14.09.2013 Views

The Mass Psychology of Fascism - Anxiety Depression Self-Help

The Mass Psychology of Fascism - Anxiety Depression Self-Help

The Mass Psychology of Fascism - Anxiety Depression Self-Help

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

"protectors <strong>of</strong> the noble and joyful," "teachers <strong>of</strong> psychic harmony and <strong>of</strong> artistic values." Homer, he says, had no<br />

interest in the "ecstatic." Athene represented<br />

the symbol <strong>of</strong> the life-gnawing lightning sprung from Zeus's head, the wise virgin, the protectress <strong>of</strong> the Hellenic people and its<br />

struggle. <strong>The</strong>se highly pious Greek soul creations show the straight, still pure life <strong>of</strong> Nordic man. <strong>The</strong>y are, in the highest sense,<br />

religious testimonials and the expression <strong>of</strong> confidence in one's own nature (p. 41ff.).<br />

<strong>The</strong>se gods who represent that which is pure, exalted and religious are contrasted to the gods <strong>of</strong> the Near-Eastern<br />

peoples. "While the Greek gods were heroes <strong>of</strong> the light and the skies, the gods <strong>of</strong> the Non-Aryans <strong>of</strong> Asia Minor<br />

showed all the traits <strong>of</strong> earthliness." Demeter and Hermes were the products <strong>of</strong> these "race souls." Dionysos, the<br />

god <strong>of</strong> ecstasies and voluptuous pleasure, signified the "inroad <strong>of</strong> the foreign race <strong>of</strong> the Etruscans and the<br />

beginning <strong>of</strong> the decline <strong>of</strong> Hellas."<br />

Rosenberg, in order to support his thesis <strong>of</strong> the race soul, arbitrarily calls the gods who represent a certain aspect<br />

<strong>of</strong> the cultural process, Greek; and others, representing a different aspect <strong>of</strong> the same Greek culture, he calls<br />

foreign gods. <strong>The</strong> reason why Greek history was misunderstood, he says, was because historical science became<br />

"racially prejudiced" and misinterpreted Hellenism.<br />

[72] With pious awe, great German romanticism feels how ever darker veils are drawn over the bright gods <strong>of</strong> the heavens, and it<br />

plunges deeply into the instinctual, the amorphous, the demoniacal, the sexual, the ecstatic, chthonic, into the adoration <strong>of</strong> the<br />

mother [italics mine.—W.R.]. Yet it still considers all this Greek (p. 43).<br />

Idealistic philosophies do not examine the conditions which lead to this appearance <strong>of</strong> the "ecstatic" and<br />

"instinctual" in certain cultural epochs. Instead, they get entangled in the abstract valuation <strong>of</strong> this phenomenon.<br />

This valuation is from the standpoint <strong>of</strong> that cultural philosophy which feels itself so exalted and above what is<br />

"earthy" (that is, natural) that it perishes from its very exaltation. We, too, arrive at an evaluation <strong>of</strong> such<br />

phenomena, but we derive it from the conditions <strong>of</strong> the social process which appears as the "decline" <strong>of</strong> a culture.<br />

In this way, one recognizes the forward-driving and the inhibiting forces; one comprehends the manifestations <strong>of</strong><br />

the decline as a historical process; and one sights the germs <strong>of</strong> the new cultural forms which we then help to<br />

develop. When Rosenberg, in view <strong>of</strong> the decline <strong>of</strong> the authoritarian civilization <strong>of</strong> the 20th century, points to the<br />

fate <strong>of</strong> the ancient Greeks, he takes the side <strong>of</strong> the conservative tendencies in history, his assertions <strong>of</strong> a<br />

"renovation" <strong>of</strong> Germany notwithstanding. We gain firm ground in our standpoint toward the cultural revolution<br />

and its sex-economic core if we succeed in comprehending the standpoint <strong>of</strong> political reaction.<br />

<strong>The</strong> reactionary cultural philosopher has only the alternatives <strong>of</strong> resigning and becoming skeptical or <strong>of</strong> trying to<br />

turn back the wheel <strong>of</strong> history by "revolutionary" means. If, however, one recognizes the fact that the decline <strong>of</strong><br />

the old culture does not signify by any means the decline <strong>of</strong> civilization as such, but only that <strong>of</strong> a certain<br />

civilization, the authoritarian, one arrives automatically at a different evaluation <strong>of</strong> positive and negative cultural<br />

elements. It is a matter <strong>of</strong> finding out the revolutionary attitude toward those phenomena which the reactionary<br />

considers symptoms <strong>of</strong> decline. It is characteristic, for example, that [73] in ethnology political reaction favors the<br />

patriarchal theory while the revolutionary world adheres to the matriarchal theory. This divergent sociological<br />

attitude toward historical facts corresponds to hitherto undiscovered sex-economic processes. Matriarchy—a<br />

historically proven fact—is not only the organization <strong>of</strong> natural work democracy but also that <strong>of</strong> the sexeconomically<br />

natural society. 2 Patriarchy, on the other hand, has not only an authoritarian economic organization,<br />

but also a catastrophically chaotic sex-economic organization.<br />

<strong>The</strong> church—far beyond the period <strong>of</strong> its monopolization <strong>of</strong> science—continued to keep alive the metaphysical<br />

thesis <strong>of</strong> the "ethical nature <strong>of</strong> man," his inherent monogamy, etc. For this reason, Bach<strong>of</strong>en's findings threatened<br />

to turn everything upside down. <strong>The</strong> amazing thing about the sexual organization <strong>of</strong> matriarchy was not its<br />

completely different blood relationships but its natural self-regulation <strong>of</strong> sexual life. Its real basis was the absence<br />

<strong>of</strong> private ownership <strong>of</strong> the social means <strong>of</strong> production, as shown by Morgan and Engels. Rosenberg, as a fascist

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!