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Journal of Film Preservation N° 56 - FIAF

Journal of Film Preservation N° 56 - FIAF

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workshop on vinegar syndrome (a major problem in the region) is<br />

planned for this year.<br />

- We are building a wider, global awareness <strong>of</strong> the audiovisual heritage<br />

<strong>of</strong> the region, and facilitating access to it. (This was the theme <strong>of</strong> the<br />

Hanoi conference this year.) For example, the Philippines has one <strong>of</strong><br />

the world’s most prolific film industries, Australia one <strong>of</strong> the oldest,<br />

Vietnam (for linguistic reasons) one <strong>of</strong> the least known. A policy<br />

statement on access was adopted in Hanoi: it covers the areas <strong>of</strong> legal<br />

deposit, member cooperation, finance, and copyright.<br />

Structurally, SEAPAVAA has an elected Executive Council <strong>of</strong> seven members,<br />

four standing committees (Technical, Training, Collections,<br />

Promotion) and a Secretariat based in Manila. It works to a three-year<br />

business plan. The <strong>of</strong>ficial language is English, which is the shared language<br />

<strong>of</strong> trade and diplomacy within the region, Across the region, language<br />

and culture is diverse and, in many cases, very ancient: a formal<br />

SEAPAVAA occasion, such as a conference opening, to which everyone<br />

wears national dress is a rich and colourful experience.<br />

During the last year or so, after a period <strong>of</strong> sustained growth, many<br />

countries in the region found themselves quite suddenly thrust into economic<br />

crisis, as their currencies dropped in value. Nowhere in the<br />

world, it seems, had economists predicted this: as I write, the effects<br />

have been most tragically and dramatically felt in Indonesia, the most<br />

populous country <strong>of</strong> the region. Governments have taken severe austerity<br />

measures: it will be some time before recovery is complete. In these<br />

circumstances, culturally vulnerable areas like audiovisual archiving are<br />

early casualties.<br />

Some SEAPAVAA members also have links to <strong>FIAF</strong>, IASA or other associations:<br />

some have no other links. What they all find valuable within<br />

SEAPAVAA are the distinctives <strong>of</strong> sharing in a focus on this particular<br />

part <strong>of</strong> the world. Those from outside the region who’ve joined as associates<br />

also enjoy that link: and their interest and desire to share in our task<br />

is greatly welcomed. The field <strong>of</strong> audiovisual archiving is becoming a<br />

more complex mosaic: the global movement.is the richer for it.<br />

Highlights <strong>of</strong> the SEAPAVAA Conference,<br />

Hanoi, Vietnam - 23-28 March<br />

Emerging av heritage - accessing the voice and vision <strong>of</strong><br />

SE Asia-Pacific<br />

Despite the current economic crisis in Asia - which unfortunately prevented<br />

many intending delegates from travelling to Hanoi - this was the<br />

largest SEAPAVAA conference to date: there were 44 <strong>of</strong>ficial delegates<br />

and observers from 13 countries, with around 80 to 100 attending the<br />

symposium and <strong>of</strong>ficial functions. The host was SEAPAVAA member, the<br />

Vietnam <strong>Film</strong> Institute (VFI).<br />

The venue was the superb new Horison Hotel in downtown Hanoi - an<br />

excellent choice for an audiovisual conference. Sessions were presented<br />

64 <strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> / <strong>56</strong> / 1998

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