Two Pathic Subcultures in Ancient Rome
Two Pathic Subcultures in Ancient Rome
Two Pathic Subcultures in Ancient Rome
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<strong>Two</strong> <strong>Pathic</strong> <strong>Subcultures</strong> <strong>in</strong> <strong>Ancient</strong> <strong>Rome</strong> 369<br />
tent <strong>in</strong> the other two <strong>in</strong>stances of the word draucus as well; like several<br />
of Martial's epigrams on sport<strong>in</strong>g themes, the poems <strong>in</strong> which these usages<br />
occur would appear to carry an undercurrent of <strong>in</strong>nuendo. Poem<br />
7.67 describes a woman of prodigious mascul<strong>in</strong>ity who not only penetrates<br />
boys and girls alike, but "with an easy arm twirls the dumbbells<br />
which to the drauci seem heavy" ("gravesque draucis / halteras facili rotat<br />
lacerto"; 5-6). Dumbbells possibly appear as a metaphor for male<br />
genitals <strong>in</strong> 14.49, where the poet asks, "Why do strong arms flag on the<br />
stupid dumbbell? Men are better employed on the ditch among the<br />
v<strong>in</strong>es" ("Quid perunt stulto fortes haltere lacerti? / exercet melius v<strong>in</strong>ea<br />
fossa viros"). The preced<strong>in</strong>g epigram reads, "In the dust of Antaeus the<br />
swift draucus, who makes his neck huge with empty labor, snatches at<br />
these [scrimmage-balls]" ("Haec rapit Antaei velox <strong>in</strong> pulvere draucus, /<br />
grandia qui vano colla labore facit"; 14.48). Could "neck" imply "penis,"<br />
as <strong>in</strong> the avian simile for Chrestus's member cited above, and the<br />
"empty labor" suggest masturbation, as <strong>in</strong> 14.49? If read on both levels<br />
at once the epigram reflects the image of a man who works on improv<strong>in</strong>g<br />
his physique <strong>in</strong> high hopes of a sexual encounter, but who is reduced to<br />
self-stimulation and aggressive sexual advances born of desperation.<br />
What emerges from our exam<strong>in</strong>ation is that the draucus is first and<br />
foremost associated with sexual services. There is simply not enough evidence<br />
that he is ipso facto "one who performs feats of strength <strong>in</strong> public."<br />
If we are to associate drauci with athletic behavior, it is only by virtue of<br />
their connection with bathhouses and their exercise grounds. As we<br />
know from Martial 12.82 and Juvenal 6.419-21, the athletic paraphernalia<br />
and activities described <strong>in</strong> the two athletic-draucus passages are<br />
standard features of Roman baths and are available to all bathers for their<br />
recreation. That drauci exercise with this equipment says less about their<br />
<strong>in</strong>herent athleticism than about their frequent presence at the baths.<br />
Their primary reason for spend<strong>in</strong>g much time there is suggested by the<br />
comb<strong>in</strong>ed <strong>in</strong>formation of the other three draucus passages. They appear<br />
to be freedmen or privileged slaves who have been released from former<br />
duties-perhaps as members of s<strong>in</strong>g<strong>in</strong>g, mime, or act<strong>in</strong>g troupes (nota<br />
bene the fibula) under the supervision of pacdagogi. Hav<strong>in</strong>g rel<strong>in</strong>quished<br />
the f<strong>in</strong>ancial security of their former life, they develop and flaunt their<br />
physical charms <strong>in</strong> order to secure patronage relationships with free citizens<br />
through homosexual contact. Hence the draucus of Martial 11.72<br />
is Natta's "own" (suus) <strong>in</strong> the sense that he is a kept favorite, rather like<br />
a younger version of Virro's Naevolus. Baths are the obvious place to<br />
carry out this scheme, because they are one of the few places where Roman<br />
men can be seen naked by other men without the immediate stigma<br />
of prostitution.<br />
While the texts are generally silent about the sexual preferences of the<br />
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