24.10.2012 Views

Xsample Chamber Ensemble heißt Sie willkommen

Xsample Chamber Ensemble heißt Sie willkommen

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Controller main types<br />

The programs of the <strong>Xsample</strong> <strong>Chamber</strong> <strong>Ensemble</strong> are divided into two main types:<br />

1. cc1 sets<br />

The volume and sound can be continuously controlled by Mod Wheel (CC01). On this set you can also<br />

control the volume and sound after key touch. You can find these sets on strings and winds but also on<br />

percussion like chimes rolls.<br />

2. velocity sets<br />

The volume is controlled by velocity.<br />

Additional controller<br />

Phrasing controller: This controller makes a smooth ending note.<br />

Switch controller/ fade controller (Mod Wheel): You can change the style with the Mod Wheel for<br />

instance on the solo string program >spiccato / marcatoxfade vibrato - senza vibrato cc2 / cc1< works with a 2 dimensional<br />

continuous sound control. Volume/sound = Mod Wheel (CC01) and senza/ natural vibrato = Breath<br />

Control (CC02).<br />

Instrument banks: For an easy handling and saving MIDI channels on bigger ensembles you can use<br />

the mallets and percussion banks. On these banks all sounds are integrated and you can access the<br />

various instruments by program change.<br />

Mono versions / reduced versions: Reduced and mono versions can be used for rehearsal situations or<br />

for improving computer performance. Beyond that for bigger ensembles the mono instruments can help<br />

you to get a more transparent sound mix.<br />

Play version and score version: On top of the conventional adaptation for using with keyboards or<br />

sequencers, this software also contains an interface for Make Music's* finale* and Sibelius*. For this<br />

reason there is a play-version for using a keyboard as well as a score-version for using notation software,<br />

for woodwinds and for stringed instruments.<br />

Remark to controller setting s sheets<br />

Please go to page 16 for exact lists of controller settings. There are also described the “switching<br />

parameter”, which trigger the playing styles and articulations. Special sounds, that are not directly<br />

associated in Sibelius*, can be set in the internal dictionary by the sound-id’s. In order to distinguish<br />

between sound-id’s and key words, we wrote the sound-id’s italic and included them in brackets.<br />

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