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Metaphors from Alice in Wonderland illustrate firstly the ridiculous ...

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Suddenly, a queen with a very large head and<br />

a red gown came runn<strong>in</strong>g. <strong>Alice</strong> tried to keep<br />

up with her; at least it seemed as if she was<br />

go<strong>in</strong>g somewhere. <strong>Alice</strong> and <strong>the</strong> Red Queen<br />

ran <strong>in</strong> <strong>the</strong> forest for a long time, but when<br />

<strong>the</strong>y stopped, <strong>the</strong>y were still under <strong>the</strong> same<br />

tree as when <strong>the</strong>y started. “It takes all <strong>the</strong><br />

runn<strong>in</strong>g you can do, to keep <strong>in</strong> <strong>the</strong> same place.<br />

If you want to get somewhere else, you must<br />

run at least twice as fast as that!” The Red<br />

Queen was obviously irritated as she expla<strong>in</strong>ed<br />

how th<strong>in</strong>gs work <strong>in</strong> her k<strong>in</strong>gdom. “And if you<br />

don‟t conform to tone <strong>in</strong> with my likes and<br />

dislikes, it will be „Off with your head!‟”<br />

Just as <strong>the</strong> crockery gave <strong>Alice</strong> a promise<br />

of some reward (refreshments), she soon<br />

realised that <strong>the</strong> cups were bottomless<br />

and full of empty promises; <strong>the</strong> fix<strong>in</strong>g<br />

promises of <strong>the</strong> damaged image did not<br />

bear <strong>the</strong> <strong>in</strong>tended fruit. If a brand fails to<br />

deliver on <strong>the</strong> promises made, <strong>the</strong><br />

bottom of <strong>the</strong> branded entity falls out. An<br />

au<strong>the</strong>ntic brand consistently delivers on<br />

promises, and provides evidence, a<br />

measurable track record, <strong>the</strong> facilities<br />

and <strong>in</strong>frastructures, <strong>the</strong> practices and<br />

policies and <strong>the</strong> commitment to<br />

customers who support <strong>the</strong> promises<br />

(Davies-Janes, 2009).<br />

<strong>Alice</strong> sat down at <strong>the</strong> table full of crockery, but<br />

without cutlery. On my mobile phone screen, I<br />

noticed that a <strong>Wonderland</strong> tea party is like<br />

<strong>Wonderland</strong>‟s science ‒ different. The cups did<br />

not have bottoms and nobody cared for polite<br />

tea party conversation.<br />

Maybe <strong>the</strong> <strong>in</strong>au<strong>the</strong>ntic brand messages<br />

created and ma<strong>in</strong>ta<strong>in</strong>ed an <strong>in</strong>consistent<br />

<strong>in</strong>stitutional image as au<strong>the</strong>ntic brand<strong>in</strong>g<br />

could have contributed to <strong>the</strong> HEI‟s<br />

credibility, because it would have<br />

conta<strong>in</strong>ed elements of passion and value<br />

(George, 2009).<br />

<strong>Alice</strong> was delighted by <strong>the</strong> expectation of some<br />

refreshment, but left without any when <strong>the</strong><br />

Hatter said to her, “You used to be much more<br />

… muchier. You‟ve lost your muchness.”<br />

<strong>Alice</strong>‟s and <strong>the</strong> UFS‟s “muchness” was<br />

lost, because she and <strong>the</strong> <strong>in</strong>stitution<br />

doubted her/its identity and au<strong>the</strong>nticity<br />

and, <strong>the</strong>refore, also its purpose<br />

(Cooperrider, 2003).<br />

When <strong>Alice</strong> realised what her au<strong>the</strong>ntic leadership position and purpose was, she got her “muchness”<br />

back, and slayed <strong>the</strong> Jabberwocky. Critics might th<strong>in</strong>k that <strong>the</strong> researcher has gone mad, but <strong>the</strong>n<br />

outcomes of <strong>the</strong> transformation process became clear. The Jabberwocky motif is imply<strong>in</strong>g <strong>the</strong><br />

leviathan of power and politics <strong>in</strong> HEIs that try to manipulate <strong>in</strong>ternal and au<strong>the</strong>ntic transformation<br />

through external and apparent transformation.<br />

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