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Journal of Film Preservation N° 56 - FIAF

Journal of Film Preservation N° 56 - FIAF

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Dark Red pH 6,0<br />

No Smell<br />

Brown pH 5,0<br />

No Smell<br />

ity <strong>of</strong> all the materials in their field <strong>of</strong> study. In an annex that seems<br />

oddly out <strong>of</strong> place in the midst <strong>of</strong> all this, Borde argues for the retention<br />

<strong>of</strong> dubbed film copies. In my opinion, this is one <strong>of</strong> the most valuable<br />

contributions <strong>of</strong> the book. He has made me rethink this question.<br />

Freddy Buache, on the other hand, seems to be almost entirely pessimistic<br />

about the new situation <strong>of</strong> film archives. Like Borde, he laments<br />

the passing <strong>of</strong> the days when the passion for cinema was the only<br />

weapon for saving our cinematic heritage. He does not think that the<br />

functionaries who lead most <strong>of</strong> the world’s film archives today can understand<br />

that. I believe that more <strong>of</strong>ten than Buache or Borde would admit,<br />

the new breed <strong>of</strong> pr<strong>of</strong>essional film archivist may be moved by the same<br />

passions as the founders. Even the bureaucrats and accountants he scorns<br />

may sometimes be brought to share these enthusiasms. As someone who<br />

went through several different administrations, I always thought <strong>of</strong> it as<br />

one <strong>of</strong> my tasks to educate the new administrator. Buache does not care<br />

much for the current interest in film reconstruction, nor does he approve<br />

<strong>of</strong> the new methods in scholarship <strong>of</strong> the universities, nor the early film<br />

studies that were launched at the 1978 <strong>FIAF</strong> Congress in Brighton and<br />

continue actively today, nor the state <strong>of</strong> the world in general. While there<br />

are times when I can understand his criticism, for me, his viewpoint is<br />

too narrow, and too romantic. We must not forget the magnificent<br />

achievements <strong>of</strong> the past - how could we, they are on the shelves, in the<br />

vaults. But while the fundamental values <strong>of</strong> preserving the heritage do<br />

not and must never change, a broader sense <strong>of</strong> the archives’ mission is<br />

needed to face the next century. The personalities <strong>of</strong> the founders created<br />

the institution but it is the institution that survives us all.<br />

Eileen Bowser<br />

Motion Picture <strong>Film</strong> Base Deterioration Window for Acetate and Nitrate <strong>Film</strong><br />

Dancan International Sales • www.dancan.dk • dancan@email.dk • Fax +45 4054 4180<br />

Light Brown pH 4,8<br />

No Smell<br />

Light Yellow pH 4,6<br />

Weak Smell<br />

76 <strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> / <strong>56</strong> / 1998<br />

Yellow pH 4,4<br />

Strong Smell<br />

Yellow pH 4,2<br />

Strong Smell<br />

Yellow pH >4,0<br />

Strong Smell

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