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Published in the United States of America in 1998 by Princeton University Press, 41 William Street, Princeton, New Jersey 08540 Published in Great Britain in 1998 by Cassell, Wellington House, 125 Strand, London WC2R OBB This selection and introductions copyright © James Donald, Anne Friedberg and Laura Marcus 1998 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage or retrieval system, without prior permission in writing from the publishers. ISBN 0-691-00462-5 (cloth) 0-691-00463-3 (paperback) Cover still: H.D. (Hilda Doolittle) in Kenneth Macpherson's Wing Beat (Close Up, Volume I, no. 1) Typeset by Ben Cracknell Studios Printed and bound in Great Britain by Martins the Printers Ltd., Berwick <strong>up</strong>on Tweed http://p<strong>up</strong>.princeton.edu 10987654321 10987654321 (Pbk.)
Page 2: CLOSE UP 1927-1933
Page 6: CLOSE UP 1927-1933 Cinema and Moder
Page 12: vi CONTENTS IX The Thoroughly Popul
Page 16: viii PREFACE In the January 1929 is
Page 20: x PREFACE Anne Friedberg in the Uni
Page 24: 2 CLOSE UP Cover wrapper (Vol. I, n
Page 28: 4 CLOSE UP documents which offer th
Page 32: 6 CLOSE UP Cover wrapper, The Offic
Page 36: 8 CLOSE UP Cover wrapper, 'The Only
Page 40: 10 CLOSE UP The journal's appearanc
Page 44: 12 CLOSE UP Macpherson, was another
Page 48: 14 CLOSE UP Riant Chateau June 24,
Page 52: 76 CLOSE UP Kenneth Macpherson in W
Page 56: 18 CLOSE UP Advertisement for Wing
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Pabst and his cameraman Wagner: 'Th
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22 CLOSE UP leave over every year t
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24 CLOSE UP Advertisement for bound
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26 CLOSE UP With the establishment
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INTRODUCTION James Donald For reade
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30 CLOSE UP and aesthetic possibili
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32 CLOSE UP distinction, differenti
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34 CLOSE UP The special issue on 'N
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36 CLOSE UP Vol. I, no. 1 July 1927
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38 CLOSE UP None the less, England
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40 CLOSE UP But films like this are
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42 CLOSE UP important and substanti
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44 CLOSE UP Man Ray's Emak Bakia (V
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Emak Bakia (ibid.). 46 CLOSE UP
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48 CLOSE UP punctuation. Anyone who
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50 CLOSE UP advancement indicated b
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52 CLOSE UP (Left) Charles Dekeukel
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54 CLOSE UP has to be nine times ou
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56 CLOSE UP so very wild. But it is
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Jean Epstein's The Fall of the Hous
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60 CLOSE UP film in the way Lenauer
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62 CLOSE UP the atelier, single-art
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64 CLOSE UP that obscures the entir
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66 CLOSE UP The negro is plasticall
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Stepin Fetchit as 'High Pockets' in
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70 CLOSE UP escaping Jones. The the
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72 CLOSE UP Contents page for speci
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74 CLOSE UP without wings, about wh
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76 CLOSE UP corporations, all for t
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4 "One Talking Picture": A cynical
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80 CLOSE UP as a material and as a
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82 CLOSE UP What a complicated, vas
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84 CLOSE UP the most exact and real
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x»-v ^^tx s IQ
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88 CLOSE UP mutilated through the i
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90 CLOSE UP The real anti-talkie ar
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92 CLOSE UP to her, meaning psycho-
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H. D. in Foothills, directed by Ken
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INTRODUCTION Laura Marcus I am now
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98 CLOSE UP Given H.D.'s emphasis o
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100 CLOSE UP fantasy usefully under
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102 CLOSE UP The picture-writing, t
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104 CLOSE UP Yet the 'writing on th
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106 CLOSE UP for example, a film th
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108 CLOSE UP for the life of me lab
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110 CLOSE UP Vol. I, no. 2 August 1
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112 CLOSE UP a waiting enemy? Iphig
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114 CLOSE UP elaborate detail, the
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116 CLOSE UP sewed on) from one wri
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118 CLOSE UP desert. Arid, provinci
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120 CLOSE UP Tom Jones and the shop
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122 CLOSE UP mysterious little pers
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124 CLOSE UP Michael stands before
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126 CLOSE UP and jabbed and pockmar
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128 CLOSE UP to the old but fresh c
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130 CLOSE UP scrapes up a handful o
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132 CLOSE UP stressing, this poigna
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134 CLOSE UP Vol. Ill, no. 3 Septem
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136 CLOSE UP Russians and Germans d
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138 CLOSE UP You are not hungry. We
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140 CLOSE UP All very solemn. Herr
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142 CLOSE UP Pandora's Box. 'A sini
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144 CLOSE UP in ourselves we are as
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146 CLOSE UP Advertisement for the
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148 CLOSE UP filtering through thos
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INTRODUCTION Laura Marcus We are th
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152 CLOSE UP films, her concern wit
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154 CLOSE UP omnibuses rumbling sec
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756 CLOSE UP moved silently by, lif
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158 CLOSE UP the feminized public s
