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2006-2007 Fall/Winter Directions - Friends' Central School

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what this means. Even in seventh grade, high school looms large.<br />

I need to prepare them for all of the expository writing they will<br />

have to do, and most of them think that essay writing is boring<br />

and can’t be creative. I try to teach them that it is always creative<br />

because it is your individual interpretation. Any essay you write<br />

is about how you imagine the text.”<br />

Alexa has a Virginia Woolf quote along the top of her classroom<br />

wall that captures the interpretive stance she hopes to<br />

encourage in her students. “Literature is no one’s private ground,<br />

literature is common ground; let us trespass freely and fearlessly and<br />

find our own ways for ourselves.” But she also emphasizes the<br />

strong influence her own Quaker education has had on the way<br />

she views the world and the way she teaches. “Lots of kids feel<br />

that literature is beyond them. I want my students to feel that<br />

everyone has access to literature. All you need is to trust the<br />

power of your imagination and trust your ability to communicate<br />

well.”<br />

Alexa’s Quaker education also influences the emphasis she<br />

places on using language to reach beyond the classroom. As they<br />

practice essay writing and literary analysis, Alexa requires her students<br />

to think about how they can use language and their ability<br />

to communicate well to be active members of their communities.<br />

At the beginning of every year, she talks about how important<br />

the concept of free speech is in our society, and she tries to draw<br />

a connection between the political or social exercise of free<br />

speech and each student’s ability, or right, to interpret the texts<br />

on her syllabus. Last year, she devised a mock trial as a way to<br />

emphasize this overlap of the literary and the social or political,<br />

and to point out all that is at stake in literature. Her students had<br />

to craft arguments for and against the banning of a couple of<br />

children’s books from an imaginary community. The exercise<br />

tested their command of persuasive language and required them<br />

to consider what type of effect a book can have in society. She<br />

also regularly brings in newspaper and journal articles and asks<br />

her students to write letters of response to send to the newspaper’s<br />

editors. “Writing and literature,” she explains, “have to be<br />

about more than just what happens to the characters in a book.<br />

Whether we are reading a play by William Shakespeare or<br />

responding to an article in the Philadelphia Inquirer, I want my<br />

students to consider how we can use our ability to communicate<br />

to be engaged citizens.”<br />

im Davis has taught music and led the choral<br />

groups at Friends’ <strong>Central</strong> for thirty-five years.<br />

He has always known he wanted to be a teacher,<br />

mostly because of the teachers he had as a child.<br />

“In Junior High I used to say to myself: ‘They<br />

look like they are having a lot of fun,’ and I<br />

could tell that they were people who loved what<br />

they were doing. I also admired their commitment<br />

to their subjects and the way they related to us. I recognize<br />

that I was a difficult eighth grader, but somehow my teachers<br />

were able to reach past all of that and make me feel connected to<br />

them. I admired that then, and I admire it even more now.”<br />

Jim earned both his Bachelor’s and Master’s degrees in Music<br />

from West Chester University. After graduating, he took a job at<br />

Wayne Elementary <strong>School</strong>. As fate would have it, the string<br />

teacher at Wayne played in a chamber music group with a music<br />

FEATURES – CURRENT FACULTY<br />

instructor from Friends’ <strong>Central</strong>, and when a job opened up<br />

here, Jim’s co-worker encouraged him to pursue it. Without this<br />

encouragement, Jim probably would never have looked into<br />

teaching at an independent school, but he believes that being<br />

here has enabled him to fulfill his vision of good teaching. “Here<br />

I am surrounded by a faculty committed to making themselves<br />

available to kids, and I work in a school committed to supporting<br />

music as part of the curriculum.”<br />

One of the things Jim is most pleased about is the way the<br />

music program has expanded during his time here. When he<br />

started, there was one chorus, one orchestra, and the option for<br />

private lessons. Now Friends’ <strong>Central</strong> has Upper <strong>School</strong>, Middle<br />

<strong>School</strong>, and fifth grade choruses, six singing groups, two orchestras,<br />

two jazz bands, and<br />

opportunities to play<br />

chamber music. There<br />

are also course offerings<br />

in music and still the<br />

chance for private lessons.<br />

“Music has a place<br />

in the cultural life of the<br />

<strong>School</strong>,” Jim says, “and<br />

this is important,<br />

because music gives kids<br />

access to a unique emotional<br />

language. Music<br />

stirs them. After a concert,<br />

there are always kids<br />

weeping, because we’ve<br />

created a world in which<br />

we’ve shared our emotions.<br />

It is a very power-<br />

Jim Davis<br />

ful connection to share a breath and express emotions for which<br />

we otherwise might not have words.”<br />

Jim believes that participation in the music program also<br />

complements the individualism the school supports. “Friends’<br />

<strong>Central</strong> does a fantastic job at encouraging individual thought<br />

and expression, but there is also a significant value to all of us<br />

learning how we fit together. Music, like sports, helps us figure<br />

this out.” The fact that Jim would compare chorus to soccer, for<br />

instance, is not without a certain amount of irony. The athletic<br />

teams and the music groups have to share the limited time students<br />

have after school, and the relationship is not always easy.<br />

But Jim is clear that just like playing on a team, singing in a chorus<br />

or playing in the orchestra requires that a person subvert his<br />

or her individuality for the good of the group. “It is an important<br />

bonding experience and an important lesson in how to build<br />

strong communities.”<br />

One of Jim’s greatest rewards has been the chance to welcome<br />

former students back to campus. “I wanted to be my high school<br />

music teacher,” he says, “and so just the other year, I made sure I<br />

wrote to him and let him know where I had ended up. As a<br />

teacher, I have learned how important this is. You never know<br />

what connections you are making, and I, for one, am always<br />

wondering if everything I teach is just dissipating. So the best<br />

feeling for me is when one of my students goes out and makes a<br />

career in music, and then wants to come back and share it. Then<br />

I really feel the bliss of teaching.”<br />

DIRECTIONS <strong>Fall</strong> <strong>2006</strong> / <strong>Winter</strong> <strong>2007</strong> 47

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