
"renovation" <strong>of</strong> Germany notwithstanding. We gain firm ground in our standpoint toward the cultural revolution<br />
and its sex-economic core if we succeed in comprehending the standpoint <strong>of</strong> political reaction.<br />
<strong>The</strong> reactionary cultural philosopher has only the alternatives <strong>of</strong> resigning and becoming skeptical or <strong>of</strong> trying to<br />
turn back the wheel <strong>of</strong> history by "revolutionary" means. If, however, one recognizes the fact that the decline <strong>of</strong><br />
the old culture does not signify by any means the decline <strong>of</strong> civilization as such, but only that <strong>of</strong> a certain<br />
civilization, the authoritarian, one arrives automatically at a different evaluation <strong>of</strong> positive and negative cultural<br />
elements. It is a matter <strong>of</strong> finding out the revolutionary attitude toward those phenomena which the reactionary<br />
considers symptoms <strong>of</strong> decline. It is characteristic, for example, that [73] in ethnology political reaction favors the<br />
patriarchal theory while the revolutionary world adheres to the matriarchal theory. This divergent sociological<br />
attitude toward historical facts corresponds to hitherto undiscovered sex-economic processes. Matriarchy—a<br />
historically proven fact—is not only the organization <strong>of</strong> natural work democracy but also that <strong>of</strong> the sexeconomically<br />
natural society. 2 Patriarchy, on the other hand, has not only an authoritarian economic organization,<br />
but also a catastrophically chaotic sex-economic organization.<br />
<strong>The</strong> church—far beyond the period <strong>of</strong> its monopolization <strong>of</strong> science—continued to keep alive the metaphysical<br />
thesis <strong>of</strong> the "ethical nature <strong>of</strong> man," his inherent monogamy, etc. For this reason, Bach<strong>of</strong>en's findings threatened<br />
to turn everything upside down. <strong>The</strong> amazing thing about the sexual organization <strong>of</strong> matriarchy was not its<br />
completely different blood relationships but its natural self-regulation <strong>of</strong> sexual life. Its real basis was the absence<br />
<strong>of</strong> private ownership <strong>of</strong> the social means <strong>of</strong> production, as shown by Morgan and Engels. Rosenberg, as a fascist