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4 "One Talking Picture": A cynical study by Ralph Steiner, who made the film H 2 O, from which Close Up readers may draw their own conclusions. Mr Steiner suggests it is a fairly good comment on movies, talking and otherwise' (Vol. VI, no. 2, February 1930).
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CLOSE UP 1927-1933
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CLOSE UP 1927-1933 Cinema and Moder
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CONTENTS Preface vii Introduction:
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PREFACE The journal Close Up, edite
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4 A valued tribute from S.M. Eisens
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INTRODUCTION Reading Close Up, 1927
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INTRODUCTION 3 'entirely new struct
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INTRODUCTION 5 Cover wrapper, 'We W
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INTRODUCTION 7 Hanns Sachs and Barb
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INTRODUCTION 9 the 1930s - one of t
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Kenneth Macpherson in Oswell Blakes
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INTRODUCTION 13 Close Up was initia
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INTRODUCTION 15 certainly that she
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H.D. in Wing Beat (Vol. I, no. 1, J
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INTRODUCTION 19 battleground with s
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INTRODUCTION 21 cinematic elements
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INTRODUCTION 23 The letter also pro
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INTRODUCTION 25 Midway in Close Up'
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PART 1 Enthusiasms and Execrations
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ENTHUSIASMS AND EXECRATIONS 29 Magg
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ENTHUSIASMS AND EXKCRATIONS 31 of s
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ENTHUSIASMS AND EXECRATIONS 33 comp
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ENTHUSIASMS AND EXECRATIONS 35 In 1
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ENTHUSIASMS AND EXECRATIONS 37 was
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ENTHUSIASMS AND EXECRATIONS 39 swif
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ENTHUSIASMS AND EXECRATIONS 41 Vol.
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ENTHUSIASMS AND EXECRATIONS 43 Brit
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Emak Bakia (ibid.). ENTHUSIASMS AND
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Emak Bakia (ibid.). ENTHUSIASMS AND
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ENTHUSIASMS AND EXECRATIONS 49 'Won
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ENTHUSIASMS AND EXECRATIONS 57 gram
Page 126: Impatience (Vol. V, no. 4, October
Page 130: ENTHUSIASMS AND EXECRATIONS 55 resc
Page 134: ENTHUSIASMS AND EXECRATIONS 57 bein
Page 138: The Fall of the House of Usher (ibi
Page 142: ENTHUSIASMS AND EXECRATIONS 61 befo
Page 146: ENTHUSIASMS AND EXECRATIONS 63 Crow
Page 150: ENTHUSIASMS AND EXECRATIONS 65 Vol.
Page 154: Director King Vidor on the set of H
Page 158: ENTHUSIASMS AND EXKCRATIONS 69 Haml
Page 162: ENTHUSIASMS AND EXECRATIONS Paul Ro
Page 166: ENTHUSIASMS AND EXKCRATIONS 73 suff
Page 170: ENTHUSIASMS AND EXECRATIONS 75 by w
Page 174: PART 2 From Silence to Sound
Page 180: 80 CLOSE UP as a material and as a
Page 184: 82 CLOSE UP What a complicated, vas
Page 188: 84 CLOSE UP the most exact and real
Page 192: x»-v ^^tx s IQ
Page 196: 88 CLOSE UP mutilated through the i
Page 200: 90 CLOSE UP The real anti-talkie ar
Page 204: 92 CLOSE UP to her, meaning psycho-
Page 208: H. D. in Foothills, directed by Ken
Page 212: INTRODUCTION Laura Marcus I am now
Page 216: 98 CLOSE UP Given H.D.'s emphasis o
Page 220: 100 CLOSE UP fantasy usefully under
Page 224: 102 CLOSE UP The picture-writing, t
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104 CLOSE UP Yet the 'writing on th
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106 CLOSE UP for example, a film th
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108 CLOSE UP for the life of me lab
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110 CLOSE UP Vol. I, no. 2 August 1
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112 CLOSE UP a waiting enemy? Iphig
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114 CLOSE UP elaborate detail, the
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116 CLOSE UP sewed on) from one wri
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118 CLOSE UP desert. Arid, provinci
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120 CLOSE UP Tom Jones and the shop
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122 CLOSE UP mysterious little pers
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124 CLOSE UP Michael stands before
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126 CLOSE UP and jabbed and pockmar
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128 CLOSE UP to the old but fresh c
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130 CLOSE UP scrapes up a handful o
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132 CLOSE UP stressing, this poigna
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134 CLOSE UP Vol. Ill, no. 3 Septem
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136 CLOSE UP Russians and Germans d
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138 CLOSE UP You are not hungry. We
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140 CLOSE UP All very solemn. Herr
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142 CLOSE UP Pandora's Box. 'A sini
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144 CLOSE UP in ourselves we are as
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146 CLOSE UP Advertisement for the
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148 CLOSE UP filtering through thos
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INTRODUCTION Laura Marcus We are th
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152 CLOSE UP films, her concern wit
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154 CLOSE UP omnibuses rumbling sec
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756 CLOSE UP moved silently by, lif
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158 CLOSE UP the feminized public s
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160 CLOSE UP Vol. I, no. 1 July 192
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162 CLOSE UP Vol. I, no. 2 August 1
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164 CLOSE UP Vol. I, no. 3 Septembe
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166 CLOSE UP Vol. I, no. 4 October
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168 CLOSE UP being introduced not i
