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The Fitzwilliam Museum - University of Cambridge

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<strong>The</strong> Head <strong>of</strong> John the Baptist on a Dish<br />

English, probably Nottingham, 15th century<br />

Alabaster, with remnants <strong>of</strong><br />

painting and gilding.<br />

H. 29 x W. 23.5 cm<br />

M.2–2004<br />

Purchased from the Boscawen<br />

Fund and with grants from the<br />

National Art Collections Fund<br />

and the MLA/V&A Purchase<br />

Grant Fund.<br />

This powerful image <strong>of</strong> St John the<br />

Baptist's head on a dish supported by<br />

angels would have provided a focus for<br />

the private devotions <strong>of</strong> its owner, and<br />

may have been housed in a wooden case,<br />

whose painted doors were opened while<br />

he or she was at prayer. Alabaster<br />

carvings were an important aspect <strong>of</strong> late<br />

medieval English art, and were exported<br />

widely to the Continent. Much <strong>of</strong> the<br />

best alabaster was quarried in the area<br />

between Tutbury in Staffordshire and<br />

Chellaston near Derby, and Nottingham,<br />

some 15 to 20 miles further east, became<br />

a major centre for the production <strong>of</strong><br />

religious figures, altarpieces, and panels.<br />

Local documents contain many records <strong>of</strong><br />

the alabasterers' activity, including<br />

references to panels showing the head <strong>of</strong><br />

St John the Baptist, which seems to have<br />

been a Nottingham speciality in the late<br />

fifteenth and early sixteenth centuries.<br />

49<br />

Major Acquisitions

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