Journal of Film Preservation N° 56 - FIAF
Journal of Film Preservation N° 56 - FIAF
Journal of Film Preservation N° 56 - FIAF
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Dark Red pH 6,0<br />
No Smell<br />
Brown pH 5,0<br />
No Smell<br />
ity <strong>of</strong> all the materials in their field <strong>of</strong> study. In an annex that seems<br />
oddly out <strong>of</strong> place in the midst <strong>of</strong> all this, Borde argues for the retention<br />
<strong>of</strong> dubbed film copies. In my opinion, this is one <strong>of</strong> the most valuable<br />
contributions <strong>of</strong> the book. He has made me rethink this question.<br />
Freddy Buache, on the other hand, seems to be almost entirely pessimistic<br />
about the new situation <strong>of</strong> film archives. Like Borde, he laments<br />
the passing <strong>of</strong> the days when the passion for cinema was the only<br />
weapon for saving our cinematic heritage. He does not think that the<br />
functionaries who lead most <strong>of</strong> the world’s film archives today can understand<br />
that. I believe that more <strong>of</strong>ten than Buache or Borde would admit,<br />
the new breed <strong>of</strong> pr<strong>of</strong>essional film archivist may be moved by the same<br />
passions as the founders. Even the bureaucrats and accountants he scorns<br />
may sometimes be brought to share these enthusiasms. As someone who<br />
went through several different administrations, I always thought <strong>of</strong> it as<br />
one <strong>of</strong> my tasks to educate the new administrator. Buache does not care<br />
much for the current interest in film reconstruction, nor does he approve<br />
<strong>of</strong> the new methods in scholarship <strong>of</strong> the universities, nor the early film<br />
studies that were launched at the 1978 <strong>FIAF</strong> Congress in Brighton and<br />
continue actively today, nor the state <strong>of</strong> the world in general. While there<br />
are times when I can understand his criticism, for me, his viewpoint is<br />
too narrow, and too romantic. We must not forget the magnificent<br />
achievements <strong>of</strong> the past - how could we, they are on the shelves, in the<br />
vaults. But while the fundamental values <strong>of</strong> preserving the heritage do<br />
not and must never change, a broader sense <strong>of</strong> the archives’ mission is<br />
needed to face the next century. The personalities <strong>of</strong> the founders created<br />
the institution but it is the institution that survives us all.<br />
Eileen Bowser<br />
Motion Picture <strong>Film</strong> Base Deterioration Window for Acetate and Nitrate <strong>Film</strong><br />
Dancan International Sales • www.dancan.dk • dancan@email.dk • Fax +45 4054 4180<br />
Light Brown pH 4,8<br />
No Smell<br />
Light Yellow pH 4,6<br />
Weak Smell<br />
76 <strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> / <strong>56</strong> / 1998<br />
Yellow pH 4,4<br />
Strong Smell<br />
Yellow pH 4,2<br />
Strong Smell<br />
Yellow pH >4,0<br />
Strong Smell