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170 CLOSE UP Vol. I, no. 6 December
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772 CLOSE UP Vol. II, no. 1 January
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174 CLOSE UP days by all the hocus-
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776 CLOSE UP hear of it. If she is
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178 CLOSE UP blast, the blast is di
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180 CLOSE UP Vol. II, no. 5 May 192
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182 CLOSE UP Vol. II, no. 6 June 19
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184 CLOSE UP Vol. Ill, no. 1 July 1
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186 CLOSE UP almost universal testi
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188 CLOSE UP remenfber none. Clear,
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190 CLOSE UP Vol. IV, no. 6 June 19
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192 CLOSE UP recognition. But for t
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194 CLOSE UP us, on behalf of the N
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196 CLOSE UP since Mr Herring objec
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Joris Ivens's Rain (Vol. V, no. 3,
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200 CLOSE UP Yet we have admitted,
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202 CLOSE UP secret of withdrawal.
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204 CLOSE UP Everyman lives in a wo
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206 CLOSE UP from a mere backward g
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208 CLOSE UP of^good new dramatists
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210 CLOSE UP of a worker's years is
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INTRODUCTION Anne Friedberg It will
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H. D. in Borderline: 'Helga Doom gi
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Eslanda Robeson in Borderline (Vol.
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218 CLOSE UP The third POOL film, M
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220 CLOSE UP Cinematography', an es
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'Working on the cafe sequence of Bo
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224 CLOSE UP is borderline, working
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226 CLOSE UP job? I spoke hastily.
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228 CLOSE UP nerve-reaction and ero
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230 CLOSE UP movements of the actor
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232 CLOSE UP 'Borderline', he said
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234 CLOSE UP The excellent characte
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236 CLOSE UP of that name. Nor does
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238 CLOSE UP seem to have no justif
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INTRODUCTION Laura Marcus The intim
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242 CLOSE UP time-microscope, that
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244 CLOSE UP the dream-work. While
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246 CLOSE UP becomes the necessary
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248 CLOSE UP developing mind; yet i
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250 CLOSE UP film, operating in a m
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252 CLOSE UP the sailors driven hit
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254 CLOSE UP him the proceedings ar
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256 CLOSE UP Vol. V, no. 1 July 192
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258 CLOSE UP Presently we shall con
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260 CLOSE UP Regression will cease
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262 CLOSE UP Yet despite these two
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264 CLOSE UP solution. Associated w
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266 CLOSE UP undoubtedly find this
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INTRODUCTION James Donald and Anne
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272 CLOSE UP In 1929, Ivor Montagu'
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274 CLOSE UP Vol. V, no. 4 October
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Tusalava (ibid.).
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278 CLOSE UP We can blame our own m
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280 CLOSE UP so impressed with Vert
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282 CLOSE UP Both before and after
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284 CLOSE UP discovered 'accidental
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286 CLOSE UP and fantasies and fair
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288 CLOSE UP Advertisement for the
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290 CLOSE UP Vol. II, no. 6 June 19
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292 CLOSE UP I have noticed in conn
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294 CLOSE UP Vol. II, no. 2 Februar
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296 CLOSE UP Vol. X, no. 2 June 193
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298 CLOSE UP Academy has been broad
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300 CLOSE UP countrymen - the resul
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302 CLOSE UP the L.C.C. to prohibit
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306 CLOSE UP Vol. X, no. 2 June 193
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308 CLOSE UP injured in a so-called
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APPENDIX 1 The Contents of Close Up
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312 APPENDIX 1 ROTHA; Bits and Piec
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314 APPENDIX 1 Film School in Genev
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316 APPENDIX 2 Bryher and Macpherso
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APPENDIX 3 Publishing History For t
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320 APPENDIX 4 Ye How Glass and Eri
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NOTES NOTES TO PREFACE 1. Vladimir
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324 NOTES TO INTRODUCTION makers*.
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326 NOTES TO INTRODUCTION 71. Bryhe
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328 NOTES TO INTRODUCTION TO PART 3
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338 INDEX da Vinci, Leonardo 224-6
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340 INDEX Pennethorne Hughes, CJ. 2
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