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82 CLOSE UP What a complicated, vast, never-ending science the investigation and psychology of sound is going to present to us, and some of us already are beginning to say that talkies are an art... Till then, gee, honey, ah'm jes crazy 'bout yu, and I don't mind telling the world I miss the sound now in a silent film, and you'll be with me. 13
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CLOSE UP 1927-1933
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CLOSE UP 1927-1933 Cinema and Moder
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CONTENTS Preface vii Introduction:
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PREFACE The journal Close Up, edite
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4 A valued tribute from S.M. Eisens
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INTRODUCTION Reading Close Up, 1927
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INTRODUCTION 3 'entirely new struct
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INTRODUCTION 5 Cover wrapper, 'We W
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INTRODUCTION 7 Hanns Sachs and Barb
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INTRODUCTION 9 the 1930s - one of t
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Kenneth Macpherson in Oswell Blakes
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INTRODUCTION 13 Close Up was initia
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INTRODUCTION 15 certainly that she
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H.D. in Wing Beat (Vol. I, no. 1, J
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INTRODUCTION 19 battleground with s
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INTRODUCTION 21 cinematic elements
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INTRODUCTION 23 The letter also pro
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INTRODUCTION 25 Midway in Close Up'
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PART 1 Enthusiasms and Execrations
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ENTHUSIASMS AND EXECRATIONS 29 Magg
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ENTHUSIASMS AND EXKCRATIONS 31 of s
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ENTHUSIASMS AND EXECRATIONS 33 comp
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ENTHUSIASMS AND EXECRATIONS 35 In 1
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ENTHUSIASMS AND EXECRATIONS 37 was
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ENTHUSIASMS AND EXECRATIONS 39 swif
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ENTHUSIASMS AND EXECRATIONS 41 Vol.
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ENTHUSIASMS AND EXECRATIONS 43 Brit
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Emak Bakia (ibid.). ENTHUSIASMS AND
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Emak Bakia (ibid.). ENTHUSIASMS AND
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ENTHUSIASMS AND EXECRATIONS 49 'Won
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ENTHUSIASMS AND EXECRATIONS 57 gram
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Impatience (Vol. V, no. 4, October
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ENTHUSIASMS AND EXECRATIONS 55 resc
Page 134: ENTHUSIASMS AND EXECRATIONS 57 bein
Page 138: The Fall of the House of Usher (ibi
Page 142: ENTHUSIASMS AND EXECRATIONS 61 befo
Page 146: ENTHUSIASMS AND EXECRATIONS 63 Crow
Page 150: ENTHUSIASMS AND EXECRATIONS 65 Vol.
Page 154: Director King Vidor on the set of H
Page 158: ENTHUSIASMS AND EXKCRATIONS 69 Haml
Page 162: ENTHUSIASMS AND EXECRATIONS Paul Ro
Page 166: ENTHUSIASMS AND EXKCRATIONS 73 suff
Page 170: ENTHUSIASMS AND EXECRATIONS 75 by w
Page 174: PART 2 From Silence to Sound
Page 178: INTRODUCTION James Donald Close Up
Page 182: FROM SILENCE TO SOUND 81 is transla
Page 188: 84 CLOSE UP the most exact and real
Page 192: x»-v ^^tx s IQ
Page 196: 88 CLOSE UP mutilated through the i
Page 200: 90 CLOSE UP The real anti-talkie ar
Page 204: 92 CLOSE UP to her, meaning psycho-
Page 208: H. D. in Foothills, directed by Ken
Page 212: INTRODUCTION Laura Marcus I am now
Page 216: 98 CLOSE UP Given H.D.'s emphasis o
Page 220: 100 CLOSE UP fantasy usefully under
Page 224: 102 CLOSE UP The picture-writing, t
Page 228: 104 CLOSE UP Yet the 'writing on th
Page 232: 106 CLOSE UP for example, a film th
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108 CLOSE UP for the life of me lab
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110 CLOSE UP Vol. I, no. 2 August 1
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112 CLOSE UP a waiting enemy? Iphig
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114 CLOSE UP elaborate detail, the
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116 CLOSE UP sewed on) from one wri
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118 CLOSE UP desert. Arid, provinci
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120 CLOSE UP Tom Jones and the shop
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122 CLOSE UP mysterious little pers
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124 CLOSE UP Michael stands before
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126 CLOSE UP and jabbed and pockmar
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128 CLOSE UP to the old but fresh c
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130 CLOSE UP scrapes up a handful o
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132 CLOSE UP stressing, this poigna
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134 CLOSE UP Vol. Ill, no. 3 Septem
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136 CLOSE UP Russians and Germans d
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138 CLOSE UP You are not hungry. We
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140 CLOSE UP All very solemn. Herr
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142 CLOSE UP Pandora's Box. 'A sini
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144 CLOSE UP in ourselves we are as
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146 CLOSE UP Advertisement for the
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148 CLOSE UP filtering through thos
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INTRODUCTION Laura Marcus We are th
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152 CLOSE UP films, her concern wit
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154 CLOSE UP omnibuses rumbling sec
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756 CLOSE UP moved silently by, lif
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158 CLOSE UP the feminized public s
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160 CLOSE UP Vol. I, no. 1 July 192
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162 CLOSE UP Vol. I, no. 2 August 1
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164 CLOSE UP Vol. I, no. 3 Septembe
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166 CLOSE UP Vol. I, no. 4 October
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168 CLOSE UP being introduced not i
