Journal of Film Preservation N° 56 - FIAF

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countries (and continents) than others, so a «fair» representation by distribution of archives will tend to look distinctly «unfair» when mapped according to geography. Equally, the ‘language’ issue would be better explored if the category of those outside the English/French/Spanish speaking groups took account of the preferred official languages of EC members belonging to that category. These are not arguments for complacency, but they do indicate the dangers of jumping to conclusions without more careful research. 2C1. Representation by Continent Collated by continent, the figures show an overwhelming domination by Europe, whose archives have provided over 70 % of EC membership over the years. Chart 4: EC Service by Continent Europe 72.3% 2C2. Representation by Language Collated by language group, the figures show most clearly the need for more careful analysis. If the historic weightings of individual archives or countries are collected according to native language, a position emerges that emphasises only that the majority of EC business has always been done in a language (whether English, French or Spanish) that is not native to the majority of participants - 9 other native languages have each provided over 20 ‘person-years’ of EC service, 4 of which - German, Dutch, Portuguese and 16 Journal of Film Preservation / 56 / 1998 North America 7.2% English 23.9% Asia/Pacific 1.5% South & Latin America 9.0% Chart 5: EC Service by Native Language Other 51.3% Spanish 5.6% French 19.2%
Italian - actually score over 30 (30 representing 4.6 % of the total). As already noted, however, it is not suggested that much importance be attached to these «findings» without more research being done. HISTORICAL SUMMARY As a final ‘output’ from this survey, Table 3 offers a resumé of all those who have held the three major offices in the Federation since its founding in 1938. The table has been so arranged as to give an indication of which Officers served together in each period. TABLE No 3: FIAF’s OFFICERS, 1938-1999 President Abbott, John E 1938-39 Hensel, Frank 1939-40 Barry, Iris 1946-48 Toeplitz, Jerzy 1948-72 Pogacic, Vladimir 1972-79 Klaue, Wolfgang 1979-85 Wibom, Anna-Lena 1985-89 Daudelin, Robert 1989-95 Aubert, Michelle 1995-99 17 Journal of Film Preservation / 56 / 1998 Secretary-General Langlois, Henri 1938-40 Langlois, Henri 1946-48 Barry, Iris 1948-49 Rognoni, Luigi 1949-51 Lindgren, Ernest 1951-52 Thirifays, André 1952-55 Langlois, Henri 1955-57 Buache, Freddy 1957-58 Thirifays, André 1958-59 Langlois, Henri 1959-60 De Vaal, Jan 1960-61 Ledoux, Jacques 1961-78 Borde, Raymond 1978-79 Daudelin, Robert 1979-85 Cincotti, Guido 1985-89 Orbanz, Eva 1989-95 Smither, Roger 1995-99 Treasurer Vaughan, Olwen 1938-40 Lindgren, Ernest 1946-48 Brusendorff, Ove 1948-52 Sales Gomes, Paulo E 1952-53 Lauritzen, Einar 1953-55 Buache, Freddy 1955-56 Thirifays, André 1956-58 Lauritzen, Einar 1958-63 De Vaal, Jan 1963-64 Lauritzen, Einar 1964-65 De Vaal, Jan 1965-66 Morris, Peter 1966-69 Geber, Nils-Hugo 1969-70 Konlechner, Peter 1970-73 Stenklev, Jon 1973-77 De Vaal, Jan 1977-85 Borde, Raymond 1985-91 Wibom, Anna-Lena 1991-93 Jeavons, Clyde 1993-95 Bandy, Mary Lea 1995-99
Page 1 and 2: Journal of Film Preservation Revue
Page 3 and 4: In Memoriam 58 Ricardo Muñoz Suay
Page 5 and 6: present-day audiences these terms m
Page 7 and 8: eleased containing some of the most
Page 9 and 10: The Administration of the Federatio
Page 11 and 12: the FIAF Executive. Observation Gro
Page 13 and 14: Chart 2: Turnover in EC Elections R
Page 15 and 16: 10 Freddy Buache SecGen 1957-58; Tr
Page 17: Argentina Australia Austria Belgium
Page 21 and 22: in 1982 in many poorly identified o
Page 23 and 24: However, deciding who would play th
Page 25 and 26: Where do we go from here? Afterthou
Page 27 and 28: the prevailing image of Pabst as th
Page 29 and 30: ial situation of individual Pabst f
Page 31 and 32: I remember Vladimir Pogacic, then d
Page 33 and 34: for instance) to the original Cinem
Page 35 and 36: with other non-film materials (revi
Page 37 and 38: allowed to use it to fake the title
Page 39 and 40: ecently received. I’m glad that A
Page 41 and 42: Miracolo di Bologna Peter von Bagh
Page 43 and 44: economy at play in its representati
Page 45 and 46: to a brothel. The girls were so att
Page 47 and 48: teur du Service des Archives du Fil
Page 49 and 50: (sequel to n° 52). LAV. 56. Die Su
Page 51 and 52: Série L. 1. Equipages. 2. Défilé
Page 53 and 54: gauges in question are sub-standard
Page 55 and 56: tradition of Blood of a Poet and Fa
Page 57 and 58: Shotlisting can often add valuable
Page 59 and 60: achieve. For example if the catalog
Page 61 and 62: verdad”, “Nueve cartas a Berta
Page 63 and 64: The Council of North-American Film
Page 65 and 66: SEAPAVAA - Two Years on Ray Edmonds
Page 67 and 68: in English and Vietnamese, with sim
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this Programme. Facing the new cont
Page 71 and 72:
Uncharted territory: Essays on earl
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forme), sauf que celle-ci est défi
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original interdisciplinary approach
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think the reverse is true: archivis
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FIAF Bookshop / Librairie FIAF FIAF
Page 82 and 83:
DEBRIE has during a period of 100 y
Page 84 and 85:
FIAF INTERNATIONAL FILMARCHIVE CD-R
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Journal of Film Preservation N° 56 - FIAF

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