Two Pathic Subcultures in Ancient Rome
Two Pathic Subcultures in Ancient Rome
Two Pathic Subcultures in Ancient Rome
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364 RABUN TAYLOR<br />
four bathhouses." Syriscus too appears to be just the sort of "cymbalcrash<strong>in</strong>g<br />
friend" ("cymbala pulsans . . . amicus"; Juv. 9.62, i.e., a Gallus)153<br />
who Juvenal's Naevolus so fears will steal his patron's heart-and<br />
Naevolus's legacy.<br />
What can we say about the men who are the objects of bathhouse<br />
cruis<strong>in</strong>g? Clearly physical appeal was important, but can we believe Juvenal<br />
when he says that Naevolus was picked up primarily because of the<br />
size of his genitals? Naevolus's case is not an isolated one. In fact, the<br />
phenomenon of cruis<strong>in</strong>g men for their size constitutes a veritable literary<br />
convention; <strong>in</strong> Petronius 92, Martial 9.33 and 11.63, Juvenal 6.374-76<br />
and 11.156-58, and Straton of Sardis (Anth. Pal. 12.207), young men<br />
who are particularly well endowed f<strong>in</strong>d themselves the object of wonder<br />
and admiration <strong>in</strong> the baths. In Apuleius's Metamorphoses Philebus's<br />
band of Galli br<strong>in</strong>gs home from the local bathhouse a rustic iuvenis (the<br />
term for a man roughly between the ages of twenty and forty-five) "well<br />
equipped with busy flanks and low-hang<strong>in</strong>g lo<strong>in</strong>s" ("<strong>in</strong>dustria laterum<br />
atque imis ventris bene praeparatum"; 8.29) and offers him d<strong>in</strong>ner as a<br />
prelude (and probable payment) for debauchery.<br />
Naturally, not all the situations cited are alike. Petronius's Ascyltos<br />
falls <strong>in</strong>to his misadventure by accident. The prodigy of Juvenal's sixth<br />
satire is an adult eunuch recently parted from his "two-pound weights"<br />
(bilibres, 6.372), prized for his ephemeral capacity to perform active <strong>in</strong>tercourse<br />
without the danger of impregnat<strong>in</strong>g his mistress. Naevolus's<br />
behavior, and perhaps his orientation as well, is bisexual; we have no such<br />
<strong>in</strong>formation about other bathhouse favorites. But the similarities <strong>in</strong> these<br />
passages are equally strik<strong>in</strong>g. The universal admiration of genital size<br />
suggests that these men are selected at the baths for their perceived excellence<br />
<strong>in</strong> perform<strong>in</strong>g the active role <strong>in</strong> homosexual <strong>in</strong>tercourse. At least<br />
three of them-Ascyltos, Naevolus, and the generic puer of Juvenal<br />
11 the latter two because they habitually shave their bodies after the<br />
fashion of pathics-can be expected to be well versed <strong>in</strong> the passive role<br />
as well.'54 Moreover, most of these men are manifestly past their teenage<br />
years and are consequently at or beyond the term<strong>in</strong>us of desirability ad-<br />
'53"[Cymbals] like tympana belonged to the cult of Cybele with its cunuch pricsts"<br />
(Edward Courtney, A Commentary on the Satires ofjuvenal [London, 1980], p. 434). The<br />
Galli <strong>in</strong> Apul. Met. 8 and 9 are also equipped with them.<br />
154A passage <strong>in</strong> Petronius 9 makes Ascyltos's experience clear: "When I heard this I<br />
shook my fist <strong>in</strong> Ascyltos' face. 'What have you to say?' I cried, 'You! Worked on like a<br />
woman-a whore, whose very breath is unclcan?' Ascyltos first pretended to be shocked,<br />
and then made a braver show of fight, and roared out much more loudly: 'Hold your<br />
tonguc, you filthy prizefightcr.... I was the same k<strong>in</strong>d of brother to you <strong>in</strong> the gardcn, as<br />
this boy is now <strong>in</strong> the lodg<strong>in</strong>gs'" (Michael Hezelt<strong>in</strong>e and E. H. Warm<strong>in</strong>gton, trans., Petronius,<br />
Loeb Classical Library [1969], pp. 15-17). For Naevolus, see Juv. 9.12-15.<br />
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