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170 CLOSE UP Vol. I, no. 6 December
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772 CLOSE UP Vol. II, no. 1 January
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174 CLOSE UP days by all the hocus-
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776 CLOSE UP hear of it. If she is
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178 CLOSE UP blast, the blast is di
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180 CLOSE UP Vol. II, no. 5 May 192
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182 CLOSE UP Vol. II, no. 6 June 19
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184 CLOSE UP Vol. Ill, no. 1 July 1
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186 CLOSE UP almost universal testi
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188 CLOSE UP remenfber none. Clear,
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190 CLOSE UP Vol. IV, no. 6 June 19
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192 CLOSE UP recognition. But for t
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194 CLOSE UP us, on behalf of the N
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196 CLOSE UP since Mr Herring objec
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Joris Ivens's Rain (Vol. V, no. 3,
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200 CLOSE UP Yet we have admitted,
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202 CLOSE UP secret of withdrawal.
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204 CLOSE UP Everyman lives in a wo
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206 CLOSE UP from a mere backward g
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208 CLOSE UP of^good new dramatists
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210 CLOSE UP of a worker's years is
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INTRODUCTION Anne Friedberg It will
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H. D. in Borderline: 'Helga Doom gi
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Eslanda Robeson in Borderline (Vol.
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218 CLOSE UP The third POOL film, M
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220 CLOSE UP Cinematography', an es
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'Working on the cafe sequence of Bo
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224 CLOSE UP is borderline, working
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226 CLOSE UP job? I spoke hastily.
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228 CLOSE UP nerve-reaction and ero
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230 CLOSE UP movements of the actor
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232 CLOSE UP 'Borderline', he said
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234 CLOSE UP The excellent characte
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236 CLOSE UP of that name. Nor does
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238 CLOSE UP seem to have no justif
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INTRODUCTION Laura Marcus The intim
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242 CLOSE UP time-microscope, that
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244 CLOSE UP the dream-work. While
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246 CLOSE UP becomes the necessary
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248 CLOSE UP developing mind; yet i
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250 CLOSE UP film, operating in a m
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252 CLOSE UP the sailors driven hit
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254 CLOSE UP him the proceedings ar
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256 CLOSE UP Vol. V, no. 1 July 192
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258 CLOSE UP Presently we shall con
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260 CLOSE UP Regression will cease
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262 CLOSE UP Yet despite these two
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264 CLOSE UP solution. Associated w
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266 CLOSE UP undoubtedly find this
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INTRODUCTION James Donald and Anne
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272 CLOSE UP In 1929, Ivor Montagu'
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274 CLOSE UP Vol. V, no. 4 October
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Tusalava (ibid.).
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278 CLOSE UP We can blame our own m
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280 CLOSE UP so impressed with Vert
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282 CLOSE UP Both before and after
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284 CLOSE UP discovered 'accidental
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286 CLOSE UP and fantasies and fair
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288 CLOSE UP Advertisement for the
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290 CLOSE UP Vol. II, no. 6 June 19
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292 CLOSE UP I have noticed in conn
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294 CLOSE UP Vol. II, no. 2 Februar
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296 CLOSE UP Vol. X, no. 2 June 193
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298 CLOSE UP Academy has been broad
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300 CLOSE UP countrymen - the resul
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302 CLOSE UP the L.C.C. to prohibit
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306 CLOSE UP Vol. X, no. 2 June 193
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308 CLOSE UP injured in a so-called
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APPENDIX 1 The Contents of Close Up
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312 APPENDIX 1 ROTHA; Bits and Piec
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314 APPENDIX 1 Film School in Genev
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316 APPENDIX 2 Bryher and Macpherso
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APPENDIX 3 Publishing History For t
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320 APPENDIX 4 Ye How Glass and Eri
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NOTES NOTES TO PREFACE 1. Vladimir
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324 NOTES TO INTRODUCTION makers*.
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326 NOTES TO INTRODUCTION 71. Bryhe
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328 NOTES TO INTRODUCTION TO PART 3
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338 INDEX da Vinci, Leonardo 224-6
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340 INDEX Pennethorne Hughes, CJ. 2
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