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160 CLOSE UP Vol. I, no. 1 July 192
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162 CLOSE UP Vol. I, no. 2 August 1
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164 CLOSE UP Vol. I, no. 3 Septembe
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166 CLOSE UP Vol. I, no. 4 October
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168 CLOSE UP being introduced not i
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170 CLOSE UP Vol. I, no. 6 December
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772 CLOSE UP Vol. II, no. 1 January
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174 CLOSE UP days by all the hocus-
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776 CLOSE UP hear of it. If she is
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178 CLOSE UP blast, the blast is di
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180 CLOSE UP Vol. II, no. 5 May 192
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182 CLOSE UP Vol. II, no. 6 June 19
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184 CLOSE UP Vol. Ill, no. 1 July 1
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186 CLOSE UP almost universal testi
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188 CLOSE UP remenfber none. Clear,
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190 CLOSE UP Vol. IV, no. 6 June 19
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192 CLOSE UP recognition. But for t
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194 CLOSE UP us, on behalf of the N
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196 CLOSE UP since Mr Herring objec
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Joris Ivens's Rain (Vol. V, no. 3,
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200 CLOSE UP Yet we have admitted,
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202 CLOSE UP secret of withdrawal.
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204 CLOSE UP Everyman lives in a wo
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206 CLOSE UP from a mere backward g
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208 CLOSE UP of^good new dramatists
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210 CLOSE UP of a worker's years is
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INTRODUCTION Anne Friedberg It will
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H. D. in Borderline: 'Helga Doom gi
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Eslanda Robeson in Borderline (Vol.
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218 CLOSE UP The third POOL film, M
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220 CLOSE UP Cinematography', an es
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'Working on the cafe sequence of Bo
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224 CLOSE UP is borderline, working
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226 CLOSE UP job? I spoke hastily.
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228 CLOSE UP nerve-reaction and ero
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230 CLOSE UP movements of the actor
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232 CLOSE UP 'Borderline', he said
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234 CLOSE UP The excellent characte
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236 CLOSE UP of that name. Nor does
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238 CLOSE UP seem to have no justif
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INTRODUCTION Laura Marcus The intim
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242 CLOSE UP time-microscope, that
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244 CLOSE UP the dream-work. While
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246 CLOSE UP becomes the necessary
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248 CLOSE UP developing mind; yet i
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250 CLOSE UP film, operating in a m
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252 CLOSE UP the sailors driven hit
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254 CLOSE UP him the proceedings ar
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256 CLOSE UP Vol. V, no. 1 July 192
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258 CLOSE UP Presently we shall con
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260 CLOSE UP Regression will cease
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262 CLOSE UP Yet despite these two
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264 CLOSE UP solution. Associated w
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266 CLOSE UP undoubtedly find this
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INTRODUCTION James Donald and Anne
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272 CLOSE UP In 1929, Ivor Montagu'
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274 CLOSE UP Vol. V, no. 4 October
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Tusalava (ibid.).
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278 CLOSE UP We can blame our own m
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280 CLOSE UP so impressed with Vert
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282 CLOSE UP Both before and after
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284 CLOSE UP discovered 'accidental
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286 CLOSE UP and fantasies and fair
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288 CLOSE UP Advertisement for the
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290 CLOSE UP Vol. II, no. 6 June 19
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292 CLOSE UP I have noticed in conn
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294 CLOSE UP Vol. II, no. 2 Februar
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296 CLOSE UP Vol. X, no. 2 June 193
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298 CLOSE UP Academy has been broad
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300 CLOSE UP countrymen - the resul
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302 CLOSE UP the L.C.C. to prohibit
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306 CLOSE UP Vol. X, no. 2 June 193
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308 CLOSE UP injured in a so-called
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APPENDIX 1 The Contents of Close Up
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312 APPENDIX 1 ROTHA; Bits and Piec
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314 APPENDIX 1 Film School in Genev
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316 APPENDIX 2 Bryher and Macpherso
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APPENDIX 3 Publishing History For t
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320 APPENDIX 4 Ye How Glass and Eri
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NOTES NOTES TO PREFACE 1. Vladimir
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324 NOTES TO INTRODUCTION makers*.
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326 NOTES TO INTRODUCTION 71. Bryhe
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328 NOTES TO INTRODUCTION TO PART 3
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338 INDEX da Vinci, Leonardo 224-6
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340 INDEX Pennethorne Hughes, CJ. 2
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