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close up - Monoskop

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INTRODUCTION 9<br />

the 1930s - one of the journal's key battles with British film culture - was effectively<br />

elided. 24 The editors of Close Up were on the Council of the Federation of Workers' Film<br />

Societies (FOWFS), and they argued the cause of Soviet cinema as well as the German<br />

social realists Pabst and Metzner. Close Up was involved in challenging the dominant<br />

prejudices of the film industry, but it did so in terms not directly political or ideological.<br />

Rather, it typified a vanguard modernism less directly allied with political action than<br />

with experimentation in aesthetic form.<br />

Close Up and the 'borderline' subject: all over the map<br />

In the spring of 1927, the collective enterprise known as TOOL' was 'announced' in<br />

advertisements placed in select literary and film magazines:<br />

POOL<br />

is announced.<br />

It has projects. It will mean, concerning books, new hope.<br />

It has projects. It will mean, concerning cinematography, new beginning.<br />

New always. Distinguished, and with a clear course.<br />

BOOKS<br />

FILMS<br />

... encouragement.<br />

CLOSE UP, a monthly magazine to begin battle for film art. Beginning July.<br />

The first periodical to approach films from any angle but the commonplace. To<br />

encourage experimental workers, and amateurs. Will keep in touch with every<br />

country, and watch everything. Contributions on Japanese, Negro viewpoints and<br />

problems, etc. Some of the most interesting personages of the day will write. 25<br />

With manifesto-like declarations, POOL began as a publisher of books, a producer of<br />

films and the publisher of a monthly magazine Close Up. The metaphor implicit in the<br />

name expressed a combination of a 'pool' of resources and 'pool' as a surface for<br />

reflection. 26 Although the actual members of POOL were not officially listed on any of<br />

their publications, Close Up referred to Kenneth Macpherson as its 'Editor' and Bryher as<br />

'Assistant Editor'. Bryher and Macpherson were unknown to the readers they courted.<br />

Close Up was launched to give them a voice. 27 The poet H.D. was a less visible - yet<br />

essential - accomplice. Indeed 'pool' may have seemed a suitable metaphor for the fluid<br />

and yet quite complicated relationships that existed between H.D., Bryher and<br />

Macpherson. 28<br />

POOL books and Close Up were pursued with similar intensity. Between 1927 and<br />

1929, POOL published eight handsomely produced books: two novels by Macpherson,<br />

one memoir by Bryher, one memoir by her younger brother and four film-related<br />

books. 29 But by 1929, it became apparent that Close Up was the more important POOL<br />

publication.

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