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The Fitzwilliam Museum - University of Cambridge

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32<br />

Information Technology<br />

<strong>The</strong> <strong>Museum</strong>’s new IT suite is enjoyed by visitors <strong>of</strong> all ages<br />

resources. <strong>The</strong> eGuide has undergone public trials<br />

and the <strong>Museum</strong>’s Access Advisory Group are<br />

involved in assessing this and other aspects <strong>of</strong> the<br />

<strong>Fitzwilliam</strong>’s interpretation initiatives.<br />

Central to the work <strong>of</strong> recording and retrieving<br />

collections information is the <strong>Museum</strong>’s unified<br />

electronic database. <strong>The</strong> <strong>Fitzwilliam</strong> began using this<br />

database in 1999, bringing together the disparate<br />

records that have been created over the long history<br />

<strong>of</strong> the <strong>Museum</strong>. In late 2004 the database held over<br />

100,000 object records, the majority <strong>of</strong> which are<br />

available to the public on the <strong>Museum</strong>’s website.<br />

Much <strong>of</strong> this has been achieved through funding from<br />

the MLA and each <strong>of</strong> the <strong>Museum</strong>’s five curatorial<br />

departments is still actively involved in transferring<br />

existing records to the database. This process will<br />

continue well into the future to encompass the<br />

<strong>Museum</strong>’s collections <strong>of</strong> half a million items.<br />

Images are another important feature <strong>of</strong> an object<br />

record and the <strong>Fitzwilliam</strong> is attempting to add<br />

electronic images to as many <strong>of</strong> its database records<br />

as possible. This is done through digital photography<br />

as well as the conversion <strong>of</strong> existing traditional<br />

transparencies or photographs. <strong>The</strong>se images are<br />

used in various tasks, ranging from the simple<br />

identification <strong>of</strong> an object to the recording <strong>of</strong> the<br />

different stages <strong>of</strong> a conservation process. Equally<br />

important, however, is the value that an image adds<br />

to a record for the users <strong>of</strong> the <strong>Museum</strong>’s electronic<br />

resources. It injects life into the text information, and<br />

allows people to make comparisons and associations<br />

between objects. As technologies improve, digital<br />

photography may also be used to assist in the<br />

preservation <strong>of</strong> fragile objects. A digital reproduction<br />

<strong>of</strong> a manuscript, for example, may serve as a<br />

surrogate, reducing the handling and exposure to<br />

light <strong>of</strong> the original.<br />

Stephen Bond

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